How remarkable changes in ancient Greek pottery reveal the transformation of classical Greek culture Why did soldiers stop fighting, athletes stop competing, and lovers stop having graphic sex in classical Greek art? The scenes depicted on Athenian pottery of the mid-fifth century BC are very different from those of the late sixth century. Did Greek potters have a different world to see—or did they come to see the world differently? In this lavishly illustrated and engagingly written book, Robin Osborne argues that these remarkable changes are the best evidence for the shifting nature of classical Greek culture. Osborne examines the thousands of surviving Athenian red-figure pots painted between 520 and 440 BC and describes the changing depictions of soldiers and athletes, drinking parties and religious occasions, sexual relations, and scenes of daily life. He shows that it was not changes in each activity that determined how the world was shown, but changes in values and aesthetics. By demonstrating that changes in artistic style involve choices about what aspects of the world we decide to represent as well as how to represent them, this book rewrites the history of Greek art. By showing that Greeks came to see the world differently over the span of less than a century, it reassesses the history of classical Greece and of Athenian democracy. And by questioning whether art reflects or produces social and political change, it provokes a fresh examination of the role of images in an ever-evolving world.

"Citadel to City-State serves as an excellent summarization of our present knowledge of the not-so-dark Dark Age as well as an admirable prologue to the understanding of the subsequent Archaeic and Classical periods." -- David Rupp, Phoenix The Dark Age of Greece is one of the least understood periods of Greek history. A terra incognita between the Mycenaean civilization of Late Bronze Age Greece and the flowering of Classical Greece, the Dark Age was, until the last few decades, largely neglected. Now new archaeological methods and the discovery of new evidence have made it possible to develop a more comprehensive view of the entire period. Citadel to City-State explores each century from 1200 to 700 B.C.E. through an individual site -- Mycenae, Nichoria, Athens, Lefkandi, Corinth, and Ascra -- that illustrates the major features of each period. This is a remarkable account of the historical detective work that is beginning to shed light on Dark Age Greece.

Robin Osborne's introduction to the art, archaeology and history of ancient Greece shows how we can write the history of this period, and the insights which can be gained by doing so for our understanding of later periods of history

"Why did soldiers stop fighting, athletes stop competing, and lovers stop having graphic sex in classical Greek art? The scenes depicted on Athenian pottery of the mid-fifth century BC are very different from those of the late sixth century. Did Greek potters have a different world to see-- or did they come to see the world differently? ... Robin Osborne argues that these remarkable changes are the best evidence for the shifting nature of classical Greek culture. Osborne examines the thousands of surviving Athenian red-figure pots painted between 520 and 440 BC and describes the changing depictions of soldiers and athletes, drinking parties and religious occasions, sexual relations, and scenes of daily life. He shows that it was not changes in each activity that determined how the world was shown, but changes in values and aesthetics. By demonstrating that changes in artistic style involve choices about what aspects of the world we decide to represent as well as how to represent them, this book rewrites the history of Greek art. By showing that Greeks came to see the world differently over the span of less than a century, it reassesses the history of classical Greece and of Athenian democracy. And by questioning whether art reflects or produces social and political change, it provokes a fresh examination of the role of images in an ever-evolving world"--Publisher's description.

Civic Rites explores the religious origins of Western democracy by examining the government of fifth-century BCE Athens in the larger context of ancient Greece and the eastern Mediterranean. Deftly combining history, politics, and religion to weave together stories of democracy’s first leaders and critics, Nancy Evans gives readers a contemporary’s perspective on Athenian society. She vividly depicts the physical environment and the ancestral rituals that nourished the people of the earliest democratic state, demonstrating how religious concerns were embedded in Athenian governmental processes. The book’s lucid portrayals of the best-known Athenian festivals—honoring Athena, Demeter, and Dionysus—offer a balanced view of Athenian ritual and illustrate the range of such customs in fifth-century Athens.

E.A. Judge's third collection of essays moves on from Rome and the New Testament to the interaction of the classical and biblical traditions, to the cultural transformation of late antiquity, and to the contested heritage of Athens and Jerusalem in the modern West. A lifelong interest in Rome bridges this range. Christianity emerges as essentially a movement of ideas, opposed at first to the cultic practice of ancient religion which had been meant to secure the existing order of things. The new message with its demanding morality laid the foundations for our radically different sense of 'religion' as the quest for the ideal life.The 'Judge method' tackles such momentous questions by starting with textual detail, translated from Latin and Greek. Inspired by the project of the Dolger-Institut in Bonn (the interaction of antiquity and Christianity), he brings to it a particular focus on those documents of the times retrieved from stone or papyrus. The collection reflects the more holistic approach to history, starting with the ancient world, that has been developed at Macquarie University in Sydney, where diverse interests are now drawn together from as far back as ancient Egypt or China in an attractive approach to the modern world.

Murray traces the emergence of urbanisation and social and political structures from the Mycenean and legendary origins of Greece through to the Persian Wars.