Gathered from the popular website www.StellaAwards.com, The True Stella Awards is an outrageous collection of America’s most frivolous lawsuits Named for Stella Liebeck, the woman who won a multimillion-dollar lawsuit after spilling hot McDonald’s coffee on herself, humorist Randy Cassingham’s popular website chronicles the hard-to-believe and amusing claims brought before the U.S.courts. The most ridiculous of these lawsuits are given the “honorable” Stella Award. In The True Stella Awards, Cassingham documents the most outlandish of these real-life cases, including: * The man who legally changed his name to Jack Ass, and then sued MTV because their TV show and movie Jackass infringed on his trademark and demeaned his “good name” * The songwriter who left a minute’s silence on his record only to be sued by the estate of another songwriter who copyrighted his own “silent” song * The man who sued an amusement park after being the victim of the ultimate “act of God”: He was hit by lightning while standing next to his own car in the parking lot Stunning and hilarious, The True Stella Awards reveals the extremes people will go to in the pursuit of “justice.”

Winner of the Stella Prize, 2014. The Eureka Stockade. It's one of Australia's foundation legends yet the story has always been told as if half the participants weren't there. But what if the hot-tempered, free-spirited gold miners we learned about at school were actually husbands and fathers, brothers and sons? What if there were women and children right there beside them, inside the Stockade, when the bullets started to fly? And how do the answers to these questions change what we thought we knew about the so-called 'birth of Australian democracy'? Who, in fact, were the midwives to that precious delivery? Ten years in the research and writing, irrepressibly bold, entertaining and often irreverent in style, Clare Wright's The Forgotten Rebels of Eureka is a fitting tribute to the unbiddable women of Ballarat - women who made Eureka a story for us all. Clare Wright is an historian who has worked as a political speechwriter, university lecturer, historical consultant and radio and television broadcaster. Her first book, Beyond the Ladies Lounge: Australia’s Female Publicans, garnered both critical and popular acclaim and her second, The Forgotten Rebels of Eureka, won the 2014 Stella Prize. She researched, wrote and presented the ABC TV documentary Utopia Girls and is the co-writer of the four-part series The War That Changed Us which screened on ABC1. 'Lively, incisive and timely, Clare Wright's account of the role of women in the Eureka Stockade is an engrossing read. Assembling a tapestry of voices that vividly illuminate the hardscrabble lives endured on Ballarat's muddy goldfields, this excellent book reveals a concealed facet of one of Australia's most famous incidences of colonial rebellion. For once, Peter Lalor isn't the hero: it's the women who are placed front and centre...The Forgotten Rebels links the actions of its heroines to the later fight for female suffrage, and will be of strong relevance to a contemporary female audience. Comprehensive and full of colour, this book will also be essential reading for devotees of Australian history.' Bookseller and Publisher 'This is a wonderful book. At last an Australian foundation story where women are not only found, but are found to have played a fundamental role.' Chris Masters 'Brilliantly researched and fun to read. An exhilarating new take on a story we thought we knew.' Brenda Niall 'Fascinating revelations. Beautifully told.' Peter FitzSimons ‘The best source on women at Eureka.’ Big Smoke

Surging out of the sea, the Bass Rock has for centuries watched over the lives that pass under its shadow on the Scottish mainland. And across the centuries the fates of three women are linked: to this place, to each other. In the early 1700s, Sarah, accused of being a witch, flees for her life. In the aftermath of the Second World War, Ruth navigates a new house, a new husband and the strange waters of the local community. Six decades later, the house stands empty. Viv, mourning the death of her father, catalogues Ruth’s belongings and discovers her place in the past – and perhaps a way forward. Each woman’s choices are circumscribed, in ways big and small, by the men in their lives. But in sisterhood there is the hope of survival and new life. Intricately crafted and compulsively readable, The Bass Rock burns bright with anger and love.

“A Handmaid’s Tale for the 21st century” (Prism Magazine), Wood’s dystopian tale about a group of young women held prisoner in the Australian desert is a prescient feminist fable for our times. As the Guardian writes, “contemporary feminism may have found its masterpiece of horror.” Drugged, dressed in old-fashioned rags, and fiending for a cigarette, Yolanda wakes up in a barren room. Verla, a young woman who seems vaguely familiar, sits nearby. Down a hallway echoing loudly with the voices of mysterious men, in a stark compound deep in the Australian outback, other captive women are just coming to. Starved, sedated, the girls can't be sure of anything—except the painful episodes in their pasts that link them. Drawing strength from the animal instincts they're forced to rely on, the women go from hunted to hunters, along the way becoming unforgettable and boldly original literary heroines that readers will both relate to and root for. The Natural Way of Things is a lucid and illusory fable and a brilliantly plotted novel of ideas that reminds us of mankind's own vast contradictions—the capacity for savagery, selfishness, resilience, and redemption all contained by a single, vulnerable body. Winner 2016 Stella Prize 2016 Prime Minister’s Literary Award in Fiction An Australian Indie Best Fiction Book & Overall Book of the Year Winner Finalist 2017 International Dublin Literary Award 2016 Voss Literary Prize 2016 Victorian Premier's Award 2016 The Miles Franklin Award

For readers of Atonement, a powerful and haunting story of three sisters and their friend who grow up on the outskirts of their parents' glamorous bohemian lifestyle. On her first day at a new school, Lily befriends one of the daughters of infamous avant-garde painter Evan Trentham. Lily has never experienced anything like the Trenthams' home, where Evan and his wife have created a wild, makeshift family of like-minded artists, all living and working together to escape the stifling conservatism of 1930's Australia. An only child accustomed to loneliness, Lily soon becomes infatuated with the creative chaos of the Trenthams and aches to fully belong. Despite the Trenthams' glamorous allure, the artists' real lives are shaped by dire Faustian bargains and spectacular falls from grace. As the girls find themselves drawn closer to the white-hot flame of creativity, emotions and art collide with explosive consequences--and Evan's own daughters may be forced to pay a dangerous price for his choices.