Kishwar Rizvi, drawing on the multifaceted history of the Middle East, offers a richly illustrated analysis of the role of transnational mosques in the construction of contemporary Muslim identity. As Rizvi explains, transnational mosques are structures built through the support of both government sponsorship, whether in the home country or abroad, and diverse transnational networks. By concentrating on mosques--especially those built at the turn of the twenty-first century--as the epitome of Islamic architecture, Rizvi elucidates their significance as sites for both the validation of religious praxis and the construction of national and religious ideologies. Rizvi delineates the transnational religious, political, economic, and architectural networks supporting mosques in Saudi Arabia, Iran, Turkey, and the United Arab Emirates, as well as in countries within their spheres of influence, such as Pakistan, Syria, and Turkmenistan. She discerns how the buildings feature architectural designs that traverse geographic and temporal distances, gesturing to far-flung places and times for inspiration. Digging deeper, however, Rizvi reveals significant diversity among the mosques--whether in a Wahabi-Sunni kingdom, a Shi&8219;i theocratic government, or a republic balancing secularism and moderate Islam--that repudiates representations of Islam as a monolith. Mosques reveal alliances and contests for influence among multinational corporations, nations, and communities of belief, Rizvi shows, and her work demonstrates how the built environment is a critical resource for understanding culture and politics in the contemporary Middle East and the Islamic world.

This book brings a transnational perspective to the study of immigrant integration in contemporary Western European societies, with a specific focus on transnational Turkish Islam and Turkish integration in Great Britain. It raises significant questions regarding national citizenship models, and offers original insights into the ways in which they can be extended and renewed to cover the cross-border reality. At the theoretical level, Dikici argues that the idea of multiculturalism can be extended to cover immigrant transnationalism without jeopardising its core principles such as equality and recognition of difference, and promises such as a shared national identity and unity in diversity. At the empirical level, the book illustrates that not all transnational Muslim organisations are the same (i.e. militant), and nor do they all hinder Muslim integration, rather they are diverse, with some deliberately contributing to the integration of Muslims into non-Muslim majority societies. The work will be of interest to scholars and students of contemporary integration and citizenship studies, multiculturalism studies, Muslim integration in Western societies, transnationalism and transnational Islam, Civil Society and Diaspora Studies.

This book examines the needs, aspirations, strategies, and challenges of transnational Muslim migrants in Europe with regard to family practices such as marriage, divorce, and parenting. Critically re-conceptualizing ‘wellbeing’ and unpacking its multiple dimensions in the context of Muslim families, it investigates how migrants make sense of and draw on different norms, laws, and regimes of knowledge as they navigate different aspects of family relations and life in a transnational social space. With attention to issues such as registration of marriage, civil versus religious marriage, spousal roles and rights, polygamy, parenting, child wellbeing, and everyday security, the authors offer national and comparative case studies of Muslim families from different parts of the world, covering different family bonds and relations, within both extended and nuclear families. Based on empirical research in the Nordic region and further afield, this volume affords a more complete understanding of the practices of transnational migrant families, as well as the processes through which family relations and rights are negotiated between family members and with state institutions and laws, whilst contributing to the growing literature on migrant wellbeing. As such, it will appeal to scholars of sociology and social policy with interests in migration and transnational communities, wellbeing, and the family.

Analyzing the modernist art movement that arose in Cairo and Alexandria from the late nineteenth century through the 1960s, Alex Dika Seggerman reveals how the visual arts were part of a multifaceted transnational modernism. While the work of diverse, major Egyptian artists during this era may have appeared to be secular, she argues, it reflected the subtle but essential inflection of Islam, as a faith, history, and lived experience, in the overarching development of Middle Eastern modernity. Challenging typical views of modernism in art history as solely Euro-American, and expanding the conventional periodization of Islamic art history, Seggerman theorizes a "constellational modernism" for the emerging field of global modernism. Rather than seeing modernism in a generalized, hyperconnected network, she finds that art and artists circulated in distinct constellations that encompassed finite local and transnational relations. Such constellations, which could engage visual systems both along and beyond the Nile, from Los Angeles to Delhi, were materialized in visual culture that ranged from oil paintings and sculpture to photography and prints. Based on extensive research in Egypt, Europe, and the United States, this richly illustrated book poses a compelling argument for the importance of Muslim networks to global modernism.

The book examines Muslim-European interactions in the interwar period and provides original insights into the emergence of geopolitical and intellectual East–West networks that transcended national, cultural, and linguistic borders.

This book examines Muslim women's creative strategies of deploying religious concepts such as ummah, or community, to solve problems of domestic and communal violence, polygamous abuse, sterility, and heteronormativity. By closely reading and examining examples of ummah-building strategies in interfaith dialogues, exchanges, and encounters between Muslim and non-Muslim women in a selection of African and Southeast Asian fictions and essays, this book highlights women's assertive activisms to redefine transnationalism, understood as relationships across national boundaries, as transgeography. Ummah-building strategies shift the space of, or respatialize, transnational relationships, focusing on connections between communities, groups, and affiliations within the same nation. Such a respatialization also enables a more equitable and inclusive remediation of the citizenship of gendered and religious citizens to the nation-state and the transnational sphere of relationships.

Pilgrimage is one of the most significant ritual duties for Muslims, entailing the visitation and veneration of sites associated with the Prophet Muhammad or saintly figures. As demonstrated in this multidisciplinary volume, the lived religion of pilgrimage, defined by embodied devotional practices, is changing in an age characterized by commerce, technology, and new sociocultural and political frameworks. Traveling to and far beyond the Hajj, the most well-known Muslim pilgrimage, the volume's contributors reveal and analyze emerging contemporary Islamic pilgrimage practices around the world, in minority- and majority-Muslim countries as well as in urban and rural settings. What was once a tiny religious attraction in a remote village, for example, may begin to draw increasing numbers of pilgrims to shrines and tombs as the result of new means of travel, thus triggering significant changes in the traditional rituals, and livelihoods, of the local people. Organized around three key themes—history and politics; embodiment, memory, and material religion; and communications—the book reveals how rituals, practices, and institutions are experienced in the context of an inexorable global capitalism. The volume contributors are Sophia Rose Arjana, Rose Aslan, Robert R. Bianchi, Omar Kasmani, Azim Malikov, Lewis Mayo, Julian Millie, Reza Masoudi Nejad, Paulo G. Pinto, Babak Rahimi, Emilio Spadola, Edith Szanto, and Brannon Wheeler.