"A remarkable piece of invention, a flight from the world of the familiar and the real into the exotic universe of dream and desire." —New York Times Book Review When a light aircraft crashes into the Thames at Shepperton, the young pilot who struggles to the surface minutes later seems to have come back from the dead. Within hours everything in the dormitory suburb is transformed. Vultures invade rooftops, luxuriant tropical vegetation overruns the quiet avenues, and the local inhabitants are propelled by the young man’s urgent visions through ecstatic sexual celebrations toward an apocalyptic climax. In this characteristically inventive novel Ballard displays to devastating effect the extraordinary imagination that has established him as one of the twentieth century’s most visionary writers.

Peter Brigg examines the life and work of British author J.G. Ballard, from his science fiction to his mainstream fiction. Starmont Reader's Guide 26.

Providing an extensive reassessment of dominant and recurring themes in Ballard's writing, including historical violence, pornography, post 9/11 politics, and urban space, this book also engages with Ballard's 'late' modernism; his experimentation with style and form; and his sustained interests in psychology and psychopathology.

J. G. Ballard once declared that the most truly alien planet is Earth and in his science fiction he abandoned the traditional imagery of rocket ships traveling to distant galaxies to address the otherworldliness of this world. The Empires of J. G. Ballard is the first extensive study of Ballard's critical vision of nation and empire, of the political geography of this planet. Paddy examines how Ballard s self-perceived status as an outsider and exile, the Sheppertonian from Shanghai, generated an outlook that celebrated worldliness and condemned parochialism. This book brings to light how Ballard wrestled with notions of national identity and speculated upon the social and psychological implications of the post-war transformation of older models of empire into new imperialisms of consumerism and globalization. Presenting analyses of Ballard s full body of work with its tales of reverse colonization, psychological imperialism, the savagery of civilization, estranged Englishmen abroad and at home, and multinational communities built on crime, The Empires of J. G. Ballard offers a fresh perspective on the fiction of J. G. Ballard. The Empires of J.G. Ballard: An Imagined Geography offers a sustained and highly convincing analysis of the imperial and post-imperial histories and networks that shape and energise Ballard's fictional and non-fictional writings. To what extent can Ballard be considered an international writer? What happens to our understanding of his post-war science fictions when they are opened up to the language and logics of post-colonialism? And what creative and critical roles do the spectres of empire play in Ballard's visions of modernity? Paddy follows these and other fascinating lines of enquiry in a study that is not only essential reading for Ballard students and scholars, but for anyone interested in the intersections of modern and contemporary literature, history and politics. (Jeanette Baxter, Anglia Ruskin University) Shanghai made my father. Arriving in England after WW2, he was a person of the world who d witnessed extremes of human experience, and remained the outsider observing life from his home in Shepperton. 1930s Shanghai, Paris of the East , was a mix of international sophistication and violence, unfettered capitalism and acute poverty, American cars, martinis and Coca Cola, a place marked by death and war. It had a profound influence on my father and his imagination. Dr Paddy s fascinating book explores my father s fiction within an international context and offers a profound reading of a man who always kept his eyes and mind open to the world. (Fay Ballard)

The author of Empire of the Sun and other acclaimed novels and stories, British science fiction writer J. G. Ballard is here given a penetrating analysis, his work being explored in terms of its internal coherence, its continuity and development, and its mythic and metaphysical aspects. Ballard's fiction is widely considered to be a critique of our secular, rational, technological culture, but this study departs from earlier ones that label him a fatalistic or nihilistic writer obsessed with entropy, devolution, and dissolution in showing him, instead, to be most deeply concerned with the redemption and regeneration of the human psyche. With Ballard's focus so much on visionary perception and mystical transcendence, Gregory Stephenson argues for his placement in the Romantic visionary tradition. A comprehensive examination of Ballard's work, this study traces his output and accomplishments over four decades, exploring their thematic development. Ballard is considered in relation to a number of British and American writers of the post-World War II era--within and beyond the often too-rigidly applied categorization of science fiction, as well as to poets and novelists of the past.