Like many Jews of our generation, Jon Stratton grew up in a family more concerned about assimilation than about preserving Jewish tradition. While he could easily 'pass' among non-Jews, he found himself increasingly torn between his fear of not belonging and a deeply-felt commitment to his family's past. Coming Out Jewish examines the unique challenge of constructing an identity amid the clash between ethnicity and conformity. For many Jews, the idea of full assimilation ended with the Holocaust. But the pressure to adapt to the mainstream, Stratton eloquently argues, remains powerful, especially for those with anglicized names, assimilationist parents, a history of recent immigration, or ambivalent experiences of themselves as Jews. With reference to the work of Daniel Boyarin, Ien Ang, and Homi Bhabha, among others, Stratton offers fresh analysis on a wide range of topics, including the Jewish origins of pluralism in the US, anti-Semitism in Germany, the Jewishness of sitcoms like Seinfeld, and the Yiddishization of American culture since World War II. More than a book about Jews and Jewishness, Coming Out Jewish smartly and accurately mines the Jewish experience in the West to give voice to the issues of migration, Diaspora, assimilation and identity that affect those, displaced and 'othered', around the world.

Since the ‘migration crisis’ of 2016, long-simmering tensions between the Western members of the European Union and its ‘new’ Eastern members – Poland, the Czech Republic, Slovakia, and Hungary – have proven to be fertile ground for rebellion against liberal values and policies. In this startling and original book Ivan Kalmar argues that Central European illiberalism is a misguided response to the devastating effects of global neoliberalism, which arose from the area’s brutal transition to capitalism in the 1990s. Kalmar argues that dismissive attitudes towards ‘Eastern Europeans’ are a form of racism and explores the close relation between racism towards Central Europeans and racism by Central Europeans: a people white but not quite.

Judaism, the oldest of the Abrahamic religions, is one of the pillars of modern civilization. A collective of internationally renowned experts cooperated in a singular academic enterprise to portray Judaism from its transformation as a Temple cult to its broad contemporary varieties. In three volumes the long-running book series "Die Religionen der Menschheit" (Religions of Humanity) presents for the first time a complete and compelling view on Jewish life now and then - a fascinating portrait of the Jewish people with its ability to adapt itself to most different cultural settings, always maintaining its strong and unique identity. Volume III completes this ambitious project with profound chapters on Modern Jewish Culture, Halakhah (Jewish Law), Jewish Languages, Jewish Philosophy, Modern Jewish Literature, Feminism and Gender, and on Judaism and inter-faith relations.

Nostalgia, a bittersweet yearning for the past, is an important element in Jewish-American performances of the late twentieth century. Numerous plays and films of this time use nostalgia to engage Jewish, including Yiddish, cultural themes and images. Nostalgia offers audiences a window through which to examine past and current social changes. These include American Jews' departure from Europe to America, the city for the suburbs, Yiddish for English, as well as the civil rights, women's, peace, and gay and lesbian movements, and other transformations. These performances illustrate how theatre and film transmit culture from generation to generation and between one ethnic community and the wider American scene.

The notion of “self” and “other” and its representation in artwork and literature is an important theme in current cultural sciences as well as in our everyday life in contemporary Western societies. Moreover, the concept of “self” and “other” and its imaginary dichotomy is gaining more and more political impact in a world of resurfacing ideology-ridden conflicts. The essays deal with Jewish reality in contemporary Germany and its reflection in movies from the special point of view of cultural sciences, political sciences, and religious studies. This anthology presents challengingly new insights into topics rarely covered, such as youth culture or humor, and finally discusses the images of Jewish life as realities still to be constructed.

A leading cultural historian explores the complex interactions of Jewish and American cultures.