This book is the result of a research-action on the conditions of the citizen participation in the policies of urban regeneration in response to a survey ordered by the minister in charge of the "policy of the large cities" within the Belgian federal government. This research-action, coordinated by the team Habitat and Development of the unit of urbanism and territorial development of the UCL, was carried out in partnership with four associated members of the HaCER network (Habitants Citoyens d'Europe en Réseau), the Neighbours association of Trinitat Nova, Barcelona (Spain), the Estate Management Board of Bloomsbury, Birmingham (UK), the Stadttleilgruppe of Tenever, Bremen (Germany), the Unione Borgate, Rome (Italy) as well as the Maritime Quarter Committee in Molenbeek-St-Jean (Belgium). Beyond these 5 testimonies of participation’s experiments, research makes it possible to better seize the articulation between the practices and the institutional environment in which the participation evolves. As a results, a series of proposals are applicable to Belgium

A deep and timely account of how American newspapers were produced and distributed on paper. Winner of the Best Book in Canadian Business History by the Canadian Business History Association Popular assessments of printed newspapers have become so grim that some have taken to calling them “dead tree media” as a way of invoking the medium’s imminent demise. There is a literal truth hidden in this dismissive expression: printed newspapers really are material goods made from trees. And, throughout the twentieth century, the overwhelming majority of trees cut down in the service of printing newspapers in the United States came from Canada. In Dead Tree Media, Michael Stamm reveals the international history of the commodity chains connecting Canadian trees and US readers. Drawing on newly available corporate documents and research in archives across North America, Stamm offers a sophisticated rethinking of the material history of the printed newspaper. Tracing its industrial production from the forest to the newsstand, he provides an account of the obscure and often hidden labor involved in this manufacturing process by showing how it was driven by not only publishers and journalists but also lumberjacks, paper mill workers, policymakers, chemists, and urban and regional planners. Stamm describes the 1911 shift in tariff policy that gave US publishers duty-free access to Canadian newsprint, providing a tremendous boost to Canadian paper manufacturers and a significant subsidy to American newspaper publishers. He also explains how Canada attracted massive American foreign investment in paper mills around the same time that US publishers were able to gain greater access to Canada’s vast spruce forests. Focusing particularly on the Chicago Tribune, Stamm provides a new history of the rise and fall of both the mass circulation printed newspaper and the particular kind of corporation in the newspaper business that had shaped many aspects of the cultural, political, and even physical landscape of North America. For those seeking to understand the travails of the contemporary newspaper business, Dead Tree Media is essential reading.

"Any landscape architect worth their soil should pick up The Architecture of Trees, an all-encompassing atlas of all things tree-related."—The Architect's Newspaper Gorgeous, large format volume shows each hand-drawn illustration in stunning detail. The Architecture of Trees is the result of over twenty years of dedicated study by landscape architects Cesare Leonardi and Franca Stagi. This new edition preserves the original magnificent illustrations and text, translated into English for the first time. Features more than 550 exquisite quill-pen drawings. Each of the 212 tree species are drawn to a scale of 1:100, with and without foliage. Complete with tables of seasonal color variation and projections of shadows cast during the hours of daylight and season by season, no other book contains such detailed and scientific drawings of trees. A legendary and unsurpassed botanical masterwork. Considered a standard in many landscape architecture firms, the drawings, essays, and detailed charts are essential for large scale landscaping projects and a helpful tool for backyard renovations. Landscape designers will think in new ways about the effect of seasons and the time of day on trees, and anyone interested in nature and trees will be captivated by the stunning illustrations. "This book could be considered the Bible for tree lovers."—Western Art & Architecture

Two siblings journey into the woods in a tender story of branching out and new growth from acclaimed writer Andrea Zimmerman and New York Times bestselling illustrator Jing Jing Tsong. If I were a tree, I know how I'd be. My trunk strong and wide, my limbs side to side, I'd stand towering tall, high above all, My leaves growing big, and buds on each twig. If I were a tree, that's how I'd be. The sister has camped in the forest many times before. The brother is nervous for his first overnight trip. As the illustrations in this multifaceted picture book show the siblings discovering the woods, the text celebrates the strength and grace of the trees that surround them, through evocative verse that speaks to all five senses: If I were a tree, I know what I'd smell. Sweet honey and bees, and skunk on the breeze. I'd smell smoke in the air, the breath of a bear, Old fungus decay, and rain on the way. If I were a tree, that's what I'd smell. And with this new knowledge, the siblings are able to overcome their greatest challenge yet. Together, Andrea Zimmerman's wise poem and Jing Jing Tsong's kaleidoscopic art show how connections with the natural world can inspire us to live fully in the present and look hopefully to the future.