Facing Mount Kenya, first published in 1938, is a monograph on the life and customs of the Gikuyu people of central Kenya prior to their contact with Europeans. It is unique in anthropological literature for it gives an account of the social institutions and religious rites of an African people, permeated by the emotions that give to customs and observances their meaning. It is characterised by both insight and a tinge of romanticism. The author, proud of his African blood and ways of thought, takes the reader through a thorough and clear picture of Gikuyu life and customs, painting an almost utopian picture of their social norms and the sophisticated codes by which all aspects of the society were governed. This book is one of a kind, capturing and documenting traditions fast disappearing. It is therefore a must-read for all who want to learn about African culture.

The idea of human rights is not new. But the importance of taking rights seriously has never been more urgent. The eighteen essays which comprise Literature and Human Rights are written as a contribution to this vital debate. Each moreover is written in the spirit of interdisciplinarity, reaching across the myriad constitutive disciplines of law, literature and the humanities in order to present an array of alternative perspectives on the nature and meaning of human rights in the modern world. The taking of human rights seriously, it will be suggested, depends just as much on taking seriously the idea of the human as it does the idea of rights.

As with his critically acclaimed book on Suez, Keith Kyle revisits as a scholar ground that he first covered as a print and television journalist. After three introductory chapters covering the years 1895-1957, the core of the book examines in lively detail how Kenya moved from Mau Mau trauma to national freedom. The immediacy of the eye-witness, which older readers will remember from television reports, is now combined with the fruits of reflection and meticulous archival research to create a unique authoritative study of this vital period for Kenya, for Africa and for the British Empire.

The first study to use Jomo Kenyatta's political biography and presidency as a basis for examining the colonial and postcolonial history of Kenya.

An extraordinary account of how a laborer's son rose to challenge the power of despots, I Refuse to Die is both the autobiography of one gifted man who rose above the horrors of colonization, and an uncensored history of modern Kenya. The book is infused with the freedom songs of the Kenyan people, as well as dream prophecy and folk tales that are part of Kenya's rich storytelling tradition. Tracing the roots of the Mau Mau rebellion, wa Wamwere follows the evolution and degeneration of Jomo Kenyatta and the rise of Daniel arap Moi. In 1979, wa Wamwere won a seat in the parliament, where he represented the economically depressed Nakuru district for three years. An outspoken activist and journalist, wa Wamwere was framed and detained on three separate instances, spending thirteen years in prison, where he was tortured but not broken. His mother and others led a hunger strike to free him and fellow political prisoners. Their efforts brought about a show trial at which Koigi was sentenced to four more years in prison and "six strokes of the cane," and escaped Kenya—and probably execution—only through the exertions of human rights groups and the government of Norway.