In a world where magic and technology coexist, an artifact with unimaginable power has emerged. Aria, a young historian who was till now living a normal boring life, finds herself at the center of politics and deception. When she discovers the stone, she is plunged into a web of conspiracy and intrigue. She was revealed with such truths and dangers that shook her from her feet. With the help of some, she uncovers the stone's true nature and the evil people that seek to control its power for their own selfish gain. But in this world of dark magic, shifting allegiances, and hidden dangers, who can she trust? As the journey continues, Aria must make difficult decisions that will determine the fate of her world. Will she be able to harness the stone's power for good, or will it destroy everything she holds dear? Find out in this action-packed thriller. This epic fantasy adventure will keep you on the edge of your seat until the very end.

A Zen story speaks of not mistaking a finger that points to the Moon for the Moon itself--a topic explored in photos, words, and paintings by the author. 50 photos, 30 in color. Line drawings.

Merleau-Ponty and the Paradoxes of Expression offers a comprehensive reading of the philosophical work of Maurice Merleau-Ponty, a central figure in 20th-century continental philosophy. By establishing that the paradoxical logic of expression is Merleau-Ponty's fundamental philosophical gesture, this book ties together his diverse work on perception, language, aesthetics, politics and history in order to establish the ontological position he was developing at the time of his sudden death in 1961. Donald A. Landes explores the paradoxical logic of expression as it appears in both Merleau-Ponty's explicit reflections on expression and his non-explicit uses of this logic in his philosophical reflection on other topics, and thus establishes a continuity and a trajectory of his thought that allows for his work to be placed into conversation with contemporary developments in continental philosophy. The book offers the reader a key to understanding Merleau-Ponty's subtle methodology and highlights the urgency and relevance of his research into the ontological significance of expression for today's work in art and cultural theory.

The critic and scholar Heather Cass White offers an exploration of the nature of reading Heather Cass White’s Books Promiscuously Read is about the pleasures of reading and its power in shaping our internal lives. It advocates for a life of constant, disorderly, time-consuming reading, and encourages readers to trust in the value of the exhilaration and fascination such reading entails. Rather than arguing for the moral value of reading or the preeminence of literature as an aesthetic form, Books Promiscuously Read illustrates the irreplaceable experience of the self that reading provides for those inclined to do it. Through three sections—Play, Transgression, and Insight—which focus on three ways of thinking about reading, Books Promiscuously Read moves among and considers many poems, novels, stories, and works of nonfiction. The prose is shot through with quotations reflecting the way readers think through the words of others. Books Promiscuously Read is a tribute to the whole lives readers live in their books, and aims to recommit people to those lives. As White writes, “What matters is staying attuned to an ordinary, unflashy, mutely persistent miracle; that all the books to be read, and all the selves to be because we have read them, are still there, still waiting, still undiminished in their power. It is an astonishing joy.”

This book is an exploration and interpretation of the diverse symbols and images that represent the sacred presence of God in the Book of Psalms. These images of sacred spaces and objects represent diverse conceptions of “the sanctuary” or sacred spaces, objects and texts that mediate God’s presence and bridge the gap between the ineffable nature of God as transcendent and beyond human comprehension and as immanently and intimately present in human experience. I explore the multivalent ways in which images of sacred spaces and objects facilitate prayer and contemplation. This book represents a valuable contribution to the study of Psalms and biblical theology, spirituality and prayer.

Deals with issues such as power, knowledge and organizational discourse.

In this groundbreaking comparative study, Matthew Bagger investigates the role of paradox in Western and Asian religious discourse. Drawing on both philosophy and social scientific theory, he offers a naturalistic explanation of religion's oft-noted propensity to sublime paradox and argues that religious thinkers employ intractable paradoxes as the basis for various techniques of self-transformation. Considering the writings of Kierkegaard, Pseudo-Dionysus, St. John of the Cross, N?g?rjuna, and Chuang-tzu, among others, Bagger identifies two religious uses of paradox: cognitive asceticism, which wields the psychological discomfort of paradox as an instrument of self-transformation, and mysticism, which seeks to transform the self through an alleged extraordinary cognition that ineffably comprehends paradox. Bagger contrasts these techniques of self-transformation with skepticism, which cultivates the appearance of contradiction in order to divest a person of beliefs altogether. Bagger further contends that a thinker's social attitudes determine his or her response to paradox. Attitudes concerning crossing the boundary of a social group prefigure attitudes concerning supposed truths that lie beyond the boundaries of understanding. Individuals who fear crossing the boundary of their social group and would prohibit them tend to use paradox ascetically, while individuals who find the controlled incorporation of outsiders enriching commonly find paradox revelatory. Although scholars have long noted that religious discourse seems to cultivate and perpetuate paradox, their scholarship tends to ratify religious attitudes toward paradox instead of explaining the unusual reaction paradox provokes. A vital contribution to discussions of mystical experience, The Uses of Paradox reveals how much this experience relies on social attitudes and cosmological speculation.