One of Stalin's most heinous acts was the ruthless repression of millions of peasants in the early 1930s, an act that established the very foundations of the gulag. Now, with the opening of Soviet archives, an entirely new dimension of Stalin's brutality has been uncovered.

A searing historical account of a tragic episode of the Stalinist terror During the spring of 1933, Stalin’s police rounded up nearly one hundred thousand people as part of the Soviet regime’s “cleansing” of Moscow and Leningrad and deported them to Siberia. Many of the victims were sent to labor camps, but ten thousand of them were dumped in a remote wasteland and left to fend for themselves. Cannibal Island reveals the shocking, grisly truth about their fate. These people were abandoned on the island of Nazino without food or shelter. Left there to starve and to die, they eventually began to eat each other. Nicolas Werth, a French historian of the Soviet era, reconstructs their gruesome final days using rare archival material from deep inside the Stalinist vaults. Werth skillfully weaves this episode into a broader story about the Soviet frenzy in the 1930s to purge society of all those deemed to be unfit. For Stalin, these undesirables included criminals, opponents of forced collectivization, vagabonds, gypsies, even entire groups in Soviet society such as the “kulaks” and their families. Werth sets his story within the broader social and political context of the period, giving us for the first time a full picture of how Stalin’s system of “special villages” worked, how hundreds of thousands of Soviet citizens were moved about the country in wholesale mass transportations, and how this savage bureaucratic machinery functioned on the local, regional, and state levels. Cannibal Island challenges us to confront unpleasant facts not only about Stalin’s punitive social controls and his failed Soviet utopia but about every generation’s capacity for brutality—including our own.

,"A book that belongs on the shelf alongside The Gulag Archipelago. -- Kirkus Reviews A haunting literary and visual journey deep into Russia's past -- and present. The Gulag was a monstrous network of labor camps that held and killed millions of prisoners from the 1930s to the 1950s. More than half a century after the end of Stalinist terror, the geography of the Gulag has been barely sketched and the number of its victims remains unknown. Has the Gulag been forgotten?Writer Masha Gessen and photographer Misha Friedman set out across Russia in search of the memory of the Gulag. They journey from Moscow to Sandarmokh, a forested site of mass executions during Stalin's Great Terror; to the only Gulag camp turned into a museum, outside of the city of Perm in the Urals; and to Kolyma, where prisoners worked in deadly mines in the remote reaches of the Far East. They find that in Vladimir Putin's Russia, where Stalin is remembered as a great leader, Soviet terror has not been forgotten: it was never remembered in the first place.

Death and Redemption offers a fundamental reinterpretation of the role of the Gulag--the Soviet Union's vast system of forced-labor camps, internal exile, and prisons--in Soviet society. Soviet authorities undoubtedly had the means to exterminate all the prisoners who passed through the Gulag, but unlike the Nazis they did not conceive of their concentration camps as instruments of genocide. In this provocative book, Steven Barnes argues that the Gulag must be understood primarily as a penal institution where prisoners were given one final chance to reintegrate into Soviet society. Millions whom authorities deemed "reeducated" through brutal forced labor were allowed to leave. Millions more who "failed" never got out alive. Drawing on newly opened archives in Russia and Kazakhstan as well as memoirs by actual prisoners, Barnes shows how the Gulag was integral to the Soviet goal of building a utopian socialist society. He takes readers into the Gulag itself, focusing on one outpost of the Gulag system in the Karaganda region of Kazakhstan, a location that featured the full panoply of Soviet detention institutions. Barnes traces the Gulag experience from its beginnings after the 1917 Russian Revolution to its decline following the 1953 death of Stalin. Death and Redemption reveals how the Gulag defined the border between those who would reenter Soviet society and those who would be excluded through death.

Volume 1 of the gripping epic masterpiece, Solzhenitsyn's chilling report of his arrest and interrogation, which exposed to the world the vast bureaucracy of secret police that haunted Soviet society

Containing analyses of everything from prisoner poetry to album covers, Belomor: Criminality and Creativity in Stalin’s Gulag moves beyond the simplistic good/evil paradigm that often accompanies Gulag scholarship. While acknowledging the normative power of Stalinism—an ethos so hegemonic it wanted to harness the very mechanisms of inspiration—the volume also recognizes the various loopholes offered by artistic expression. Perhaps the most infamous project of Stalin’s first Five-Year Plan, the Belomor construction was riddled by paradox, above all the fact that it created a major waterway that was too shallow for large crafts. Even more significant, and sinister, is that the project won the backing of famous creative luminaries who enthusiastically professed the doctrine of self-fashioning. Belomor complicates our understanding of the Gulag by looking at both prisoner motivation and official response from multiple angles, thereby offering a more expansive vision of the labor camp and its connection to Stalinism.

Survival as Victory is the first anthropological study of daily life in the Soviet forced labor camps as experienced by Ukrainian women prisoners. Oksana Kis pulls from the written and oral histories of over 150 survivors to bring to life the gendered strategies of survival, accommodation, and resistance to the dehumanizing effects of the Gulag.