First published in 1984, Toynbee Hall, The First Hundred Years is not just a centenary study, but a personal contribution to the continuing history of Toynbee Hall, which is the Universities’ settlement in East London, and an institution that has inspired respect and affection. Its pioneering role as a residential community living and working in the heart of one of London’s most deprived areas has been maintained. Called a ‘social workshop’ by its late chairman John Profumo, Toynbee Hall promotes ventures such as Free Legal Advice, the Workers Educational Association, and the Whitechapel Art Gallery. The book looks at the social changes that have taken place over the 100 years since Toynbee Hall was founded in 1884, but also notes curious parallels, with persistent patterns of poverty, deprivation, squalor and racial separation which characterise the area. Questions about the facts and perceptions of poverty, the nature of community, the visual as well as the social environment, and the roles of voluntary, local and national statutory policy still require answers.

From “one of science fiction’s grand masters” (Library Journal), a new reissue of Ray Bradbury’s The Toynbee Convector: a collection of twenty-two stories, including the continuing saga of H.G. Well’s time traveler and his Toynbee Convector, a ghost on the Orient Express, and a bored man who creates his own genuine Egyptian mummy. The world’s only time traveler finally reveals his secret. An old man’s memory of World War I conjures ghostly parachutists. An Egyptian mummy turns up in an Illinois cornfield. A lonely Martian prepares to face his doom. From the iconic author of Fahrenheit 451, Something Wicked This Way Comes, The Martian Chronicles, and The Illustrated Man, The Toynbee Convector is a true cause for celebration. The twenty-two classic tales in this special Ray Bradbury collection begin in the familiar rooms and landscapes of our lives, in common thoughts and memories, and then take off into the farthest reaches of the imagination. “The fiction creates the truth in this lovely exercise in utopian dreaming” (Publishers Weekly)—stunning stories that could only come from the brilliant mind of Ray Bradbury.

The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)

Making use of newly-researched archival material, this collection of original essays on wartime and postwar US foreign policy re-evaluates well-known crises and documents many less familiar aspects of the nation's mid-twentieth century conflicts. Leading diplomatic historians address familiar subjects from new angles. They offer new evidence about the risks run and the costs incurred in the prosecution of the Cold War, from Korea to the Caribbean. And they provide up-to-date accounting of mid-twentieth century American diplomacy's global purposes and consequences.

Proceedings of the 22d-33d annual conference of the Library Association in volumes 1-12; proceedings of the 34th-44th, 47th-57th annual conference issued as a supplement to volumes 13-23, new series volume 3-series 4, volume 1.

British Literature and Classical Music explores literary representations of classical music in early 20th century British writing. Covering authors ranging from T.S. Eliot and Virginia Woolf to Aldous Huxley, H.G. Wells and D.H. Lawrence, the book examines literature produced during a period of widely proliferating philosophical, educational, and performance-oriented musical activities in both public and private settings. David Deutsch demonstrates how this proliferation caused classical music to become an increasingly vital element of British culture and a vehicle for exploring contentious issues such as social mobility, sexual freedoms, and international political rivalries. Through the use of archives of concert programs, cult novels, and letters written during the First and Second World Wars, the book examines how authors both celebrated and satirized the musicality of the lower-middle and working classes, same-sex desiring individuals, and cosmopolitan promoters of a shared European culture to depict these groups as valuable members of and - less frequently as threats to – British life.