Successful travel photographers have to wear more hats than perhaps any other photographic genre. In a single travel photo essay they are at times architectural photographers, food photographers, music photographers, car photographers – the list encompassing every possible type of photography. The Travel Photo Essay teaches the reader the necessary techniques to create cohesive professional travel stories, using images that go far beyond "I was here" photographs. From the establishing shots to the equipment list, this book discusses the techniques and concepts necessary to create professional looking images in various genres, including portrait photography, landscape photography, wildlife photography, food photography, documentary photography, sports photography and more. Covering issues such as lighting, writing, workflow and the travel photography market, award-winning photographer and writer Mark Edward Harris explains how to marry photos with words, telling a cohesive story through a series of photographs.

Twenty-eight color and two bandw photographs, as well as an interview with the accomplished photojournalist. Annotation copyrighted by Book News, Inc., Portland, OR

Hopi traditional elder Thomas Banyacya once described the American Southwest as "the spiritual center of our continent." Author, photographer, and adventurer John Annerino retraces ancient trails to show us why this is so. Through recent and historical photos, essays, and literary quotes, he takes us across what the Spaniards often feared as despoblados, or unknown lands, from Old Mexico to the Four Corners of ancient cities, painted deserts, and trilingual cultural landscapes--some of the most inaccessible land on the continent. Juxtaposed with tales of his own perilous excursions, the book contains oral histories and remarkable images of terrain that few of today's tourists have ever seen. Told from a current point of view, this throwback to the days of Geronimo and Navajo headman Manuelito will appeal to adventurers, historians, and those interested in the mesmerizing mystique of our own American outback.

The first comprehensive consideration of Life magazine's groundbreaking and influential contribution to the history of photography From the Great Depression to the Vietnam War, the vast majority of the photographs printed and consumed in the United States appeared on the pages of illustrated magazines. Offering an in-depth look at the photography featured in Life magazine throughout its weekly run from 1936 to 1972, this volume examines how the magazine's use of images fundamentally shaped the modern idea of photography in the United States. The work of photographers both celebrated and overlooked--including Margaret Bourke-White, Larry Burrows, Henri Cartier-Bresson, Frank Dandridge, Alfred Eisenstaedt, Fritz Goro, Gordon Parks, and W. Eugene Smith--is explored in the context of the creative and editorial structures at Life. Contributions from 25 scholars in a range of fields, from art history to American studies, provide insights into how the photographs published in Life--used to promote a predominately white, middle-class perspective--came to play a role in cultural dialogues in the United States around war, race, technology, art, and national identity. Drawing on unprecedented access to Life magazine's picture and paper archives, as well as photographers' archives, this generously illustrated volume presents previously unpublished materials, such as caption files, contact sheets, and shooting scripts, that shed new light on the collaborative process behind many now-iconic images and photo-essays.

Photojournalist Leah Hennel's intimate portfolio of photos documenting the impact of COVID-19 on life in Alberta during the pandemic. Leah Hennel has been documenting Alberta's frontline workers and the COVID-19 patients they care for as an Alberta Health Services staff photographer since the early days of the pandemic. Showcasing the lives of those who refused to give up in the face of adversity, Hennel's photographs beautifully illustrate how citizens, doctors, nurses, and patients in Alberta have adapted and found safe new ways to celebrate, socialize, and work during a time of global chaos. At the same time, these sensitive and haunting images dramatically illustrate how Albertans have dealt with the death, tragedy, and uncertainty that the pandemic has wrought upon the province. The COVID-19 pandemic has been a watershed moment in world history. In many ways, it has reshaped the way we live our lives, and many of its effects will live on. As time goes by, though, the memory of these past months will start to fade and life will eventually ease back into some kind of normalcy. But these photographs and the stories they tell will always be here, providing a record of this historic event and a reminder that catastrophe can strike at any time. Stories of resilience and courage, of suffering and celebration, are everywhere in today's world. Alone Together shines a revelatory light on one particular place during an unprecedented - and ongoing - global event.

Swim out into the Pacific and look back to the shore. To the couple kissing in the hot afternoon, and the young girl rollerskating along the front, and the family setting up camp on the soft, warm sand. To the blues and yellows and pinks of fierce, determined revelry. Santa Monica, where the wooden pier juts out into the Pacific Ocean, marks the end of Route 66. The great American journey west culminates here, and it is on this short stretch of coast that Sarah Lee began shooting her photographic series in 2015. In West of West Sarah Lee and Laura Barton explore the idea of the West in shaping American identity, with its idealism and notions of the frontier, and what the American West means in an age of political turbulence, when the East is the rising global force and the frontier is shifting once more.