In 1963, when twins Henry and Helen and their best friends Alan and Nicki try to find Alan's missing brother Carl, they stumble into the knowledge of their "subtle forms" that can separate from their physical bodies, and into a criminal's plot to make himself immortal--at any expense.

A twisted debut thriller about a reclusive author who sets the perfect trap for her sister's murderer—but is he really the killer? The renowned author Linda Conrads is famous for more than just her bestselling novels. For over eleven years, she has mystified fans by never setting foot outside her home. Far-fetched, sometimes sinister rumors surround the shut-in writer, but they pale in comparison to the chilling truth: Linda is haunted by the unsolved murder of her younger sister, whom she discovered in a pool of blood twelve years ago, and by the face of the man she saw fleeing the scene. Now plagued by panic attacks, Linda copes with debilitating anxiety by secluding herself in her house, her last safe haven. But the sanctity of this refuge is shattered when her sister's murderer appears again--this time on her television screen. Empowered with sudden knowledge but hobbled by years of isolation, Linda resolves to use her only means of communication with the outside world--the plot of her next novel--to lay an irresistible trap for the man. But as the plan is set in motion and the past comes rushing back, Linda's memories of that traumatic night--and her very sanity--are called into question. Is this man really a heartless killer or merely a helpless victim?

A gripping wilderness adventure and survival story It was getting colder. Johnny pulled the fur-lined hood of his parka over his head and walked towards his own cabin with the sound of snow crunching beneath his boots. "He should be back tomorrow," he thought, as a star raced across the sky just below the North Star. "He should be back tomorrow for sure." Seventeen-year-old Johnny Least-Weasel knows that his grandfather Albert is a stubborn old man and won't stop checking his own traplines even though other men his age stopped doing so years ago. But Albert Least-Weasel has been running traplines in the Alaskan wilderness alone for the past sixty years. Nothing has ever gone wrong on the trail he knows so well. When Albert doesn't come back from checking his traps, with the temperature steadily plummeting, Johnny must decide quickly whether to trust his grandfather or his own instincts. Written in alternating chapters that relate the parallel stories of Johnny and his grandfather, John Smelcer's The Trap poignantly addresses the hardships of life in the far north, suggesting that the most dangerous traps need not be made of steel.

Three youths take a mother and her son hostage in a Maine cottage.

From author Andrew Fukuda comes The Trap, the explosive finale to The Hunt trilogy—perfect for fans of The Hunger Games! After barely escaping the Mission alive, Gene and Sissy face an impossible task: staying alive long enough to stop an entire world bent on their destruction. Bound on a train heading into the unknown with the surviving Mission girls, Gene, Sissy, David, and Epap must stick together and use everything they have to protect each other and their only hope: the cure that will turn the blood-thirsty creatures around them into humans again. Now that they know how to reverse the virus, Gene and Sissy have one final chance to save those they love and create a better life for themselves. But as they struggle to get there, Gene's mission sets him on a crash course with Ashley June, his first love . . . and his deadliest enemy.

terrorists infiltrate the United States with a nuclear bomb. East-acting commando George Ferrar spots trouble in Afghanistan and hopscontinents following the bomb to its ultimate destination in America. Meanwhile, thinking that he is the culprit, the FBI, CIA, and Pentagon use all means necessary to stop him.

First Published in 1998. The Polish Theatre Archive makes available in English translation major works of Poland's dramatic literature as well as monographs and critical studies -on Polish playwrights, theatre artists and stage history. Although he has not written anything new for the theatre since The Trap (Pulapka, 1981), Tadeusz Rozewicz remains the most provocative and original Polish playwright of the post-war period. His probing of the boundaries traditionally assigned to theatre has put him in the forefront of artistic innovators along with Kantor and Grotowski. Outstanding directors have sought to realize his work in production, despite inherent tensions between the author's radically experimental propositions and the nature of theatre itself.