Tudor Parfitt examines a myth which is based on one of the world's oldest mysteries - what happened to the lost tribes of Israel? Christians and Jews alike have attached great importance to the legendary fate of these tribes which has had a remarkable impact on their ideologies throughout history. Each tribe of Israel claimed descent from one of the twelve sons of Jacob and the land of Israel was eventually divided up between them. Following a schism which formed after the death of Solomon, ten of the tribes set up an independent northern kingdom, whilst those of Judah and Levi set up a separate southern kingdom. In 721BC the ten northern tribes were ethnically cleansed by the Assyrians and the Bible states they were placed: in Halah and in Habor by the river of Gozan and in the city of Medes. The Bible also foretold that one day they would be reunited with the southern tribes in the final redemption of the people of Israel. Their subsequent history became a tapestry of legend and hearsay. The belief persisted that they had been lost in some remote part of the world and there were countless suggestions and claims as to where.

The Myth of the Twelve Tribes of Israel is the first study to treat the history of claims to an Israelite identity as an ongoing historical phenomenon from biblical times to the present. By treating the Hebrew Bible's accounts of Israel as one of many efforts to construct an Israelite history, rather than source material for later legends, Andrew Tobolowsky brings a long-term comparative approach to biblical and nonbiblical “Israelite” histories. In the process, he sheds new light on how the structure of the twelve tribes tradition enables the creation of so many different visions of Israel, and generates new questions: How can we explain the enduring power of the myth of the twelve tribes of Israel? How does “becoming Israel” work, why has it proven so popular, and how did it change over time? Finally, what can the changing shape of Israel itself reveal about those who claimed it?

In Secularising the Sacred, Mishory offers an account of Zionist Israeli artists-designers' visual corpus and artistic lexicon of Jewish-Israeli icons as an anchor for the emerging “civil religion,” through a process of giving visual form to Zionist ideas and myths.

Draws upon a wide range of historical sources to examine the factuality of the Old Testament, arguing that the Bible's stories are firmly based on fact and refuting evidence from modern scholars who claim otherwise.

Leading scholars provide an overview of current issues in Old Testament studies.