Embracing an improbable stretch of sobriety, unlicensed P.I. Duck Darley has proven himself stronger than the temptations that loom in the shadows of New York City. But the familiar pull of self-destruction lingers like garbage in July when Layla Soto, a sharp-tongued Park Avenue teenager with a family as screwed up as his own, presents a twisted missing-persons case he can’t refuse . . . Layla saw video evidence of her billionaire father being abducted from their home—at the top of the tallest residential tower on earth. She suspects her grandmother, a Chinese social climber on husband number three, orchestrated the act to silence her only son. Duck agrees to investigate the hedge funder’s disappearance, if only for the rush of a new thrill—and an excuse to reconcile with Cass Kimball, his leather-clad sometime partner who nearly got him killed . . . As the unlikely duo become immersed in a high-stakes ransom linked to the international drug trade and the delicate relations between the two most powerful nations on earth, survival means trusting no one. Because when confronting absolute power, certain forces will stop at nothing to bury the truth.

This volume represents the first ever collection of essays on Leonard Cohen to be published in the UK and one of the very first to be produced internationally. The essays range from unique insights offered by Cohen’s award-winning, authorised biographer Sylvie Simmons through to discussions of major themes in Cohen’s output, such as spirituality and desire, and include creative reflections from a filmmaker and poets upon their own creative response to his practice. Emerging from a one day symposium organised by Professor Peter Billingham at the University of Winchester, UK, to celebrate Cohen’s 80th birthday, this Festschrift collection represents a uniquely stimulating, insightful and provocative discussion of the songs and poems of Leonard Cohen, combining academic rigour with serious engagement with this remarkable poet and singer-songwriter. In the wake of the tragic news of Cohen’s passing in late 2016, with a legacy of iconic favourites such as “Suzanne” and “Bird on the Wire” through to more recent worldwide successes such as “Hallelujah” and “Anthem”, this book is a must-read for cultural studies scholars and Cohen aficionados alike.

In this commentary Longman unpacks what this ancient love poem reveals about the male-female relationship and about God's love for His people. Beginning with an extensive introduction to the book and its background, the author discusses Song of Songs' authorship, date, literary style, language, structure, and theological content.

When men start vanishing at sea without a trace, seventeen-year-old Reyna, a Master Explorer, must travel to a country shrouded in secrets to solve the mystery before it is too late.

“A music-snob’s dream come true . . . One of the best multi-subject music books to come down the pike in years . . . a fresh and deeply informed approach.” —Variety A great cover only makes a song stronger. Jimi Hendrix’s version of Bob Dylan’s “All Along the Watchtower.” The Beatles rocking out with “Twist and Shout.” Aretha Franklin demanding “Respect.” Without covers, the world would have lost many unforgettable performances. This is the first book to explore the most iconic covers ever, from Elvis’s “Hound Dog” and Joe Cocker’s “With a Little Help from My Friends” to the Talking Heads’ “Take Me to the River” and Adele’s “Make You Feel My Love.” Written by the founder of the website covermesongs.com, each of the nineteen chapters investigates the origins of a classic cover—and uses it as a framework to tell the larger story of how cover songs have evolved over the decades. Cover Me is packed with insight, photography, and music history. “Delves into the complicated legacy of artists performing other people’s music . . . his research adds fresh context and intriguing background to many of these songs . . . Astute ruminations on evolving cultural perceptions of the cover’s place in the music canon.” —AV Club “This engaging nostalgia trip is sure to appeal to discophiles and cultural historians.” —Library Journal