Revised and updated since its first publication in 1990, this acclaimed critical survey covers the classic chillers produced by Universal Studios during the golden age of hollywood horror, 1931 through 1946. Trekking boldly through haunts and horrors from The Frankenstein Monster, The Wolf Man, Count Dracula, and The Invisible Man, to The Mummy, Paula the Ape Woman, The Creeper, and The Inner Sanctum, the authors offer a definitive study of the 86 films produced during this era and present a general overview of the period. Coverage of the films includes complete cast lists, credits, storyline, behind-the-scenes information, production history, critical analysis, and commentary from the cast and crew (much of it drawn from interviews by Tom Weaver, whom USA Today calls "the king of the monster hunters"). Unique to this edition are a new selection of photographs and poster reproductions and an appendix listing additional films of interest.

Charles L. Grant sets forth to take us across time and into a fantasy world to his remarkable little Connecticut town of Oxrun Station. There are new horrors on the loose to excite each reader. For all of you who, like the author, yearn for something blatantly old-fashioned, here is an opportunity to climb back into the past, and experience the thrill of the classic tale of The Mummy—the jackal-headed god … ancient Egypt … mummies … eternal …

#1 Amazon Best Seller in Philosophy Criticism. The world is increasingly unthinkable, a world of planetary disasters, emerging pandemics, and the looming threat of extinction. In this book Eugene Thacker suggests that we look to the genre of horror as offering a way of thinking about the unthinkable world. To confront this idea is to confront the limit of our ability to understand the world in which we live – a central motif of the horror genre. In the Dust of This Planet explores these relationships between philosophy and horror. In Thacker's hands, philosophy is not academic logic-chopping; instead, it is the thought of the limit of all thought, especially as it dovetails into occultism, demonology, and mysticism. Likewise, Thacker takes horror to mean something beyond the focus on gore and scare tactics, but as the under-appreciated genre of supernatural horror in fiction, film, comics, and music. This relationship between philosophy and horror does not mean the philosophy of horror, if anything, it means the reverse, the horror of philosophy: those moments when philosophical thinking enigmatically confronts the horizon of its own existence. For Thacker, the genre of supernatural horror is the key site in which this paradoxical thought of the unthinkable takes place. The cover of In the Dust of this Planet can be seen in a New York gallery, on a banner at the 2014 Climate Change march in New York and on Jay-Z's back promoting Run. The book influenced the writers of the US TV series True Detective and has been lambasted by ex-Fox News broadcaster, Glenn Beck in this podcast https://www.youtube.com/watch?v=2IW8OK4_1gQ

"Not for the faint of heart or weak of stomach, the 19 stories in this new best-of annual anthology feature episodes of graphic gore and violence—including torture, dismemberment, self-mutilation, and home abortion—that are designed to push buttons as well as boundaries...strictly for hardcore horror fans."—Publishers Weekly Excerpt from the Introduction: Editors Randy Chandler and Cheryl Mullenax put the call out to horror writers and editors of extreme stories, the hardcore stuff that breaks boundaries and trashes taboos, the transgressive tales you can't "unread" (as Chuck Palahniuk says). We staked out our territory and nailed this to the wall to guide us: YEAR'S BEST HARDEST HORROR Not your mama's best-of horror annual. This stuff comes from the edge of the abyss, stories you read at your own risk because you feel the abyss looking right back into you through the tainted lens of each twisted tale. Some of the stories you'll find here are loaded with very graphic descriptions of violence, sex and depravities, while others may contain only one shocking moment of brutality. In others, the hardcore aspect may be less graphic and subtler than you might expect. Some of these quieter tales offer the reader some time to recover from the more disturbing ones preceding. Most of the stories collected here are from small and specialty press anthologies, with a few from periodicals, like the prestigious Splatterpunk Zine in the UK and Thuglit here in the US. Bizarro is also represented with a couple of tales from the unlikely anthology Blood For You: A Literary Tribute To GG Allin from Weirdpunk Books. (If you're not familiar with the late GG Allin, you can find snippets from some of his outrageous and obscene punk shows online, which will increase your appreciation of those two tales.) So for now, forget about that neighbor you suspect is a serial killer, don't worry about the drunk driver that could take you out on your next trip to the store, push those troubling news stories to the back of your mind and immerse yourself in the imaginary horrors at hand. But don't be surprised if you sense something dark staring back at you from between the lines. That is to be expected when you enter these forbidding realms. With any luck, you may find something useful to help you survive the approaching Apocalypse. TABLE OF CONTENTS Introduction: The Year That Was "Worth the Having" by Michael Paul Gonzalez "Awakening" by Jeff Strand "Readings Off The Charts" by Adam Cesare "Reborn" by The Behrg "What's Worst" by David James Keaton "Dead End" by Kristopher Triana "What You Wish For" by Lilith Morgan "King Shits" by Charles Austin Muir "Cleanup On Aisle 3" by Adam Howe "Bath Salt Fetus" by Jorge Palacios "Bored With Brutality" by MP Johnson "Exposed" by Monica J. O'Rourke "Eleanor" by Jason Parent "The Scavengers" by Tony Knighton "The Most Important Miracle" by Scott Emerson "Hungry For Control" by Clare de Lune "Clarissa" by Robert Essig & Jack Bantry "Where The Sun Don't Shine" by Pete Kahle "Blackbird Lullaby" by George Cotronis

