The Unclassed (1884) is a novel by George Gissing. Inspired by his own struggles as a working writer forced to take up odd jobs while failing to gain traction with critics and readers, Gissing crafts a tale of talent, ambition, and romance fallen victim to the vicissitudes of class. The Unclassed poses important questions about convention in Victorian England while proving surprisingly relevant for our own times. Struggling to make it as a lower-class Londoner, Osmond Waymark finds himself unable to give up his literary ambitions. Desperate and lonely, he strikes up a friendship with Julian Casti, a similarly down-and-out young writer who suffers from both poverty and xenophobia as the son of Italian immigrants. When Julian agrees to an ill-advised marriage to Harriet Smales, a rude young woman, he inadvertently exposes Osmond to her manipulative and vindictive ways. As Osmond falls for Ida Starr, a prostitute’s daughter driven to rise above her circumstances, he unwittingly angers Harriet, whose friend Maud is secretly in love with him. In a shocking turn of events, Harriet conspires to get Ida arrested for theft, then maneuvers to get Osmond into the arms of Maud. The two become engaged, leaving Ida—the novel’s heroine—to rely on her wits and survival instinct to not only prove her innocence, but win back the man she loves. In The Unclassed, Gissing explores the limits of social mobility, the struggles faced by young writers, and the power of jealousy to poison both promise and hope. With a beautifully designed cover and professionally typeset manuscript, this edition of George Gissing’s The Unclassed is a classic work of English literature reimagined for modern readers.

In 1896, author Arthur Morrison gained notoriety for his bleak and violent A Child of the Jago, a slum novel that captured the desperate struggle to survive among London’s poorest. When a reviewer accused Morrison of exaggerating the depravity of the neighborhood on which the Jago was based, he incited the era’s most contentious public debate about the purpose of realism and the responsibilities of the novelist. In his self-defense and in his wider body of work, Morrison demonstrated not only his investments as a formal artist, but also his awareness of social questions. As the first critical essay collection on Arthur Morrison and the East End, this book assesses Morrison’s contributions to late-Victorian culture, especially discourses around English working-class life. Chapters evaluate Morrison in the context of Victorian criminality, child welfare, disability, housing, professionalism, and slum photography. Morrison’s works are also reexamined in the light of writings by Sir Walter Besant, Clementina Black, Charles Booth, Charles Dickens, George Gissing, and Margaret Harkness. This volume features an introduction and 11 chapters by preeminent and emerging scholars of the East End. They employ a variety of critical methodologies, drawing on their respective expertise in literature, history, art history, sociology, and geography. Critical Essays on Arthur Morrison and the East End throws fresh new light on this innovative novelist of poverty and urban life.

Addressing the Victorian obsession with the sordid materiality of modern life, this book studies dirt in nineteenth-century English literature and the Victorian cultural imagination. Dirt litters Victorian writing – industrial novels, literature about the city, slum fiction, bluebooks, and the reports of sanitary reformers. It seems to be "matter out of place," challenging traditional concepts of art and disregarding the concern with hygiene, deodorization, and purification at the center of the "civilizing process." Drawing upon Material Cultural Studies for an analysis of the complex relationships between dirt and textuality, the study adds a new perspective to scholarship on both the Victorian sanitation movement and Victorian fiction. The chapters focus on Victorian commodity culture as a backdrop to narratives about refuse and rubbish; on the impact of waste and ordure on life stories; on the production and circulation of affective responses to filth in realist novels and slum travelogues; and on the function of dirt for both colonial discourse and its deconstruction in postcolonial writing. They address questions as to how texts about dirt create the effect of materiality, how dirt constructs or deconstructs meaning, and how the project of writing dirt attempts to contain its excessive materiality. Schülting discusses representations of dirt in a variety of texts by Charles Dickens, E. M. Forster, Elizabeth Gaskell, George Gissing, James Greenwood, Henry James, Charles Kingsley, Henry Mayhew, George Moore, Arthur Morrison, and others. In addition, she offers a sustained analysis of the impact of dirt on writing strategies and genre conventions, and pays particular attention to those moments when dirt is recycled and becomes the source of literary creation.