A radical revision of the geographical history of the discovery of the Americas that links Columbus's southbound route with colonialism, slavery, and today's divide between the industrialized North and the developing South. Everyone knows that in 1492 Christopher Columbus sailed west across the Atlantic, seeking a new route to the East. Few note, however, that Columbus's intention was also to sail south, to the tropics. In The Tropics of Empire, Nicolás Wey Gómez rewrites the geographical history of the discovery of the Americas, casting it as part of Europe's reawakening to the natural and human resources of the South. Wey Gómez shows that Columbus shared in a scientific and technical tradition that linked terrestrial latitude to the nature of places, and that he drew a highly consequential distinction between the higher, cooler latitudes of Mediterranean Europe and the globe's lower, hotter latitudes. The legacy of Columbus's assumptions, Wey Gómez contends, ranges from colonialism and slavery in the early Caribbean to the present divide between the industrialized North and the developing South. This distinction between North and South allowed Columbus to believe not only that he was heading toward the largest and richest lands on the globe but also that the people he would encounter there were bound to possess a nature (whether “childish” or “monstrous”) that seemed to justify rendering them Europe's subjects or slaves. The political lessons Columbus drew from this distinction provided legitimacy to a process of territorial expansion that was increasingly being construed as the discovery of the vast and unexpectedly productive “torrid zone.” The Tropics of Empire investigates the complicated nexus between place and colonialism in Columbus's invention of the American tropics. It tells the story of a culture intent on remaining the moral center of an expanding geography that was slowly relegating Europe to the northern fringe of the globe. Wey Gómez draws on sources that include official debates over Columbus's proposal to the Spanish crown, Columbus's own writings and annotations, and accounts by early biographers. The Tropics of Empire is illustrated by color reproductions of period maps that make vivid the geographical conceptions of Columbus and his contemporaries.

The contrast between the temperate and the tropical is one of the most enduring themes in the history of the Western geographical imagination. Caught between the demands of experience and representation, documentation and fantasy, travelers in the tropics have often treated tropical nature as a foil to the temperate, to all that is civilized, modest, and enlightened. Tropical Visions in an Age of Empire explores images of the tropical world—maps, paintings, botanical drawings, photographs, diagrams, and texts—produced by European and American travelers over the past three centuries. Bringing together a group of distinguished contributors from disciplines across the arts and humanities, this volume contains eleven beautifully illustrated essays—arranged in three sections devoted to voyages, mappings, and sites—that consider the ways that tropical places were encountered, experienced, and represented in visual form. Covering a wide range of tropical sites in the Pacific, South Asia, West Africa, the Caribbean, and Latin America, the book will appeal to a broad readership: scholars of postcolonial studies, art history, literature, imperial history, history of science, geography, and anthropology.

This book charts the convergence of science, culture, and politics across Portugal's empire, showing how a global geographical concept was born. In accessible, narrative prose, this book explores the unexpected forms that science took in the early modern world. It highlights little-known linkages between Asia and the Atlantic world.

Offers a new interpretation of the history of colonial India and a critical contribution to the understanding of environmental history and the tropical world. Arnold considers the ways in which India’s material environment became increasingly subject to the colonial understanding of landscape and nature, and to the scientific scrutiny of itinerant naturalists.

Tropics of Savagery is an incisive and provocative study of the figures and tropes of "savagery" in Japanese colonial culture. Through a rigorous analysis of literary works, ethnographic studies, and a variety of other discourses, Robert Thomas Tierney demonstrates how imperial Japan constructed its own identity in relation both to the West and to the people it colonized. By examining the representations of Taiwanese aborigines and indigenous Micronesians in the works of prominent writers, he shows that the trope of the savage underwent several metamorphoses over the course of Japan's colonial period--violent headhunter to be subjugated, ethnographic other to be studied, happy primitive to be exoticized, and hybrid colonial subject to be assimilated.

The Austrian Empire was not a colonial power in the sense that fellow actors like 19th-century England and France were. It nevertheless oversaw a multinational federation where the capital of Vienna was unmistakably linked with its eastern periphery in a quasi-colonial arrangement that inevitably shaped the cultural and intellectual life of the Habsburg Empire. This was particularly evident in the era’s colonial utopian writing, and Tropics of Vienna blends literary criticism, cultural theory, and historical analysis to illuminate this curious genre. By analyzing the works of Leopold von Sacher-Masoch, Theodor Herzl, Joseph Roth, and other representative Austrian writers, it reveals a shared longing for alternative social and spatial configurations beyond the concept of the “nation-state” prevalent at the time.

Essays that suggest new ways of understanding the role that US actors and agencies have played in Latin America." - publisher.