A supernatural horror thriller for readers of Chuck Palahniuk (Lullaby and Haunted: A Novel), Marisha Pessl,(Night Film), and Scarlett Thomas (The End of Mr. Y), The Last Book You’ll Ever Read tells the terrifying story of a woman who knows the horrific truth about the past – and future - of humankind, and, when captured in her book SATYR, it becomes the catalyst for worldwide, mind-numbing violence Read this book at your own peril. Olivia Kade wrote the book that ended the world. Now she needs someone who won't read it. Civilization is a lie. Hidden deep in our genes is the truth. And it is slowly clawing its way to the surface. Olivia Kade knows the truth, and she has become the prophet of the coming collapse. Her book, SATYR, is an international bestseller, and it is being blamed for acts of senseless violence and bloodshed all over the world. Olivia's own life is in danger from those who have read her work. Determined to conduct a book tour, she hires security professional Connor Wilson to act as her bodyguard. She only has one requirement: he cannot read her work. John Carpenter’s In the Mouth of Madness meets Chuck Palahniuk’s Lullaby in this terrifyingly dangerous tale of the descent of humankind where reality and fantasy collide. Collects the entire smash 8-issue series. For fans of Stephen Graham Jones, Stephen King, Chuck Palahniuk, Alma Katsu, The Ring, and The Ninth Gate. "I truly hope this terrific horror comic is in no way prescient or timely." - Patton Oswalt “…perfectly disturbing and mysterious.” – The Beat

From the 1920s through the 1950s, Universal Studios was Hollywood’s number one studio for horror pictures, haunting movie theaters worldwide with Dracula, Frankenstein, and the Creature from the Black Lagoon, among others. Universal Studios Monsters: A Legacy of Horror explores all of these enduring characters, chronicling both the mythology behind the films and offering behind-the-scenes insights into how the films were created. Universal Studios Monsters is the most complete record of the horror films of this legendary studio, with biographies of major personalities who were responsible for the most notable monster melodramas in film history. The stories of these films and their creators are told through interviews with surviving actors and studio employees. A lavish photographic record, including many behind-the-scenes shots, completes the story of how these classics were made. This is a volume no fan of imaginative cinema will want to be without.

Turner Classic Movies presents a collection of monster greats, modern and classic horror, and family-friendly cinematic treats that capture the spirit of Halloween, complete with reviews, behind-the-scenes stories, and iconic images. Fright Favorites spotlights 31 essential Halloween-time films, their associated sequels and remakes, and recommendations to expand your seasonal repertoire based on your favorites. Featured titles include Nosferatu (1922), Dracula (1931), Cat People (1942), Them (1953), House on Haunted Hill (1959), Black Sunday (1960), Rosemary's Baby (1968), Young Frankenstein (1976), Beetlejuice (1988), Get Out (2017), and many more.