Serio-comic novel about English eccentrics who travel in Turkey.

This story describes the experiences of a group of people on a trip to Turkey. Aunt Dot is set on the emancipation of Turkish women through the encouragement of a wider use of the bathing hat, whilst Laurie's only object is pleasure.

This book is the first collection on the British author Rose Macaulay (1881-1958). The essays establish connections in her work between modernism and the middlebrow, show Macaulay’s attentiveness to reformulating contemporary depictions of gender in her fiction, and explore how her writing transcended and celebrated the characteristics of genre, reflecting Macaulay’s responses to modernity. The book’s focus moves from the interiorized self and the psyche’s relations with the body, to gender identity, to the role of women in society, followed by how women, and Macaulay, use language in their strategies for generic self-expression, and the environment in which Macaulay herself and her characters lived and worked. Macaulay was a particularly modern writer, embracing technology enthusiastically, and the evidence of her treatment of gender and genre reflect Macaulay’s responses to modernism, the historical novel, ruins and the relationships of history and structure, ageing, and the narrative of travel. By presenting a wide range of approaches, this book shows how Macaulay’s fiction is integral to modern British literature, by its aesthetic concerns, its technical experimentation, her concern for the autonomy of the individual, and for the financial and professional independence of the modern woman. There are manifold connections shown between her writing and contemporary theology, popular culture, the newspaper industry, pacifist thinking, feminist rage, the literature of sophistication, the condition of ‘inclusionary’ cosmopolitanism, and a haunted post-war understanding of ruin in life and history. This rich and interdisciplinary combination will set a new agenda for international scholarship on Macaulay’s works, and reformulate contemporary ideas about gender and genre in twentieth-century British literature.

The intellectual and moral history of a clergyman's family.

THEY WERE DEFEATED begins in 1640 at a harvest festival - but religious persecution is in the air, and the idyllic rural scene is soon darkened by the threat of a witch hunt... Rose Macaulay interweaves the lives of Robert Herrick and other contemporary poets with those of a small group of fictional characters. Their lives, and in particular the life of her heroine Julian, are set vividly before us against a period which was one of the most dramatic and unsetttled in English history. Skilfully intertwining tragedy, comedy and beauty, THEY WERE DEFEATED was Rose Macaulay¿s only historical novel, and is 'her greatest success' [Observer] First published in 1932.

"[...]Ministry of Brains Instruction 743, paragraph 3...." Prideaux paused, and frowned nervously at his secretary, who was conducting a fruitless conversation over his telephone, an occupation at which she did not shine. "Hullo ... yes ... I can't quite hear ... who are you, please?... Oh ... yes, he's here.... But rather busy, you know.... Dictating.... Yes, dictating.... Who did you say wanted him, please?... Oh, I see...."[...]".

A distinct symbol of the desert and the Middle East, the camel was once unkindly described as “half snake, half folding bedstead.” But in the eyes of many the camel is a creature of great beauty. This is most evident in the Arab world, where the camel has played a central role in the historical development of Arabic society—where an elaborate vocabulary and extensive literature have been devoted to it. In Camel, Robert Irwin explores why the camel has fascinated so many cultures, including those cultivated in locales where camels are not indigenous. Here, he traces the history of the camel from its origins millions of years ago to the present day, discussing such matters of contemporary concern as the plight of camel herders in Sudan’s war-torn Darfur region, the alarming increase in the population of feral camels in Australia, and the endangered status of the wild Bactrian in Mongolia and China. Throughout history, the camel has been appreciated worldwide for its practicality, resilience, and legendary abilities of survival. As a result it has been featured in the works of Leonardo da Vinci, Poussin, Tiepolo, Flaubert, Kipling, and Rose Macaulay, among others. From East to West, Irwin’s Camel is the first survey of its kind to examine the animal’s role in society and history throughout the world. Not just for camel aficionados, this highly illustrated book, containing over 100 informative and unusual images, is sure to entertain and inform anyone interested in this fascinating and exotic animal.