A WORD FROM LOUIS L’AMOUR “Almost forty years ago, when my fiction was being published exclusively in ‘pulp’ western magazines, I wrote several novel-length stories, which my editors called ‘magazine novels.’ In creating them, I became so involved with my characters that their lives were still as much a part of me as I was of them long after the issues in which they appeared became collector’s items. Pleased as I was about how I brought the characters and their adventures to life in the pages of the magazines, I still wanted the reader to know more about my people and why they did what they did. So, over the years, I revised and expanded these magazine works into fuller-length novels that I published in paperback under other titles. “These particular early magazine versions of my books have long been a source of great speculation and curiosity among many of my readers, so much so of late, that I’m now pleased to collect three of them in book form for the first time. “I hope you enjoy them.”

Rafe Caradec—gambler, wanderer, soldier of fortune—was as hard a man as the battlefields and waterfronts of Latin America could fashion, but he was as good as his word. As Charles Rodney lay dying in a dank ship’s fo’c’sle, Rafe swore to make sure that Rodney’s Wyoming ranch went to his daughter, Ann. In Painted Rock, Wyoming, Caradec found land for a man to love, miles of rolling grasslands and towering mountains. He also found that one of the most ruthless men in the territory had set his sights on both Rodney’s ranch and his daughter. But Rafe Caradec had given his word, and once he’d looked deep into Ann Rodney’s eyes, nothing short of death would stop him from keeping the promise he’d made.

A WORD FROM LOUIS L’AMOUR “Almost forty years ago, when my fiction was being published exclusively in ‘pulp’ western magazines, I wrote several novel-length stories, which my editors called ‘magazine novels.’ In creating them, I became so involved with my characters that their lives were still as much a part of me as I was of them long after the issues in which they appeared became collector’s items. Pleased as I was about how I brought the characters and their adventures to life in the pages of the magazines, I still wanted the reader to know more about my people and why they did what they did. So, over the years, I revised and expanded these magazine works into fuller-length novels that I published in paperback under other titles. “These particular early magazine versions of my books have long been a source of great speculation and curiosity among many of my readers, so much so of late, that I’m now pleased to collect three of them in book form for the first time. “I hope you enjoy them.”

Milo Talon knew the territory and the good men from the bad. He had ridden the Outlaw Trail and could find out things others couldn’t. That was why a rich man named Jefferson Henry hired Milo to hunt down a missing girl. But from the moment Milo began his search, he knew something wasn’t right. Three people had already died, an innocent woman was on the run, and a once sleepy town was getting crowded with hired guns. Suddenly, Milo Talon realized that there were still things he had to learn—about the woman he was trying to find, the man who had hired him, and the murderer who wanted him dead. But most of all, Milo had a few things to learn about himself. And he would have to work fast, because one mistake could cost him his life.

Collected together for the first time are one of L'Amour's greatest novellas--"The Trail to Crazy Man"--and three stories from L'Amour's classic magazine days, all restored to their original versions. Original.

"Following a friend's suicide in 2003, I faced my own suicidal depression and a choice. Dwell in grief or run gonzo crazy and free in the opposite direction, blazing bright and deep in the jungles of America, hiking and writing until my feet and fingers bled with a pure, honest, screeching love for life." Lending levity to tragedy, author Rick McKinney loads readers into his backpack for a 2000-mile Appalachian Trail odyssey, dealing a passionate, endorphin-fueled gonzo blow to suicidal thinking. Dead Men is a deeply empathic, unorthodox prescription for a nation depressed. It delivers an endorphin charged blow to a Prozac-dependent world.

Kate Lundy, owner of the Tumbling B, and Conn Dury, her foreman, told Tom the rules: men from the cattle drives are forbidden on the north side of town. People appreciated the money the cowboys spent but thought them too coarse to be near their homes. Enticed to come calling by Linda McDonald, daughter of one of the leading citizens, Tom Lundy broke the law and crossed the line. Later that night, he was dead. Outraged by her brother’s murder, Kate vows to destroy the entire town. But when Aaron McDonald sends east for an army of hired guns, Conn Dury and the men of the Tumbling B soon wonder if the price of Kate’s revenge is too high.