An expansive illustrated history of the historic Umayyad Mosque in Damascus. The Umayyad Mosque of Damascus is one of the oldest continuously used religious sites in the world. The mosque we see today was built in 705 CE by the Umayyad caliph al-Walid on top of a fourth-century Christian church that had been erected over a temple of Jupiter. Incredibly, despite the recent war, the mosque has remained almost unscathed, but over the centuries has been continuously rebuilt after damage from earthquakes and fires. In this comprehensive biography of the Umayyad Mosque, Alain George explores a wide range of sources to excavate the dense layers of the mosque's history, also uncovering what the structure looked like when it was first built with its impressive marble and mosaic-clad walls. George incorporates a range of sources, including new information he found in three previously untranslated poems written at the time the mosque was built, as well as in descriptions left by medieval scholars. He also looks carefully at the many photographs and paintings made by nineteenth-century European travelers, particularly those who recorded the building before the catastrophic fire of 1893.

Focussing on the Great Mosque of Damascus, this volume discusses the scope and significance of the building campaign undertaken by the Umayyad caliph al-Walid b. ‘Abd al-Malik (86-96/705-15), and its implications for the development of early Islamic visual culture.

Before it fell to Muslim armies in AD 635-6 Damascus had a long and prestigious history as a center of Christianity. How did this city, which became the capitol of the Islamic Empire and its people, negotiate the transition from a late antique or early Byzantine world to an Islamic culture? In Damascus after the Muslim Conquest, Nancy Khalek demonstrates that the changes that took place in Syria during this formative period of Islamic life were not simply a matter of the replacement of one civilization by another as a result of military conquest, but rather of shifting relationships and practices in a multifaceted social and cultural setting. Even as late antique forms of religion and culture persisted, the formation of Islamic identity was affected by the people who constructed, lived in, and narrated the history of their city. Khalek draws on the evidence of architecture and the testimony of pilgrims, biographers, geographers, and historians to shed light on this process of identity formation. Offering a fresh approach to the early Islamic period, she moves the study of Islamic origins beyond a focus on issues of authenticity and textual criticism, and initiates an interdisciplinary discourse on narrative, storytelling, and the interpretations of material culture.

Europeans are in denial. Against a backdrop of Islamophobia, they are increasingly distancing themselves from their cultural debt to the Muslim world. But while the legacy of Islam and the Middle East is in danger of being airbrushed out of Western history, its traces can still be detected in some of Europe's most recognisable monuments, from Notre-Dame to St Paul's Cathedral. In this comprehensively illustrated book, Diana Darke sets out to redress the balance, revealing the Arab and Islamic roots of Europe's architectural heritage. She tracks the transmission of key innovations from the great capitals of Islam's early empires, Damascus and Baghdad, via Muslim Spain and Sicily into Europe. Medieval crusaders, pilgrims and merchants from Europe later encountered Arab Muslim culture in journeys to the Holy Land. In more recent centuries, that same route through modern-day Turkey connected Ottoman culture with the West, leading Sir Christopher Wren himself to believe that Gothic architecture should more rightly be called 'the Saracen style', because of its Islamic origins. Recovering this overlooked story within the West's long history of borrowing from the Islamic world, Darke sheds new light on Europe's buildings and offers rich insights into the possibilities of cultural exchange.

Damascus, reputed to be the worldʹs oldest continually inhabited city, has enjoyed a history of immense grandeur, enormous political and mercantile power, and great cultural and artistic achievement. In addition to some of Islamʹs most magnificent architecture, such as the Umayyad Mosque, the city boasts a heritage of fairy-tale palaces and sumptuous private houses. Sadly, many of them are in urgent need of restoration. Brigid Keenan and Tim Beddow were given unprecedented access to the inner, "hidden" city, which has resulted in a book that is of immense importance to all concerned with the heritage of architecture in the Islamic world. The superb photographs include façades, courtyards, alleyways and fountains, and the breathtaking interiors that often lie behind the unassuming walls of the old town, with exquisite details in stone, wood, paint, marble, plaster, glass and mother-of-pearl. The whole, published with the generous support of Wafic Rida Said, forms a convincing and elegiac plea for the preservation of the heart of this historic ancient capital. -- Jacket.

Within the context of globalization, cultural transformations are increasingly analyzed as hybridization processes. Hybridity itself, however, is often treated as a specifically post-colonial phenomenon. The contributors in this volume assume the historicity of transcultural flows and entanglements; they consider the resulting transformative powers to be a basic feature of cultural change. By juxtaposing different notions of hybridization and specific methodologies, as they appear in the various disciplines, this volume’s design is transdisciplinary. Each author presents a disciplinary concept of hybridization and shows how it operates in specific case studies. The aim is to generate a transdisciplinary perception of hybridity that paves the way for a wider application of this crucial concept