These essays by one of the pioneers of sociology are grouped in five categories: social theory, war and militarism, public opinion and propaganda, the history of literature, and ""the present and the future""

While focusing on social thought, this book draws on many disciplines, including philosophy, anthropology, and political science. It demonstrates the profound difficulties social thinkers - including liberals, socialists, and those intellectuals who could be regarded as the sociologists - had in coming to terms with the phenomenon of war.

Honor is misunderstood in the social sciences. The literature lacks both accuracy and precision in its conceptual development such that we no longer say what we mean because we have no idea what we’re saying. We use many terms to mean honor and mean many different ideas when we refer to honor. Honor: A Phenomenology is designed to fix all of these problems. A ground-breaking examination of honor as a metaphenomenon, this book incorporates various structures of social control including prestige, face, shame and affiliated honor and the rejection of said structures by dignified individuals and groups. It shows honor to be a concept that encompasses a number of processes that operate together in order to structure society. Honor is how we are inscribed with social value by others and the means by which we inscribe others with social honor. Because it is the means by which individuals fit in and function with society, the main divisions internal (within the psyche of the individual and external (within the norms and institutions of society). Honor is the glue that holds groups together and the wedge that forces them apart; it defines who is us and who them. It accounts for the continuity and change in socio-political systems.

Today few political analysts use the term "propaganda." However, in the wake of World War I, fear of propaganda haunted the liberal conscience. Citizens and critics blamed the war on campaigns of mass manipulation engaged in by all belligerents. Beginning with these "propaganda anxieties," Brett Gary traces the history of American fears of and attempts to combat propaganda through World War II and up to the Cold War. The Nervous Liberals explores how following World War I the social sciences--especially political science and the new field of mass communications--identified propaganda as the object of urgent "scientific" study. From there his narrative moves to the eve of WWII as mainstream journalists, clerics, and activists demanded greater government action against fascist propaganda, in response to which Congress and the Justice Department sought to create a prophylaxis against foreign or antidemocratic communications. Finally, Gary explores how free speech liberalism was further challenged by the national security culture, whose mobilization before World War II to fight the propaganda threat lead to much of the Cold War anxiety about propaganda. Gary's account sheds considerable light not only on the history of propaganda, but also on the central dilemmas of liberalism in the first half of the century--the delicate balance between protecting national security and protecting civil liberties, including freedom of speech; the tension between public-centered versus expert-centered theories of democracy; and the conflict between social reform and public opinion control as the legitimate aim of social knowledge.

“Shines a floodlight on a topic that has been cloaked in obscurity . . . a landmark work in both intellectual history and political theory” (The Wall Street Journal). Philosophical esotericism—the practice of communicating one’s unorthodox thoughts “between the lines”—was a common practice until the end of the eighteenth century. Despite its long and well-documented history, however, esotericism is often dismissed today as a rare occurrence. But by ignoring esotericism, we risk cutting ourselves off from a full understanding of Western philosophical thought. Walking readers through both an ancient (Plato) and a modern (Machiavelli) esoteric work, Arthur M. Melzer explains what esotericism is—and is not. It relies not on secret codes, but simply on a more intensive use of familiar rhetorical techniques like metaphor, irony, and insinuation. Melzer explores the various motives that led thinkers in different times and places to engage in this strange practice, while also exploring the motives that lead more recent thinkers not only to dislike and avoid this practice but to deny its very existence. In the book’s final section, “A Beginner’s Guide to Esoteric Reading,” Melzer turns to how we might once again cultivate the long-forgotten art of reading esoteric works. The first comprehensive, book-length study of the history and theoretical basis of philosophical esotericism, Philosophy Between the Lines is “a treasure-house of insight and learning. It is that rare thing: an eye-opening book . . . By making the world before Enlightenment appear as strange as it truly was, [Melzer] makes our world stranger than we think it is” (George Kateb, Professor of Politics, Emeritus, at Princeton University). “Brilliant, pellucid, and meticulously researched.” —City Journal

In this provocative revisionist work, Evonne Levy brings fresh theoretical perspectives to the study of the "propagandistic" art and architecture of the Jesuit order as exemplified by its late Baroque Roman church interiors. The first extensive analysis of the aims, mechanisms, and effects of Jesuit art and architecture, this original and sophisticated study also evaluates how the term "propaganda" functions in art history, distinguishes it from rhetoric, and proposes a precise use of the term for the visual arts for the first time. Levy begins by looking at Nazi architecture as a gateway to the emotional and ethical issues raised by the term "propaganda." Jesuit art once stirred similar passions, as she shows in a discussion of the controversial nineteenth-century rubric the "Jesuit Style." She then considers three central aspects of Jesuit art as essential components of propaganda: authorship, message, and diffusion. Levy tests her theoretical formulations against a broad range of documents and works of art, including the Chapel of St. Ignatius and other major works in Rome by Andrea Pozzo as well as chapels in Central Europe and Poland. Innovative in bringing a broad range of social and critical theory to bear on Baroque art and architecture in Europe and beyond, Levy’s work highlights the subject-forming capacity of early modern Catholic art and architecture while establishing "propaganda" as a productive term for art history.

In America's much-touted classless society, the middle class—decried by some as a mythical construct and heralded by others as the embodiment of the American dream--has always occupied a central and controversial position. This book explores the origins of the new middle classes that emerged in the 20th century, revealing the relationship of these classes to capitalism, bureaucracy, and politics. The book is divided into four parts, addressing: the theoretical problems and historical changes brought on by the emergence of the new middle classes; status and the psychology of class; the middle class in America; and the lifestyles and political orientations of the middle classes in the United States.