"What a brilliant Christmas gift" Chris Moyles "Like sitting down by the fire with [Sir David] and hearing your stories ... Full of surprises" Lorraine Kelly Think of this memoir as a Christmas special in book form, from someone who has been involved in a few of those and understands a bit about the concept. But a Christmas special very much like Only Fools and Horses, in the sense that the stories will be always heading outwards, ranging far and wide and well beyond the traditional festive gags involving giblets left in turkeys. As I sift through various festive-related episodes in my career, loosening the ribbons, parting the wrapping paper, I'll be doing my best to reach any relevant conclusions about life, work and the meaning of it all that I can usefully pass on to you - baubles of wisdom if you like. Or certainly baubles. You'll learn why I have the perfect face to play Scrooge. And if you're lucky I'll also share what it's like to fly in a helicopter with my old mucker Tom Cruise. Merry Christmas, you plonkers.

Discover the brand new, inspirational autobiography from the Only Fools and Horses star and national treasure. 'This time next year, we'll be millionaires' So said Sir David’s iconic Only Fools character, Derek Trotter. But such a dream was almost unimaginable for David growing up in a working-class family in North Finchley in the rubble of the Blitz. Throughout his remarkable career, David's north star for navigating life's challenges has been his positive outlook and his resilience. From a trainee electrician to national treasure, David’s bumpy journey to success has overcome obstacle after obstacle. Candidly revealing the ups, the downs, and the roundabout turns, David’s latest volume of memoirs, This Time Next Year, is an uplifting, entertaining, and inspirational book offering an essential and unvarnished primer to leading a good life. Told with his characteristic warmth and humour, David reveals the hard-won wisdom of a life doggedly led getting through one day, looking to the next, and always chasing what's new on the horizon. 'Sir David Jason is one of the UK's best loved actors ... the theme that (he) keeps coming back to in the book is that (he) feels immensely lucky in life ... that sense of positivity sounds very like a certain Derek Trotter' BBC Breakfast

The housekeeper's proposition… When half his inheritance is left to his aunt's housekeeper, English orphan Rosie Clifton, Spanish aristocrat Don Xavier Del Rio is determined to claim what's rightfully his. So when Rosie surprises him with a marriage proposal, Xavier sees a way to get everything he wants…including Rosie in his bed! Rosie will do anything to protect her home on the Isla Del Rey—even marry Xavier! She'll provide him with an heir, in exchange for him leaving the untouched beauty of the island intact. But can she trust her charming new husband—or his devastating kiss?

The Del Mar Fairgrounds--which hosts the county's annual fair and the Del Mar Thoroughbred Club--unites local communities in an arena that attracts worldwide attention. The stunning beauties who were crowned Fairest of the Fair and the smoldering good looks of Tommy Hernandez as Don Diego symbolized the hospitality of the San Diego County Fair, whose historic roots began humbly in the genteel port town of National City, just 10 miles north of the Mexican border. That 1880 inaugural autumn fair, initiated by developer Frank A. Kimball, showcased citrus, agriculture, and horses. Today the 22nd District Agricultural Association hosts the summer fair, which features international superstars, flower shows, livestock contests, exhibits, sports events, carnival rides, and its famed fast food, together with the Del Mar Thoroughbred Club's racing meet, which has helped make the city of Del Mar a star-studded world-class destination with a colorful history.

Each song appears both in Spanish and English. For many, transcriptions of the musical notations are provided as well as graphic illustrations of dance technique.

The Casa del Deán in Puebla, Mexico, is one of few surviving sixteenth-century residences in the Americas. Built in 1580 by Tomás de la Plaza, the Dean of the Cathedral, the house was decorated with at least three magnificent murals, two of which survive. Their rediscovery in the 1950s and restoration in 2010 revealed works of art that rival European masterpieces of the early Renaissance, while incorporating indigenous elements that identify them with Amerindian visual traditions. Extensively illustrated with new color photographs of the murals, The Casa del Deán presents a thorough iconographic analysis of the paintings and an enlightening discussion of the relationship between Tomás de la Plaza and the indigenous artists whom he commissioned. Penny Morrill skillfully traces how native painters, trained by the Franciscans, used images from Classical mythology found in Flemish and Italian prints and illustrated books from France—as well as animal images and glyphic traditions with pre-Columbian origins—to create murals that are reflective of Don Tomás’s erudition and his role in evangelizing among the Amerindians. She demonstrates how the importance given to rhetoric by both the Spaniards and the Nahuas became a bridge of communication between these two distinct and highly evolved cultures. This pioneering study of the Casa del Deán mural cycle adds an important new chapter to the study of colonial Latin American art, as it increases our understanding of the process by which imagery in the New World took on Christian meaning.