Like 'Game of Thrones' with real history. The complete set of four award-winning books: Historical Fiction series The Troubadours Quartet Set in the period following the Second Crusade, Jean Gill's spellbinding romantic thrillers evoke medieval France with breathtaking accuracy. She captures the soul of the age and the characters who lived in it. The characters leap off the page and include amazing women like Eleanor of Aquitaine and Ermengarda of Narbonne, who shaped history in battles and in bedchambers. Four Discovered Diamonds Awards; Historical Novel Society Editor's Choice Three out of three: Readers Favourite 5* Awards; Winner of the Global Ebooks Award for Best Historical Fiction Book 1 Song at Dawn: 1150 in Provence On the run from abuse, Estela wakes in a ditch with only her lute, her amazing voice, and a dagger hidden in her underskirt. Her talent finds a patron in Eleanor of Aquitaine and more than a music tutor in the Queen's finest troubadour and Commander of the Guard, Dragonetz los Pros. Meanwhile, their enemies gather, ready to light the political and religious powder-keg of medieval Narbonne. Book 2 Bladesong: 1151 in The Holy Land Estela, the troubadour, is following the destiny of her beautiful voice. Dragonetz, her passionate knight, has a dangerous mission to fulfil. Divided by the times they love in, they fight to be together. Imprisoned in Damascus, Dragonetz suffers the mind games inflicted by his anonymous enemies, as he is forced to remember the traumatic events of the crusade, two years earlier. Instead of remaining safely at home, Estela is desperate to rescue Dragonetz at all costs. She sets out for the Holy Land, never realising that the person she thinks will be her knight's saviour might actually be his doom. Can Estela get him out alive, despite Nur-ad-Din, the Muslim Atabeg; Mélisende, the Queen of Jerusalem; and an avenger from the past? Will she still want to, when she knows what they've done to him? Book 3 Plaint for Provence: 1152 in Les-Baux-de-Provence The Troubadours, Estela and her lover, Dragonetz, are embroiled in two rival claims for power as their feuding liege lords gather in Provence. If the peace fails, Dragonetz' sword will decide the winner and friends will die. Dragonetz weaves a precarious path through the rival factions at court where an uneasy truce prevails behind the chivalry of hunt and tournament. Meanwhile, Estela faces her own demons. Confronted with her childhood abusers, threatened and attacked, she confides in her friends. Tragically, one of those friends is Dragonetz' worst enemy and Estela has no idea of what he is capable. In this third volume of the Troubadours Quartet, Jean Gill, the 'master of historical intrigue', continues to weave the gripping adventures of Dragonetz and Estela seamlessly into real historical events. Medieval France comes alive in all its facets, from healing with leeches to training a goshawk. Book 4 Song Hereafter: 1153 in Hispania and the Isles of Albion Dragonetz has failed Eleanor of Aquitaine once. Now that she plans to be Queen of England he could make amends. Although prepared to risk his own life on an impossible quest, a knight should protect his lady, or so say the troubadour songs. His lady, however, plays to a different tune and she wants partnership, not protection. Estela and Dragonetz fight their enemies, both on the battlefield and in the courts of Christendom, from the sophistication of Zaragossa to the wilds of Wales. Can they win through to song hereafter, together? Or have they broken one rule too many?

