Signed in 1848, the Treaty of Guadalupe Hidalgo ended the war between the United States and Mexico and gave a large portion of Mexico’s northern territories to the United States. The language of the treaty was designed to deal fairly with the people who became residents of the United States by default. However, as Richard Griswold del Castillo points out, articles calling for equality and protection of civil and property rights were either ignored or interpreted to favor those involved in the westward expansion of the United States rather than the Mexicans and Indians living in the conquered territories.

A historical analysis of the conflicting ideas about race and national belonging held by Mexicans and Euro-Americans in southern New Mexico during the late nineteenth century and early twentieth.

This title addresses the deeper questions of how remembrance of the U.S.-Mexican War has influenced the complex relationship between these former enemies now turned friends.

The postborder metropolis of Bajalta California stretches from Los Angeles in the north to Tijuana and Mexicali in the south. Immigrants from all over the globe flock to Southern California, while corporations are drawn to the low wage industry of the Mexican border towns, echoing developments in other rapid growth areas such as Phoenix, El Paso, and San Antonio. This incredibly diverse, transnational megacity is giving birth to new cultural and artistic forms as it rapidly evolves into something unique in the world. Postborder City is a genuinely interdisciplinary investigation of the hybrid culture on both sides of the increasingly fluid U. S.-Mexico border, spanning the disciplines of art and art history, urban planning, geography, Latina/o studies, and American studies.

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