The act of creating art, in all its forms, offers us a path to our souls. But the path can be confusing, and getting lost along the way is inevitable. However, maybe that’s the point. In The Trickster’s Hat, bestselling author of the Griffin & Sabine cycle Nick Bantock invites you to lose yourself in order to become a better creator. Inspired by Nick's popular and mischievous workshops, the book's forty-nine perceptive exercises will encourage you to forget your destination while you meander through the wondrous world that awaits you in the periphery of your mind's eye. If you’re willing to be lead hither and thither down unlikely paths by a fellow of dubious reputation, if you’re prepared to keep a sense of humor and not be phased when he plucks the unexpected out of a mischief-stuffed hat, if you’re ready to zigzag, detour, and wander in search of a better understanding of your artistic core, then, let the Trickster be your guide.

In Trickster Makes This World, Lewis Hyde brings to life the playful and disruptive side of human imagination as it is embodied in trickster mythology. He first visits the old stories—Hermes in Greece, Eshu in West Africa, Krishna in India, Coyote in North America, among others—and then holds them up against the lives and work of more recent creators: Picasso, Duchamp, Ginsberg, John Cage, and Frederick Douglass. Twelve years after its first publication, Trickster Makes This World—authoritative in its scholarship, loose-limbed in its style—has taken its place among the great works of modern cultural criticism. This new edition includes an introduction by Michael Chabon.

"Beautiful, poignant and poetic. This story will weave its way into the hearts and minds of readers for generations." —Monique Gray Smith, author of My Heart Fills With Happiness From beloved Indigenous icon Buffy Sainte-Marie comes a chapter book inspired by oral histories and traditions. On a prairie reserve, Tâpwê receives a mysterious gift from Kokhom (grandma)—and finds himself on an unforgettable adventure. Tâpwê can’t wait to spend a week with his cousins on the other side of the Cree reserve—especially since Kokhom, his grandma, has given him the most amazing gift: a Magic Hat with bluebirds and grass snakes that come to life! Tâpwê is so excited that he soon forgets Kokhom’s advice: Watch out for tricksters! Tâpwê’s adventure is everything he imagined. He meets his cousins, takes part in a powwow, and sleeps in a tipi. But soon he’s reminded of Kokhom’s words. Is his new friend Wâpos leading him astray with mischief? Tâpwê and the Magic Hat draws on a rich Indigenous tradition of storytelling and features: A memorable cast of characters from both imagination and legend. A glossary and pronunciation guide of Cree words used in the book. A note to parents and teachers from Buffy Sainte-Marie about trickster stories. An important message for young readers about being yourself, and learning to dance to the beat of your own heart. Features black and white illustrations throughout.

An engrossing study of Leo Africanus and his famous book, which introduced Africa to European readers Al-Hasan al-Wazzan--born in Granada to a Muslim family that in 1492 went to Morocco, where he traveled extensively on behalf of the sultan of Fez--is known to historians as Leo Africanus, author of the first geography of Africa to be published in Europe (in 1550). He had been captured by Christian pirates in the Mediterranean and imprisoned by the pope, then released, baptized, and allowed a European life of scholarship as the Christian writer Giovanni Leone. In this fascinating new book, the distinguished historian Natalie Zemon Davis offers a virtuoso study of the fragmentary, partial, and often contradictory traces that al-Hasan al-Wazzan left behind him, and a superb interpretation of his extraordinary life and work. In Trickster Travels, Davis describes all the sectors of her hero's life in rich detail, scrutinizing the evidence of al-Hasan's movement between cultural worlds; the Islamic and Arab traditions, genres, and ideas available to him; and his adventures with Christians and Jews in a European community of learned men and powerful church leaders. In depicting the life of this adventurous border-crosser, Davis suggests the many ways cultural barriers are negotiated and diverging traditions are fused.

Cooling Out: Has the World Changed, or Have I Changed? -- Notes -- Index

Manifestations of the Trickster persona such as cryptids, elementals, werewolves, demons, vampires and dancing devils have permeated human experience since before the dawn of civilization. But today, very little is publicly known about The Tricksters. Who are they? What is their agenda? Known by many names including fools, sages, Loki, men-in-black, skinwalkers, shapeshifters, jokers, jinn, sorcerers, and witches, Tricksters provide us with a direct conduit to the unknown in the 21st century. Can these denizens of phenomenal events be attempting to communicate a warning to humanity in this uncertain age of prophesied change? Take a journey around the world stalking the tricksters! Since 1992 Christopher O’Brien has investigated the mysterious San Luis Valley (in CO/NM)-possibly America’s most anomalous region. Among the many high-strange events he has investigated there and elsewhere are dozens of reports of unusual “trickster” characters including: Bigfoot, devils, crypto-creatures, and witches. He also has experience with other fantastic trickster-like phenomena worldwide. O’Brien’s Mysterious Valley book series and numerous TV and radio appearances have been appreciated by millions. Join him on this intriguing quest to identify the tricksters impacting the world in the modern age.

Disruptive Play: The Trickster in Politics and Culture journeys from ancient folkloric appearances of Tricksters such as Raven and ṣ -Elegba, to their confined role in Western civilization, and then on to Trickster's 20th century jailbreak as led by dada and the hippies. Disruptive Play bears witness to how this spirit informs social progress today, whether by Anonymous, Banksy, Bugs Bunny, or unrevealed mischief-makers and culture jammers. Such play is revolutionary and lights the path to a transformed society. Original Play is the frolic and noncompetitive play that animals and human babies do in order to have fun and to keep on playing...not to win or to lose. It is a substance of the universe that occurs in all life. It is the behavior by which love and belonging are expressed, given, and received. When play moves into contest or other roles and rules, with winners and losers, it becomes Cultural Play. Issues of ego and narcissism are issues for Cultural Play, not for Original Play. Disruptive Play occurs in the rare times when the rhythms of Original Play suddenly appear in a political or cultural setting, settings conventionally fraught with Cultural Play. Like driving a clown car across the field during an official NFL game. Or Raven tricking Chief into releasing the sun, the moon, and the stars into the sky. Or a surreptitious Banksy graffiti that invades a museum or the public commons. Tricking power into performing an act of love. Disruptive Play: The Trickster In Politics and Culture connects knowledge from mythology, folklore, popular culture, art, politics, and play theory to make its casethatto be playful means not taking power seriously. At critical mass, power collapses and leaves us swimming about in the waters of the amoral Trickster.New values emerge and could lead to some version of the dystopia that currently drenches popular culture. Or, if people can discern between the authentic contact and exhilaration of play, and branded, mediated, alienated pleasure, then we just might stumble and frolic our way to the Play Society. Disurptive Play is ideal for enthusiasts of the human condition and those who hold out for the vision, however slim, of the Play Society.