Like 'Game of Thrones' with real history. The complete set of four award-winning books: Historical Fiction series The Troubadours Quartet Set in the period following the Second Crusade, Jean Gill's spellbinding romantic thrillers evoke medieval France with breathtaking accuracy. She captures the soul of the age and the characters who lived in it. The characters leap off the page and include amazing women like Eleanor of Aquitaine and Ermengarda of Narbonne, who shaped history in battles and in bedchambers. Four Discovered Diamonds Awards; Historical Novel Society Editor's Choice Three out of three: Readers Favourite 5* Awards; Winner of the Global Ebooks Award for Best Historical Fiction Book 1 Song at Dawn: 1150 in Provence On the run from abuse, Estela wakes in a ditch with only her lute, her amazing voice, and a dagger hidden in her underskirt. Her talent finds a patron in Eleanor of Aquitaine and more than a music tutor in the Queen's finest troubadour and Commander of the Guard, Dragonetz los Pros. Meanwhile, their enemies gather, ready to light the political and religious powder-keg of medieval Narbonne. Book 2 Bladesong: 1151 in The Holy Land Estela, the troubadour, is following the destiny of her beautiful voice. Dragonetz, her passionate knight, has a dangerous mission to fulfil. Divided by the times they love in, they fight to be together. Imprisoned in Damascus, Dragonetz suffers the mind games inflicted by his anonymous enemies, as he is forced to remember the traumatic events of the crusade, two years earlier. Instead of remaining safely at home, Estela is desperate to rescue Dragonetz at all costs. She sets out for the Holy Land, never realising that the person she thinks will be her knight's saviour might actually be his doom. Can Estela get him out alive, despite Nur-ad-Din, the Muslim Atabeg; Mélisende, the Queen of Jerusalem; and an avenger from the past? Will she still want to, when she knows what they've done to him? Book 3 Plaint for Provence: 1152 in Les-Baux-de-Provence The Troubadours, Estela and her lover, Dragonetz, are embroiled in two rival claims for power as their feuding liege lords gather in Provence. If the peace fails, Dragonetz' sword will decide the winner and friends will die. Dragonetz weaves a precarious path through the rival factions at court where an uneasy truce prevails behind the chivalry of hunt and tournament. Meanwhile, Estela faces her own demons. Confronted with her childhood abusers, threatened and attacked, she confides in her friends. Tragically, one of those friends is Dragonetz' worst enemy and Estela has no idea of what he is capable. In this third volume of the Troubadours Quartet, Jean Gill, the 'master of historical intrigue', continues to weave the gripping adventures of Dragonetz and Estela seamlessly into real historical events. Medieval France comes alive in all its facets, from healing with leeches to training a goshawk. Book 4 Song Hereafter: 1153 in Hispania and the Isles of Albion Dragonetz has failed Eleanor of Aquitaine once. Now that she plans to be Queen of England he could make amends. Although prepared to risk his own life on an impossible quest, a knight should protect his lady, or so say the troubadour songs. His lady, however, plays to a different tune and she wants partnership, not protection. Estela and Dragonetz fight their enemies, both on the battlefield and in the courts of Christendom, from the sophistication of Zaragossa to the wilds of Wales. Can they win through to song hereafter, together? Or have they broken one rule too many?

A short story. Venice , August 1576 Historical Novel Society Short Story Winner 2018 The fate of Venice’s greatest artist depends on a plague doctor with a grudge. Award-winning author jean Gill, the master of historical intrigue, walks the plague-ridden streets of medieval Venice with Death at her side.

The Forgotten Actresses series combines real-life research with Hollywood Babylon flavor to create a sympathetic look at some famous Hollywood hard-luck cases. Book One: The Forgotten Flapper - A presence lurks in New York City’s New Amsterdam Theatre when the lights go down and the audience goes home. They say she’s the ghost of OLIVE THOMAS, one of the loveliest girls who ever lit up the Ziegfeld Follies and the silent screen. From her longtime home at the theater, Ollie’s ghost tells her story from her early life in Pittsburgh to her tragic death at twenty-five.After winning a contest for “The Most Beautiful Girl in New York,” shopgirl Ollie modeled for the most famous artists in New York, and then went on to become the toast of Broadway. When Hollywood beckoned, Ollie signed first with Triangle Pictures, and then with MYRON SELZNICK’s new production company, becoming most well known for her work as a “baby vamp,” the precursor to the flappers of the 1920s. After a stormy courtship, she married playboy JACK PICKFORD, MARY PICKFORD’s wastrel brother. Together they developed a reputation for drinking, club-going, wrecking cars, and fighting, along with giving each other expensive make-up gifts. Ollie's mysterious death in Paris’ Ritz Hotel in 1920 was one of Hollywood’s first scandals, ensuring that her legend lived on. Book Two: The It Girl and Me- Daisy DeVoe has left her abusive husband, her father has been pinched for bootlegging, and she's embarrassed by her rural Kentucky roots. But on the plus side, she's climbing the ladder in the salon of Paramount Pictures, styling hair for actress Clara Bow. Clara is a handful. The "It" Girl of the Jazz Age personifies the new woman of the 1920s onscreen, smoking, drinking bootleg hooch, and bursting with sex appeal. But her conduct off the set is even more scandalous. Hoping to impose a little order on Clara's chaotic life, Paramount persuades Daisy to sign on as Clara's personal secretary. Thanks to Daisy, Clara's bank account is soon flush with cash. And thanks to Clara, Daisy can finally shake off her embarrassing past and achieve respectability for herself and her family. The trouble begins when Clara's newest fiancé, cowboy star Rex Bell, wants to take over, and he and Daisy battle for control. Torn between her loyalty to Clara and her love for her family, Daisy has to make a difficult choice when she ends up in the county jail. Here, Daisy sets the record straight, from her poverty-stricken childhood to her failed marriage; from a father in San Quentin to her rollercoaster time with Clara, leaving out none of the juicy details. Book Three: Bathing Beauty- During Hollywood’s infancy, Marie Prevost is a beautiful Canadian who becomes famous for her silent film work with Mack Sennett’s Bathing Beauties.Lured away by an offer from Universal Pictures, she makes more profitable flapper-themed movies, and when her contract ends, she moves to Warner Brothers, where her star continues to rise. Her triumph in Ernst Lubitsch’s The Marriage Circle and her marriage to actor Kenneth Harlan mark her as one of filmdom’s biggest stars of the 1920s. But in 1926, a series of tragedies combine to torpedo her career. By the 1930s, with her star fallen, Marie desperately claws her way back, fighting weight gain and alcohol in her struggle to get back on top. In Bathing Beauty, Marie tells the story of her rise to fame and her struggle to regain it, despite all the odds.

