Martin Flanagan, journalist at the Age, has often written of the great Wonders of Australian Sport, his love of the AFL, of the importance of Aboriginal players in the highest echelons of Australian sport. A few years ago he threw himself at the mysterious and distressed figure of Tom Wills - our early Colonial cricket celebrity, who put together the Aboriginal Cricket Team set for Great Britain in 1868 - and helped write the original Code for Australian Rules. A hero for several original clubs - Melbourne, Collingwood and Richmond for example. Yet things fall apart, as things have often done for our sporting stars... So Flanagan went deeper: "I dared myself to actually picture Tom Wills in the various situations I knew him to have been in during his life and backed my fancy. It was like entering a creative delirium. Pictures appeared before me which I wrote down in scenes. If I do the same thing in ten years' time, I may come up with a different story but I doubt that will happen. I doubt the energy that accompanied the writing of this treatment will ever return." And so we have his TOM WILLS PICTURE SHOW, shedding light on a most complex character...

Thomas Wentworth Wills is an Australian Icarus. Having grown up among the Djabwurring people in western Victoria, he was sent to the Rugby school in England. Returning in 1856, he promptly revolutionised colonial cricket and opened the door for the evolution of the indigenous game we know as Australian football. In 1866, he coached the Aboriginal team which later became the first Australian cricket team to tour England, despite having suffered in the war being fought at the country's frontiers between white settlers and the land's Aboriginal inhabitants. Tom Wills died a neglected and forgotten figure. His life is an Australian tragedy, but it bequeathed to the nation a unique and hopeful legacy. A wonderful novel - tragic story of genius and loss, of a man who, leaping at the sun, fell down in a dazzle of healing light. - Brian Matthews The Footy field: ground of coexistence; common ground; sacred turf. It is the one piece of Australian earth where equality rules and the game is played fair. It's footy. No-one barracks for the extinguishment of this game. Like a stab pass to a leading full-forward, Flanagan shows us the way to our goal. - Patrick Dodson

The definitive biography of the visionary sportsman who brought us Australian Rules football.

America’s leading religious scholar and public intellectual introduces lay readers to the Qur’an with a measured, powerful reading of the ancient text Garry Wills has spent a lifetime thinking and writing about Christianity. In What the Qur’an Meant, Wills invites readers to join him as he embarks on a timely and necessary reconsideration of the Qur’an, leading us through perplexing passages with insight and erudition. What does the Qur’an actually say about veiling women? Does it justify religious war? There was a time when ordinary Americans did not have to know much about Islam. That is no longer the case. We blundered into the longest war in our history without knowing basic facts about the Islamic civilization with which we were dealing. We are constantly fed false information about Islam—claims that it is essentially a religion of violence, that its sacred book is a handbook for terrorists. There is no way to assess these claims unless we have at least some knowledge of the Qur’an. In this book Wills, as a non-Muslim with an open mind, reads the Qur’an with sympathy but with rigor, trying to discover why other non-Muslims—such as Pope Francis—find it an inspiring book, worthy to guide people down through the centuries. There are many traditions that add to and distort and blunt the actual words of the text. What Wills does resembles the work of art restorers who clean away accumulated layers of dust to find the original meaning. He compares the Qur’an with other sacred books, the Old Testament and the New Testament, to show many parallels between them. There are also parallel difficulties of interpretation, which call for patient exploration—and which offer some thrills of discovery. What the Qur’an Meant is the opening of a conversation on one of the world’s most practiced religions.

"When are the 1970s going to begin?" ran the joke during the Presidential campaign of 1976. With his own patented combination of serious journalism and dazzling comedy, Tom Wolfe met the question head-on in these rollicking essays in Mauve Gloves and Madmen, Clutter and Vine -- and even provided the 1970s with its name: "The Me Decade."

There have been many Marilyn Monroe photo books—but nothing like this. Curator and photographic preservationist David Wills has amassed one of the world's largest independent archives of original Marilyn Monroe photographs. Now, in Marilyn Monroe: Metamorphosis, he has gathered spectacular, museum-quality work from Marilyn's key photographers—Richard Avedon, George Barris, Cecil Beaton, Bernard of Hollywood, Andre de Dienes, Elliott Erwitt, Milton Greene, Philippe Halsman, Tom Kelley, Douglas Kirkland, Willy Rizzo, Sam Shaw, and many others—to create this dazzling portfolio of images from every period of Marilyn Monroe's adult life, from her wedding day in 1942 till just weeks before her death two decades later. Marilyn Monroe: Metamorphosis pays homage to her continually evolving style and extraordinary beauty. Among the highlights: Previously unseen Kodachrome, dye transfer, and Carbro prints of Norma Jeane from her modeling career. Classic portraits and pinups in luscious full color, digitally restored from the original transparencies. Never-before-seen photos from the sets of The Seven Year Itch, Some Like It Hot, The Misfits, and Something's Got to Give. Rare candid of Marilyn with Marlon Brando, Clark Gable, Humphrey Bogart, Lauren Bacall, Ronald and Nancy Reagan, Queen Elizabeth II, Joe DiMaggio, Arthur Miller, and others. Previously unpublished photos by Richard Avedon, George Barris, Cecil Beaton, David Conover, Elliott Erwitt, John Florea, Tom Kelley, Richard C. Miller, Frank Powolny, Willy Rizzo, Zinn Arthur, and many others. Pairing more than two hundred first-generation photos with reflections on Marilyn from her friends, work associates, and admirers—and including her last interview, in which she reflects on her life and fame—Marilyn Monroe: Metamorphosiss is an unforgettable showcase of the actress's transformation from an unknown factory worker to one of the most recognized faces in history.