"Supremely humane.... Kay leaves us with a broad landscape of sweet tolerance and familial love." —The New York Times Book Review In her starkly beautiful and wholly unexpected tale, Jackie Kay delves into the most intimate workings of the human heart and mind and offers a triumphant tale of loving deception and lasting devotion. The death of legendary jazz trumpeter Joss Moody exposes an extraordinary secret, one that enrages his adopted son, Colman, leading him to collude with a tabloid journalist. Besieged by the press, his widow Millie flees to a remote Scottish village, where she seeks solace in memories of their marriage. The reminiscences of those who knew Joss Moody render a moving portrait of a shared life founded on an intricate lie, one that preserved a rare, unconditional love.

Baby and his family make some jazzy music.

Wilkinson calls us to take the most honest look at ourselves and our nation that we've every taken--for the sake of the church, our country, and the world.

In November and December 1967, Dr. Martin Luther King, Jr., delivered five lectures for the renowned Massey Lecture Series of the Canadian Broadcasting Corporation. The collection was immediately released as a book under the title Conscience for Change, but after King’s assassination in 1968, it was republished as The Trumpet of Conscience. The collection sums up his lasting creed and is his final testament on racism, poverty, and war. Each oration in this volume encompasses a distinct theme and speaks prophetically to today’s perils, addressing issues of equality, conscience and war, the mobilization of young people, and nonviolence. Collectively, they reveal some of King’s most introspective reflections and final impressions of the movement while illustrating how he never lost sight of our shared goals for justice. The book concludes with “A Christmas Sermon on Peace”—a powerful lecture that was broadcast live from Ebenezer Baptist Church on Christmas Eve in 1967. In it King articulates his long-term vision of nonviolence as a path to world peace.

A swinging cultural history of the instrument that in many ways defined a century The twentieth century was barely under way when the grandson of a slave picked up a trumpet and transformed American culture. Before that moment, the trumpet had been a regimental staple in marching bands, a ceremonial accessory for royalty, and an occasional diva at the symphony. Because it could make more noise than just about anything, the trumpet had been much more declarative than musical for most of its history. Around 1900, however, Buddy Bolden made the trumpet declare in brand-new ways. He may even have invented jazz, or something very much like it. And as an African American, he found a vital new way to assert himself as a man. Hotter Than That is a cultural history of the trumpet from its origins in ancient Egypt to its role in royal courts and on battlefields, and ultimately to its stunning appropriation by great jazz artists such as Louis Armstrong, Dizzy Gillespie, Miles Davis, and Wynton Marsalis. The book also looks at how trumpets have been manufactured over the centuries and at the price that artists have paid for devoting their bodies and souls to this most demanding of instruments. In the course of tracing the trumpet's evolution both as an instrument and as the primary vehicle for jazz in America, Krin Gabbard also meditates on its importance for black male sexuality and its continuing reappropriation by white culture.

In the first major book devoted to the trumpet in more than two decades, John Wallace and Alexander McGrattan trace the surprising evolution and colorful performance history of one of the world's oldest instruments. They chart the introduction of the trumpet and its family into art music, and its rise to prominence as a solo instrument, from the Baroque "golden age," through the advent of valved brass instruments in the nineteenth century, and the trumpet's renaissance in the jazz age. The authors offer abundant insights into the trumpet's repertoire, with detailed analyses of works by Haydn, Handel, and Bach, and fresh material on the importance of jazz and influential jazz trumpeters for the reemergence of the trumpet as a solo instrument in classical music today. Wallace and McGrattan draw on deep research, lifetimes of experience in performing and teaching the trumpet in its various forms, and numerous interviews to illuminate the trumpet's history, music, and players. Copiously illustrated with photographs, facsimiles, and music examples throughout, The Trumpet will enlighten and fascinate all performers and enthusiasts [Publisher description].