In an easy, conversational style, four leading Canadian poets talk about the teaching and creation of poetry, using examples from their own and students' work. The four authors discuss the evolution of a poem, including the development of poetic ideas, and the use of imagery and sound. The Universe is One Poem provides valuable help for teachers and their students, as they explore the challenging but rewarding field of poetry. The authors, all published poets and educators, have particular skill at imparting their love of poetry and helping students to express themselves. Their aim is "to rekindle or keep alive interest in poetry among elementary and high-school students."

Hang on tight for a raucous bounce through the solar system and back — propelled by funny, fanciful, factually sound poems and exuberant illustrations. The universe poured into me. My brain was overloaded. It smoked and glowed red-hot. And then it actually exploded. Ever wonder what the sun has to say about being the closest star to Earth? Or what Pluto has gotten up to since being demoted to a dwarf planet? Or where rocket ships go when they retire? Listen closely, because maybe, just maybe, your head will explode, too. With poetry that is equal parts accurate and entertaining — and illustrations that are positively out of this world — this book will enthrall amateur stargazers and budding astrophysicists as it reveals many of the wonders our universe holds. Space travelers in search of more information will find notes about the poems, a glossary, and a list of resources at the end.

Here at last is a comprehensive anthology of one of the world's most fascinating literary hybrids. This strange sub-genre encompasses the history of modern poetry, from its beginnings in romanticism (Bertrand, Turgenev, Baudelaire), its adolescence in Symbolism (Mallarme, Rimbaud, Trakl), its maturity in high modernism (Stein, Williams, Kafka, Montale, Follain, Char, Vallejo, H.D., and others), and its middle age in post-modernism (Cortazar, Bishop, Ashbery, Simic, Edson, Bly...) up to the present.

The largest and richest English-language volume of poetry from “the greatest twentieth-century writer you have never heard of” (Los Angeles Times) Edited, Translated, and with an Introduction by Richard Zenith, the author of the Pulitzer Prize finalist Pessoa: A Biography A Penguin Classic Writing obsessively in French, English, and Portuguese, poet Fernando Pessoa (1888–1935) left a prodigious body of work, much of it credited to three “heteronyms”―Alberto Caeiro, Ricardo Reis, and Alvaro de Campos―alter egos with startlingly different styles, points of view, and biographies. Offering a unique sampling of his most famous voices, this collection features Pessoa’s major, best-known works and several stunning poems that have come to light only in this century, including his long, highly autobiographical swan song. Featuring a rich body of work that has never before been translated into English, this is the finest introduction available to the stunning breadth of Pessoa’s genius.

Engrossing tales from the fifth grade Every child is like A little world with ever-changing weather, Nights and mornings. And somehow, here we are, Spinning through the universe together. Unforgettable students in this fifth-grade classroom reveal their private feelings about birth and death, a missing bicycle and a first kiss, as well as their thoughts about recess, report cards, fitting in, and family. Using a rich array of traditional poetic forms, such as sonnets, sestinas, and acrostics, Helen Frost interweaves the stories of the kids in Room 214 and their teacher. A final section giving detailed analyses of the twenty-two forms will be of special interest.

Bending the Universe immerses readers in the beautifully, brutally honest poetry of Justin Wetch—an idealist disguised as a pessimist. Organized into five sections (Society, Love, Life, Personal, and Nature), this collection explores everything from diversity to body image, heartbreak to politics. Poems spring from each page in a voice that’s almost audible—and always thought-provoking.

Eureka (1848) is a lengthy non-fiction work by American author Edgar Allan Poe (1809–1849) which he subtitled "A Prose Poem", though it has also been subtitled as "An Essay on the Material and Spiritual Universe". Adapted from a lecture he had presented, Eureka describes Poe's intuitive conception of the nature of the universe with no antecedent scientific work done to reach his conclusions. He also discusses man's relationship with God, whom he compares to an author. It is dedicated to the German naturalist and explorer Alexander von Humboldt (1769–1859). Though it is generally considered a literary work, some of Poe's ideas anticipate 20th century scientific discoveries and theories. Indeed a critical analysis of the scientific content of Eureka reveals a non-causal correspondence with modern cosmology due to the assumption of an evolving Universe, but excludes the anachronistic anticipation of relativistic concepts such as black holes. Eureka was received poorly in Poe's day and generally described as absurd, even by friends. Modern critics continue to debate the significance of Eureka and some doubt its seriousness, in part because of Poe's many incorrect assumptions and his comedic descriptions of well-known historical minds. It is presented as a poem, and many compare it with his fiction work, especially science fiction stories such as "The Facts in the Case of M. Valdemar". His attempts at discovering the truth also follow his own tradition of "ratiocination", a term used in his detective fiction tales. Poe's suggestion that the soul continues to thrive even after death also parallels with works in which characters reappear from beyond the grave such as "Ligeia". The essay is oddly transcendental, considering Poe's disdain for that movement. He considered it his greatest work and claimed it was more important than the discovery of gravity. Eureka is Poe's last major work and his longest non-fiction work at nearly 40,000 words in length.