'The Two Duchesses' is family correspondence of and relating to Georgiana, Duchess of Devonshire, Elizabeth, Duchess of Devonshire, Earl of Bristol (Bishop of Derry), the Countess of Bristol, Lord Byron, the Earl of Aberdeen, Sir Augustus Foster and others 1777-1859, focusing on the period from America's independence to the fall of Napoleon. Single letters are also included from Gibbon; Sheridan; Fox; the Prince Regent; General Moreau and Alexander, Emperor of Russia. The Devonshires were one of the first families of the land they were highly connected with George, Prince of Wales being a regular visitor to Devonshire house along with James Fox, Richard Brinsley Sheridan, and other politicians and celebrities of the day. They were at the centre of society and their interest to history is heightened by the celebrated ménage à trois and other affairs which led both duchesses--at separate times--to seek a quiet period abroad to bear illegitimate children; Georgiana's daughter Eliza Courtney was sired by Charles Grey, 2nd Earl Grey, who later became prime minister; Elizabeth's children, Caroline St Jules and Augustus Clifford were sired by William, the 5th Duke of Devonshire, who she later married. Vere Foster, Elizabeth's grandson, had unique access to the papers and over a period of years produced accurate transcriptions of these historically important letters--often working from abdominal scrawl--to provide us with fascinating window into the pinnacle of society of the period.

In this raw, searingly honest debut young adult novel, a former aspiring ballerina must confront her past in order to move forward from a devastating fall that leaves her without the use of her legs. Genie used to fouetté across the stage. Now the only thing she’s turning are the wheels to her wheelchair. Genie was the star pupil at her exclusive New York dance school, with a bright future and endless possibilities before her. Now that the future she’s spent years building toward has been snatched away, she can’t stand to be reminded of it—even if it means isolating herself from her best friends and her mother. The only wish this Genie has is to be left alone. But then she meets Kyle, who also has a “used to be.” Kyle used to tumble and flip on a gymnastics mat, but a traumatic brain injury has sent him to the same physical therapist that Genie sees. With Kyle’s support, along with her best friend’s insistence that Genie’s time at the barre isn’t over yet, Genie starts to see a new path—one where she doesn’t have to be alone and she finally has the strength to heal from the past. But healing also means confronting. Confronting the booze her mother, a recovering alcoholic, has been hiding under the kitchen sink; the ex-boyfriend who was there the night of the fall and won’t leave her alone; and Genie’s biggest, most terrifying secret: the fact that the accident may not have been so accidental after all.