DIVAn analysis of Western attitudes toward war from a subaltern perspective that brings new insights into Western philosophical paradigms. /div

Dussel (ethics, Universidad Nacional Autonoma de Mexico) shows how North American and European philosophies have failed to give historically faithful analysis of the genesis of the "myth" of modernity, and have never engaged in a serious questioning of their own Eurocentric presuppositions. He contends that North American and European philosophers have fallen into a false belief that there is a linear sequence that moves from the premodern to the modern, developed, and industrialized. Annotation copyright by Book News, Inc., Portland, OR

Enrique Dussel's writings span the theology of liberation, critiques of discourse ethics and evaluations of Marx, Levinas, Habermas, and others. This anthology of articles by US philosophers elucidating Dussel's thought offers critical analyses from a variety of perspectives.

Enrique Ambrosini Dussel is and has been one of the most prolific Latin American philosophers of the last 100 years. He has written over fifty books, and over three hundred articles ranging over the history of the Latin American philosophy, political philosophy, church history, theology, ethics, and occasional pieces on the state of Latin American countries. Dussel is first and foremost a moral philosopher, a philosopher of liberation. But for him, philosophy must be liberated so that it may contribute to social liberation. In one sense, "beyond philosophy" means to go beyond contemporary, academicized, professionalized, and "civilized" philosophy by turning to all that demystifies the autonomy of philosophy and turns our attention to its sources. "Beyond philosophy," also means to go beyond philosophy in the Marxian sense of abolishing philosophy by realizing it. This is the definitive English language collection of Dussel's enormous body of work. It will allow the reader to get a good sense of the breath and depth of Dussel's opus, covering four major areas: ethics, economics, history, and liberation theology.

DIVA new and more concrete understanding of the inseparability of colonialism and modernity that also explores how the rhetoric of modernity disguises the logic of coloniality and how this rhetoric has been instrumental in establishing capitalism as the econ/div

Available in English for the first time, a masterwork by Enrique Dussel, one of the world's foremost philosophers, and a cornerstone of the philosophy of liberation, which he helped to found and develop.

Using Delhi’s contemporary history as a site for reflection, Pirate Modernity moves from a detailed discussion of the technocratic design of the city by US planners in the 1950s, to the massive expansions after 1977, culminating in the urban crisis of the 1990s. As a practice, pirate modernity is an illicit form of urban globalization. Poorer urban populations increasingly inhabit non-legal spheres: unauthorized neighborhoods, squatter camps and bypass legal technological infrastructures (media, electricity). This pirate culture produces a significant enabling resource for subaltern populations unable to enter the legal city. Equally, this is an unstable world, bringing subaltern populations into the harsh glare of permanent technological visibility, and attacks by urban elites, courts and visceral media industries. The book examines contemporary Delhi from some of these sites: the unmaking of the citys modernist planning design, new technological urban networks that bypass states and corporations, and the tragic experience of the road accident terrifyingly enhanced by technological culture. Pirate Modernity moves between past and present, along with debates in Asia, Africa and Latin America on urbanism, media culture, and everyday life. This pioneering book suggests cities have to be revisited afresh after proliferating media culture. Pirate Modernity boldly draws from urban and cultural theory to open a new agenda for a world after media urbanism.