Beneath the glare of three purple suns, three travelers - an old Mexican woman, an automated jeep, and a brontosaurus - have trudged across a desert for hundreds of years. They do not know if the desert has an end, and if it does, what they might find there. Sometimes they come across perfectly-preserved cities, but without a single inhabitant, and never a drop of rain. Worse still, they have no memory of their lives before the desert. Only at night, in dreams, do they recall fragments of their past identities. But night also brings the madness of the sandstorms, which jolt them out of one body and into another in a game of metaphysical musical chairs. In their disorientation and dysfunction, they have killed each other dozens of times, but they cannot die. Where are they? How can they escape? From this quest form, Stepan Chapman has fashioned a poignant and powerful story of redemption in which pathos is leavened by humor and pain is softened by comfort. It is the story of deranged angels, deadly music boxes, and cellular transformation. It is also the tale of Alex who wanted to be a machine, Naomi, who spent 20 years as a corpsicle, and Eva, who escaped the whale emperor of her native land. The novel alternates between the three characters' attempts to discover where they are with their search for identity through the dream stories which reveal their fragmented pasts. The Troika's satisfying conclusion brings closure to one of the most harrowing journeys ever into the heart of surrealism and the human soul. The Troika has been praised as visionary and completely original by such writers as John Shirley, Kathe Koja, Brian Stableford, Alan Brennert, Lance Olsen, Kathleen AnnGoonan, Brian Evenson, Paul Riddell, and Don Webb. The author's work has frequently been compared to that of Philip K. Dick, Terry Southern, Kurt Vonnegut, Mervyn Peake, Angela Carter, and other fabulists of the first rank. The Troika confirms that status and is destined to become a cult classic of fabulist fiction. The Troika is being backed by extensive promotion and advertising in applicable national magazine markets such as SF Age, with distribution in both the United States and in the United Kingdom.

A "brilliant, astonishing modern love story"* and an acclaimed literary debut... A young Cuban woman passes her nights dancing in a seedy Florida strip club; a Russian orphan loses everything, then builds a new and prosperous life for himself in New York; a woman struggles to maintain her dignity and hope after a life-changing accident—these are the three members of the troika whose story is told in this dazzling literary debut. Their lives unexpectedly intertwined, Perla, Julian and Sophie discover a world—a way of life—that forces them to challenge their definitions of commitment, love and trust, a world that heals old wounds and inspires them to transform tragedy into beauty. “What a great gallop through the landscape of the human heart, what a brilliant, astonishing modern love story, what a beautiful pair of heroines, what an amazing journey from the plantains of Little Havana and a Fort Lauderdale strip club to Fifth Avenue and East Hampton, what a ride to a complex and satisfying redemption, what a glorious testimony to the way damage can become a lovely destiny, what a book!”—*Susan Cheever

Member states of ASEAN - the Association of South-East Asian Nations - have developed a distinctive approach to political and security co-operation, which builds on the principles of sovereign equality, non-intervention and non-interference, quiet diplomacy, mutual respect, and the principle of not involving ASEAN in mediating bilateral disputes among the membership. This book examines the origins of ASEAN's diplomatic and security culture and analyses how over time its key principles have been practised and contested as ASEAN states have responded to regional conflicts as well as challenges posed by the major regional powers, ASEAN's enlargement, and the Asian financial crisis. The book goes on to assess whether ASEAN's diplomatic and security culture is likely to remain salient as the political, economic and security context in which regional leaderships operate is undergoing further change.

The ‘Troika’ is a word that is scorched into the narrative of the EU’s banking and economic crisis – a triumvirate constituted by the European Central Bank, the European Commission and the International Monetary Fund. The modus operandi of the Troika is defined by the authors of this book as ‘Troikanomics’. Ostensibly, the role of the Troika was to develop, coordinate and oversee the provision of conditional funding to support national governments in restructuring their economies. In fact, their power and influence extended far more widely. They enforced an unprecedentedly severe austerity programme of fiscal and structural adjustment through oppressive political oversight. Their practical impact was to impose on debtor countries in the EU periphery the single greatest economic and social dislocation in Europe’s recent history, thus corroding their autonomous capacities and enfeebling their national sovereignty. The Troika’s word was law in those countries where its writ ran – Greece, Ireland, Cyprus, and to a more limited extent, Spain. It was answerable only to a trio of unelected organisations, far removed from the consequences of its policies on the lives of citizens. Widespread socio-political reaction to Troikanomics gave shape to the anti-austerity movement across the EU, characterised by the centre as ‘Populism’. This book provides a timely response to the revisionist argument that there is no longer a ‘crisis’ in Europe. In their innovative analysis, the authors argue that Troikanomics is a manifestation of a deeper existential crisis within the EU that encompasses the centralisation of power, Brexit, Europe’s ominous militarisation and the progressive abandonment of its foundational values.

Troika is a docu-drama about the Russian revolution, the romance of freedom, and the eternal dream of utopia. Between Stalin and Mau over a hundred million people have died in the name of communism. Where is the good in that?

Unsettled History examines South African society and the construction and presentation of its public pasts, from Nelson Mandela’s release from prison in 1990 to South Africa’s hosting of the 2010 FIFA World Cup ®. Conventionally represented as a time of rectifying the silences and distortions of settler history through inclusion and recovery, the focus here instead is on the shifts in processes and locations of historicizing and the unsettled state of categories of framing history in post-apartheid South Africa. This era saw fundamental transformations in the order of knowledge: from the academy to the public; from popular history to public history; from history-as-lesson to history-as-forum. Leslie Witz, Gary Minkley, and Ciraj Rassool take the reader to sites of historical production in which complex ideas about pasts are invoked, and navigate a path toward understanding the agencies of image-making and memory production. This volume is the outcome of the authors’ intensive collaborative research and engagement over twenty-five years on questions including the production and performance of apartheid history; the cultural politics of social history; South Africa’s Truth and Reconciliation Commission and practices of orality; tourism as an arena of image-making and historical construction; museums as sites of heritage production for a new South Africa; photographs, archival meanings, and the construction of the social documentary; and the centenary commemorations of the South African War and the making of race. The authors not only witnessed many of these instances of history-making but were also participants in their constitution.