"Cree artist Kent Monkman sweeps through art history, creating a disrupted narrative of the clash between Europeans and First Nations. His revisionist history paintings take their cue from 19th century romanticized landscapes of mid-west America. The performances transform gallery spaces into multi-media Tipi camp extravaganzas. Abundantly illustrated. With five original essays."--BOOK JACKET.

The Nobel Prize–winning economist explains how value is created, and how that affects everything from your paycheck to global markets. In this “lively, enlightening introduction to monetary history” (Kirkus Reviews), one of the leading figures of the Chicago school of economics that rejected the theories of John Maynard Keynes offers a journey through history to illustrate the importance of understanding monetary economics, and how monetary theory can ignite or deepen inflation. With anecdotes revealing the far-reaching consequences of seemingly minor events—for example, how two obscure Scottish chemists destroyed the presidential prospects of William Jennings Bryan, and how FDR’s domestic politics helped communism triumph in China—as well as plain-English explanations of what the monetary system in the United States means for your personal finances and for everyone from the small business owner on Main Street to the banker on Wall Street, Money Mischief is an enlightening read from the author of Capitalism and Freedom and Free to Choose, who was called “the most influential economist of the second half of the twentieth century” by the Economist.

Revision & Resistance reveals the story of Kent Monkman's monumental 2019 diptych commission mistik?siwak (Wooden Boat People) for the Metropolitan Museum of Art. This book celebrates Monkman's historic achievement with essays and contributions by today's most prominent voices on Indigenous art and Canadian painting.

Alexander MacDonald guides us through his family’s mythic past as he recollects the heroic stories of his people: loggers, miners, drinkers, adventurers; men forever in exile, forever linked to their clan. There is the legendary patriarch who left the Scottish Highlands in 1779 and resettled in “the land of trees,” where his descendents became a separate Nova Scotia clan. There is the team of brothers and cousins, expert miners in demand around the world for their dangerous skills. And there is Alexander and his twin sister, who have left Cape Breton and prospered, yet are haunted by the past. Elegiac, hypnotic, by turns joyful and sad, No Great Mischief is a spellbinding story of family, loyalty, exile, and of the blood ties that bind us, generations later, to the land from which our ancestors came.

The scrolls of Mary of Magdala have been found! Two thousand years ago, a unique child was born into a world of unimaginable disregard for human life. Vengeful gods and cruel kings ruled over the desperate masses for whom life was short, hopeless and brutal. This is the story of how that young man came to stand at the crossroads of change and then ultimately choose an untrod path to show humanity how to lift itself up from the squalor of its existence. Praise for W. Howard Stuart and his writings: "We are thrilled by the book." Barbara A. - Teacher. "I enjoyed your book immensely." Karen L. - Librarian. "What an outstanding author you are..." Lynette M. - Teacher. "Mr. Stuart's descriptions are so life like, so real..." Megan G. - Student. "Your book makes a perfect gift." Adam T. -Father. "I have never read a book so interesting." Lorraine B. - Student. Continuing praise for the writings of W. Howard Stuart: "...fantastic..." "...awesome..." "Thank you" "...a great story..." "...please write more..." "...this book is great! ..." "...unpredictable and exciting..." "I really enjoy your writing..." "...I couldn't put it down..." "I am definitely going to recommend it." "GREAT JOB THANK YOU!"

From bestselling author Martha Grimes, Detective Chief Inspector Richard Jury is back on the case in an installment in the Richard Jury Mystery series. Long Piddleton had always been wary of newcomers. But the quiet town was stunned when the first stranger was found dead, upended in a butt of ale in the cellar of the Men with a Load of Mischief. Then the second body appeared, swinging in place of the mechanical man above the door of the Jack and Hammer. Suddenly Long Piddleton had good reason to be wary of everyone! Its cozy pubs and inns with their polished pewter and blazing hearths had become scenes of the most bizarre crimes. Who were the victims? And who was the murderer? A stranger? A maniac? Or the disarmingly friendly man next door?

With a broad scope across the millennia, from high literature to popular culture, between page and stage and screen, this Very Short Introduction considers comedy not only as a literary genre, but also as a broader impulse at work in many other historical and contemporary forms of satire, parody, and play.