The Tramp in British Literature, 1850–1950 offers an account of the emergence of a new conception of homelessness in the mid-nineteenth century, which it argues reflects the evolution of capitalism and disciplinary society in this period. In the process it uncovers a neglected body of literature on the subject of the tramp written by thirty-three memoir writers and eighteen fiction writers, most of whom were themselves homeless. In analysing these works, The Tramp in British Literature presents select texts as a unique and ignored contribution to a wider radical discourse defined by its opposition to a societal fixation upon the need to be productive.

The Tramp in British Literature, 1850-1950 offers an account of the emergence of a new conception of homelessness in the mid-nineteenth century, which it argues reflects the evolution of capitalism and disciplinary society in this period. In the process it uncovers a neglected body of literature on the subject of the tramp written by thirty-three memoir writers and eighteen fiction writers, most of whom were themselves homeless. In analysing these works, The Tramp in British Literature presents select texts as a unique and ignored contribution to a wider radical discourse defined by its opposition to a societal fixation upon the need to be productive. .

Shortlisted for the Literary Encyclopedia Book Prize 2022, The Tramp in British Literature, 1850-1950 offers a unique account of the emergence of a new conception of homelessness in the mid-nineteenth century. After arguing that the emergence of the figure of the tramp reflects the evolution of capitalism and disciplinary society in this period, The Tramp in British Literature uncovers a neglected body of "tramp literature" written by memoir and fiction writers, many of whom were themselves homeless. In analysing these works, it presents select texts as a unique and ignored contribution to a wider radical discourse defined by its opposition to a wider societal preoccupation with the need to be productive.

The most enduring version of the hobo that has come down from the so-called 'Golden Age of Tramping' (1890s to 1940s) is an American cultural icon, signifying freedom from restraint and rebellion to the established order while reinforcing conservative messages about American exceptionalism, individualism, race, and gender. Vagabonds, Tramps, and Hobos shows that this 'pioneer hobo' image is a misrepresentation by looking at works created by transient artists and thinkers, including travel literature, fiction, memoir, early feminist writing, poetry, sociology, political journalism, satire, and music. This book explores the diversity of meanings that accrue around 'the hobo' and 'the tramp'. It is the first analysis to frame transiency within a nineteenth-century literary tradition of the vagabond, a figure who attempts to travel without money. This book provide new ways for scholars to think about the activity and representation of US transiency.

This book is the first full critical history of incognito social investigation texts – in other words, works detailing their authors’ experiences whilst pretending to be poor. The most famous example is Down and Out in Paris and London, but there has been a vast array of other works in the genre since it was created in 1866 by James Greenwood’s ‘A Night in a Workhouse’. It draws up a classification of incognito social investigation texts, dividing them into four subtypes. The first comprises those texts following most narrowly in James Greenwood’s footsteps, taking the extreme poor as their object of study. The next is the investigation of poverty through walking, for pedestrianism and poverty are fascinatingly linked. The third is that of people looking at relative poverty rather than absolute, where authors take on badly-paid work in order to report on it, which is when incognito social investigation becomes very much something carried out by women. We end looking at those incognito social investigators who settled in the areas they explored. Not only will this book recover the history of a genre that has long been ignored, however, but it will also offer significant close reading of many of the texts that it places within the tradition(s) it discovers.