Barbra Reifel, former wife of notorious Body Snatcher Michael Mastromarino, has appeared on Oprah, Nancy Grace, ID Discovery, and Lifetime. Never before has her raw account been laid so bare. Fairytale shattered, deceit and danger beyond her wildest nightmares, betrayal, addiction, abuse, ultimate crime, and utter destruction beyond reason—her riveting story is one of so many. To survive, protect her children and family, and combat the monster who was her husband, Barbra evolved…a dreamer turned badass, playing his game to the bittersweet end.

A gripping and shocking story of a serial killer mother, and the brave daughter who brought her to justice. Dulcie Bodsworth was the unlikeliest serial killer. She was loved everywhere she went, and the townsfolk of Wilcannia, which she called home in the late 1950s, thought of her as kind and caring. The officers at the local police station found Dulcie witty and charming, and looked forward to the scones and cakes she generously baked and delivered for their morning tea. That was one side of her. Only her daughter Hazel saw the real Dulcie. And what she saw terrified her. Dulcie was in fact a cold, calculating killer who, by 1958, had put three men in their graves - one of them the father of her four children, Ted Baron - in one of the most infamous periods of the state's history. She would have got away with it all had it not been for Hazel. Written by award-winning journalist Janet Fife-Yeomans together with Hazel Baron, My Mother, A Serial Killer is both an evocative insight into the harshness of life on the fringes of Australian society in the 1950s, and a chilling story of a murderous mother and the courageous daughter who testified against her and put her in jail.

Body Snatchers in the Desert reveals the events that really happened in the New Mexico desert in 1947 that birthed the Rosewell Myth. "RAAF captures flying saucer on ranch in Roswell region." Ever since this provocative headline appeared on July 8, 1947, conspiracy theorists have sincerely believed that the U.S. government has maintained an extensive operation of cover-up-and-denial regarding its knowledge of alien life. But there was, in fact, no UFO crash with dead alien bodies. What really happened on that fateful day is much more sinister. The persistent rumors surrounding the UFO crash in Roswell, New Mexico, are part of a bigger conspiracy—one orchestrated and fostered by the government itself as a smokescreen to bury a truth that is much darker, and disturbingly, far more believable. Now, through never-before-revealed testimony from military whistleblowers, eyewitness intelligence reports, and an astonishing body of corroborative evidence, Nick Redfern lays out a shockingly plausible new theory on the Roswell incident: that the crash-site discovery of prototype military aircraft would expose a damning secret—a highly confidential, U.S. government-sanctioned program to conduct medical experiments on deformed, handicapped, disfigured, and diseased Japanese POWs, exploited as "expendable" victims by their captors. An important account that forces us to take a closer look at both the Roswell story and post-war American history, Body Snatchers in the Desert casts a startling, new light on a shocking conspiracy more than half a century in the making.

Already part of a genre known for generating controversy, some true crime and scandal books have wielded a particular power to unsettle readers, provoke authorities and renew interest in a case. The reactions to such literature have been as contentious as the books themselves, clouding the "truth" with myths and inaccuracies. From high-profile publishing sensations such as Ten Rillington Place, Fatal Vision and Mommie Dearest to the wealth of writing on the JFK assassination, the death of Marilyn Monroe and the Black Dahlia murder, this book delves into that hard copy era when crime and scandal books had a cultural impact beyond the genre's film and TV documentaries, fueling outcries that sometimes matched the notoriety of the cases they discussed and leaving legacies that still resonate today.

Up the close and down the stair, Up and down with Burke and Hare. Burke's the butcher, Hare's the thief, Knox the man who buys the beef. —anonymous children's song On Halloween night 1828, in the West Port district of Edinburgh, Scotland, a woman sometimes known as Madgy Docherty was last seen in the company of William Burke and William Hare. Days later, police discovered her remains in the surgery of the prominent anatomist Dr. Robert Knox. Docherty was the final victim of the most atrocious murder spree of the century, outflanking even Jack the Ripper's. Together with their accomplices, Burke and Hare would be accused of killing sixteen people over the course of twelve months in order to sell the corpses as "subjects" for dissection. The ensuing criminal investigation into the "Anatomy Murders" raised troubling questions about the common practices by which medical men obtained cadavers, the lives of the poor in Edinburgh's back alleys, and the ability of the police to protect the public from cold-blooded murder. Famous among true crime aficionados, Burke and Hare were the first serial killers to capture media attention, yet The Anatomy Murders is the first book to situate their story against the social and cultural forces that were bringing early nineteenth-century Britain into modernity. In Lisa Rosner's deft treatment, each of the murder victims, from the beautiful, doomed Mary Paterson to the unfortunate "Daft Jamie," opens a window on a different aspect of this world in transition. Tapping into a wealth of unpublished materials, Rosner meticulously portrays the aspirations of doctors and anatomists, the makeshift existence of the so-called dangerous classes, the rudimentary police apparatus, and the half-fiction, half-journalism of the popular press. The Anatomy Murders resurrects a tale of murder and medicine in a city whose grand Georgian squares and crescents stood beside a maze of slums, a place in which a dead body was far more valuable than a living laborer.