In the decades following World War II, municipal leaders and ordinary citizens embraced San Francisco’s identity as the “Gateway to the Pacific,” using it to reimagine and rebuild the city. The city became a cosmopolitan center on account of its newfound celebration of its Japanese and other Asian American residents, its economy linked with Asia, and its favorable location for transpacific partnerships. The most conspicuous testament to San Francisco’s postwar transpacific connections is the Japanese Cultural and Trade Center in the city’s redeveloped Japanese-American enclave. Focusing on the development of the Center, Meredith Oda shows how this multilayered story was embedded within a larger story of the changing institutions and ideas that were shaping the city. During these formative decades, Oda argues, San Francisco’s relations with and ideas about Japan were being forged within the intimate, local sites of civic and community life. This shift took many forms, including changes in city leadership, new municipal institutions, and especially transformations in the built environment. Newly friendly relations between Japan and the United States also meant that Japanese Americans found fresh, if highly constrained, job and community prospects just as the city’s African Americans struggled against rising barriers. San Francisco’s story is an inherently local one, but it also a broader story of a city collectively, if not cooperatively, reimagining its place in a global economy.

Historian Harry Gailey offers a fresh one-volume treatment of the vast Pacific theater in World War II, examining in detail the performance of Japanese and Allied naval, air, and land forces in every major military operation. The War in the Pacific begins with an examination of events leading up to World War II and compares the Japanese and American economies and societies, as well as the chief combatants' military doctrine, training, war plans, and equipment. The book then chronicles all significant actions - from the early Allied defeats in the Philippines, the East Indies, and New Guinea; through the gradual improvement of the Allied position in the Central and Southwest Pacific regions; to the final agonies of the Japanese people, whose leaders refused to admit defeat until the very end. Gailey gives detailed treatment to much that has been neglected or given only cursory mention in previous surveys. The reader thus gains an unparalleled overview of operations, as well as many fresh insights into the behind-the-scenes bickering between the Allies and the interservice squabbles that dogged MacArthur and Nimitz throughout the war. NOTE: This edition does not include a photo insert.

"John C. McManus, one of our most highly-acclaimed historians of World War II, takes readers from Pearl Harbor--a rude awakening for a ragtag militia woefully unprepared for war--to Makin, a sliver of coral reef where the Army was tested against the increasingly-desperate Japanese. In between were nearly two years of punishing combat as the Army transformed, at times unsteadily, from an undertrained garrison force into an unstoppable juggernaut, and America evolved from an inward-looking nation into a global superpower."--Provided by publisher.

The enduring popularity of Polynesia in western literature, art, and film attests to the pleasures that Pacific islands have, over the centuries, afforded the consuming gaze of the west—connoting solitude, release from cares, and, more recently, self-renewal away from urbanized modern life. Facing the Pacific is the first study to offer a detailed look at the United States’ intense engagement with the myth of the South Seas just after the First World War, when, at home, a popular vogue for all things Polynesian seemed to echo the expansion of U.S. imperialist activities abroad. Jeffrey Geiger looks at a variety of texts that helped to invent a vision of Polynesia for U.S. audiences, focusing on a group of writers and filmmakers whose mutual fascination with the South Pacific drew them together—and would eventually drive some of them apart. Key figures discussed in this volume are Frederick O’Brien, author of the bestseller White Shadows in the South Seas; filmmaker Robert Flaherty and his wife, Frances Hubbard Flaherty, who collaborated on Moana; director W. S. Van Dyke, who worked with Robert Flaherty on MGM’s adaptation of White Shadows; and Expressionist director F. W. Murnau, whose last film, Tabu, was co-directed with Flaherty.

000545853 - 99/615 A Robert Stewart book.

From the halls of Montezuma to the shores of Tripoli, and more recently from the jungles of Vietnam to the killing fields of Iraq, America's "soldiers of the sea" have fought their country's battles with famed valor, skill, and perseverance in the face of long odds. But where did the U.S. Marines earn their reputation as being the "first to fight?" It was on the South Pacific Island of Guadalcanal. There, on August 7, 1942, the 1st Marine Division stormed ashore to begin one of the most difficult and brutal campaigns of military history, and an unbroken string of victories staged across the Pacific.

This work offers a history of the Pacific as a frontier of the United States using economics, politics, and culture as its central areas of consideration. While many studies have analyzed specific regions within the Pacific, this work considers the whole of this vast ocean and its coasts as a single unit of study. In broadening the scope of analysis, one of the author's primary aims is to expand American understanding of the term frontier to include the Pacific and its nations. It covers periods stretching from 1784, the year the first ship flying the American flag reached China, to 1867, the eve of the Civil War. During this period, America's presence was expanding throughout the entire ocean. It also covers the period from 1868 to Pearl Harbour in 1941, witnessing a simultaneous contraction of the area within which various American interests were active, and a gradual integration of the frontier region. Finally, World War II marks the beginning of the period which concludes in 1994, during which, Heffer argues, the entire Pacific becomes an American lake and the former frontier begins to disappear.