The antidote to Valentine's Day if you like your reading sharp, not sickly sweet. 'Jean Gill's spiky humour makes you feel as if she's caught you on barbed wire and yet makes you smile about it'- Mike Sharpe, Haverfordwest Journalist Strong, fresh, vivid poems from award-winning author Jean Gill, on an astounding range of subjects including adultery, AIDS and the Mexican Earthquake. If you crossed Wendy Cope's work with Sylvia Plath's, Jean Gill's poetry might be the result. 'You're starting to smother me, darling, you're faded and boring, my dear. It's my turn to play with another and your turn alone with your fear.' Divided into two parts, this new edition includes the stories behind the poetry, some personal and some about world events; always surprising. 'Moving and varied '- Dorothy Tutin 'Jean Gill brings off the rare feat of looking life squarely in the eye without descending into dreary cynicism.' - HS Milford Haven,Journalist 'The author is particularly gifted with poetry.' The WishingShelf Award 'An excellent collection - I enjoyed the sharpness and insight, theword-play' - Robert Nisbet, Downtrain 'Brings out feelings you didn't know you had,' ClaireStibbe, Detective Temeke series

FINALIST in the 2018 Kindle Book Award 'A delicious book full of the unexpected. Highly emotive contents.' - Writing Magazine The second collection of poetry from award-winning author Jean Gill retains the passion and spiky humour for which she is known, but this has matured into a unique, assured view of our world. Her most lyrical poems reveal a sensuality that lingers in the imagination. 'I would not give my eyes to tune pianos but for one brightened night to read the raised points of your skin with blind man's fingers I might.' Other poems share political insights with timeless, incisive humour. 'Just like that cheated child, who eats his 'chosen' veg I'm bribed, cajoled, bombasted by each politician's pledge. This greener, better future which they say they offer me, has horizons built of money on the dead dreams of the free. Unless I stand for my beliefs myself, election means that I'm doomed to cast my vote for processed peas or processed beans.' Divided into two parts, this new edition includes the stories behind the poetry, some personal and some on the craft of writing poetry; alway ssurprising. 'The humour frequently has the effect of pointing up the stark reality with which she writes. She employs a variety of styles to make the collection even more interesting. -Ted Griffin, Pause Magazine

THE WHODUNIT COLLECTION assembles an eclectic array of British mystery novels, boasting an impressive diversity in literary styles and thematic explorations. United by the common thread of suspense and intrigue, this anthology showcases the evolution of mystery fiction from the early to mid-20th century. It navigates the reader through the foggy streets of London to the cozy, deceptive calm of rural England, capturing the essence of the British mystery novel's golden age. The collection stands out for including seminal works that have shaped the genre, offering readers a comprehensive glimpse into the literary and cultural norms of the period. The contributing authorsFrank Froest, Isabel Ostrander, Charles Norris Williamson, and Alice Muriel Williamsonbring their unique backgrounds to the anthology, enriching it with their individual experiences and literary flair. Collectively, they epitomize the vibrancy of early British mystery writing, drawing from and contributing to various literary movements of their time. Their stories, ranging from tales of deduction to psychological thrillers, reflect the socio-political tensions and the burgeoning fascination with criminal psychology of their era. This anthology invites readers to immerse themselves in the rich tapestry of British mystery literature. It offers an unparalleled opportunity to engage with the works of seminal authors who collectively chart the course of the genre's evolution. Through this collection, readers will gain insight into the zeitgeist of early 20th-century Britain, making it a must-read for both aficionados of classic mysteries and scholars interested in the genre's development. The anthology promises a rewarding journey through the intrigue, suspense, and intellectual challenge that defines these timeless narratives.