The end of the cold war and the fall of the Soviet empire have had major consequences for Italian politics. Leonard Weinberg explores some of those consequences, focusing on the transformation of the Italian Communist party from a Leninist to a democratic party. He also discusses the relationship between the end of communism and the unfolding of the entire Italian system.The Transformation of Italian Communism has two objectives. First, it calls the reader's attention to the role of international developments, an important but largely overlooked area involved in the study of European party politics. Traditional texts in this area emphasize domestic factors, but Weinberg focuses on the influence of international developments on domestic party politics in Italy. The implications for other nations are transparent.The second objective of this work is to examine how Italy's Communist party, the largest such party of its kind in the Western world, reacted to the fall of communism in Eastern Europe. Weinberg analyzes the meaning of these events for long-tune party members in Italy'as well as for Italian political and cultural life. The Transformation of Italian Communism offers an original, intimate, and unique assessment of how the end of the cold war has affected Italian political culture. It will be a valuable addition to those interested in the convulsions taking place in modem Italy, as well as to political scientists and theorists of political culture.

Twenty years have passed since the Italian Communists’ last Congress in 1991, in which the death of their party was decreed. It was a deliberate death, accelerated by the desire for a “new beginning.” That new beginning never came, and the world lost an invaluable, complex political, organizational and theoretical heritage. In this detailed and probing work, Lucio Magri, one of the towering intellectual figures of the Italian Left, assesses the causes for the demise of what was once one of the most powerful and vibrant communist parties of the West. The PCI marked almost a century of Italian history, from its founding in 1921 to the partisan resistance, the turning point of Salerno in 1944 to the de-Stalinization of 1956, the long ’68 to the “historic compromise,” and to the opportunity—missed forever—of democratic transformation. With rigor and passion, The Tailor of Ulm merges an original and enlightening interpretation of Italian communism with the experience of a militant “heretic” into a riveting read—capable of broadening our insights into contemporary Italy, and the twentieth-century communist experience.

This book examines the artistic policies of the Italian Communist Party (PCI) during the early post-war years (1944–1951), after the defeat of Fascism in Europe and the outbreak of the Cold War. It brings together theoretical debates on artists’ political engagement and an extensive critical apparatus, providing the reader with an historical framework for wider reflections on the relationship between art and politics. After 1944, the PCI became the biggest Communist organisation in the West, placing Italy in an ambiguous position regarding the other European countries. Nevertheless, the immediate strategy of the Communists was not revolution, but liberation from Fascism and the establishment of a democratic system from which a genuine Italian path to Socialism could be found. Taking Antonio Gramsci’s notion of hegemony as a theoretical basis, the Communists intended to generate a progressive social bloc capable of achieving wide consensus within civil society before taking power. In order to accomplish this goal, the collaboration from intellectuals was necessary. The artistic policy of the Italian Communist Party was tailored to this end, counting on representatives from all groups and tendencies of the time, particularly those artists who rejected the imperialistic, autarchic pseudo-classicism that characterised most of Italian art throughout the Fascist years. In the 1930s, international, Modernist and cosmopolitan European culture became an escape route to artists seeking a way out of the oppressive cultural atmosphere of inter-war Italy. However, in the 1940s and 1950s, many of these artists experienced a deep transformation in their work after they became politically involved with the PCI, and were exposed to international Communist culture – and Socialist Realism in particular. This was conveyed not only by conscious changes in their subjects, their style and their material means of expression, but also in the public they addressed and in their own conception of themselves as artistic authors. Hence, at a time when the world was divided into two opposed camps, each heavily inflected by ideological allegiance and supported by powerful propaganda apparatuses, Italian Communist artists became the protagonists of a novel intellectual-political project which pursued the synthesis between antagonistic cultural blocs.

The second volume of The Cambridge History of Communism explores the rise of Communist states and movements after World War II. Leading experts analyze archival sources from formerly Communist states to re-examine the limits to Moscow's control of its satellites; the de-Stalinization of 1956; Communist reform movements; the rise and fall of the Sino-Soviet alliance; the growth of Communism in Asia, Africa and Latin America; and the effects of the Sino-Soviet split on world Communism. Chapters explore the cultures of Communism in the United States, Western Europe and China, and the conflicts engendered by nationalism and the continued need for support from Moscow. With the danger of a new Cold War developing between former and current Communist states and the West, this account of the roots, development and dissolution of the socialist bloc is essential reading.

Offering a single, coherent framework of the political, economic, and social phenomena that characterize post-communist regimes, this is the most comprehensive work on the subject to date. Focusing on Central Europe, the post-Soviet countries and China, the study provides a systematic mapping of possible post-communist trajectories. At exploring the structural foundations of post-communist regime development, the work discusses the types of state, with an emphasis on informality and patronalism; the variety of actors in the political, economic, and communal spheres; the ways autocrats neutralize media, elections, etc. The analysis embraces the color revolutions of civil resistance (as in Georgia and in Ukraine) and the defensive mechanisms of democracy and autocracy; the evolution of corruption and the workings of “relational economy”; an analysis of China as “market-exploiting dictatorship”; the sociology of “clientage society”; and the instrumental use of ideology, with an emphasis on populism. Beyond a cataloguing of phenomena—actors, institutions, and dynamics of post-communist democracies, autocracies, and dictatorships—Magyar and Madlovics also conceptualize everything as building blocks to a larger, coherent structure: a new language for post-communist regimes. While being the most definitive book on the topic, the book is nevertheless written in an accessible style suitable for both beginners who wish to understand the logic of post-communism and scholars who are interested in original contributions to comparative regime theory. The book is equipped with QR codes that link to www.postcommunistregimes.com, which contains interactive, 3D supplementary material for teaching.

During the final years of the Second World War, a decisive change took place in the Italian left, as the Italian Communist Party (PCI) rose from clandestinity and recast itself as a mass, patriotic force committed to building a new democracy. This book explains how this new party came into being. Using Rome as its focus, it explains that the rebirth of the PCI required that it subdue other, dissident strands of communist thinking. During the nine-month German occupation of Rome in 1943-44, dissident communists would create the capital’s largest single resistance formation, the Communist Movement of Italy (MCd’I), which galvanised a social revolt in the capital's borgate slums. Exploring this wartime battle to define the rebirth of Italian communism, the author examines the ways in which a militant minority of communists rooted their activity in the everyday lives of the population under occupation. In particular, this study focuses on the role of draft resistance and the revolt against labour conscription in driving recruitment to partisan bands, and how communist militants sought to mould these recruits through an active effort of political education. Studying the political writing of these dissidents, their autodidact Marxism and the social conditions in which it emerged, this book also sheds light on an often-ignored underground culture in the years that preceded the armed resistance that began in September 1943. Revealing an almost unknown history of dissident communism in Italy, outside of more recognisable traditions like Trotskyism or Bordigism, this book provides an innovative perspective on Italian history. It will be of interest to those researching the broad topics of political and social history, but more specifically, resistance in the Second World War and the post-war European left.