History and Poetry combined within a true story of a Chinese Han Dynasty Lady. *Mawangdui is the name of a Han dynasty [206 BC-AD 24] archaeological site situated in China in a suburb of the modern town of Changsha, Hunan Province. Three tombs dated to the 2nd. century BC were excavated during the 1970s, and revealed to belong to the Marquis of Dai, Li Dang; Lady Dai [died after 168 BC]; and their son [d. 168 BC]. The tombs were excavated between 15 and 18 meters below the ground surface and buried beneath a huge earthen mound. A perfect blend of facts and poetry. Including "The Civilization of China by H. A. Giles, written for readers who know little about Chinese history. Illustrations within.

Unearth the mysteries of the Mawangdui tombs and take a sneak peek at life in Han dynasty China! This middle-grade chapter book unearths one of China’s top archaeological finds of the last century. Miniature servants, mysterious silk paintings, scrolls of long-lost secrets, and the best preserved mummy in the world (the body of Lady Dai) are just some of the artifacts that shed light upon life in China 2200 years ago. Illustrations include archival photographs as well as gorgeously rendered illustrations of Lady Dai's life. Back matter includes historical notes on the Qin and Han Dynasties, a time line, glossary, author’s note, bibliography, quotation sources, and an index.

An enchanting literary debut—already an international best-seller. At the height of Mao’s infamous Cultural Revolution, two boys are among hundreds of thousands exiled to the countryside for “re-education.” The narrator and his best friend, Luo, guilty of being the sons of doctors, find themselves in a remote village where, among the peasants of Phoenix mountain, they are made to cart buckets of excrement up and down precipitous winding paths. Their meager distractions include a violin—as well as, before long, the beautiful daughter of the local tailor. But it is when the two discover a hidden stash of Western classics in Chinese translation that their re-education takes its most surprising turn. While ingeniously concealing their forbidden treasure, the boys find transit to worlds they had thought lost forever. And after listening to their dangerously seductive retellings of Balzac, even the Little Seamstress will be forever transformed. From within the hopelessness and terror of one of the darkest passages in human history, Dai Sijie has fashioned a beguiling and unexpected story about the resilience of the human spirit, the wonder of romantic awakening and the magical power of storytelling.

As the end of the world arrives in downtown Shanghai, one man’s only wish is to return a library book... When a publisher agrees to let a star author use his company’s attic to write in, little does he suspect this will become the author’s permanent residence... As Shanghai succumbs to a seemingly apocalyptic deluge, a man takes refuge in his bathtub, only to find himself, moments later, floating through the city's streets... The characters in this literary exploration of one of the world’s biggest cities are all on a mission. Whether it is responding to events around them, or following some impulse of their own, they are defined by their determination – a refusal to lose themselves in a city that might otherwise leave them anonymous, disconnected, alone. From the neglected mother whose side-hustle in collecting sellable waste becomes an obsession, to the schoolboy determined to end a long-standing feud between his family and another, these characters show a defiance that reminds us why Shanghai – despite its hurtling economic growth –remains an epicentre for individual creativity.

Dai Jinhua is one of contemporary China's most influential theoreticians and cultural critics. A feminist Marxist, her literary, film, and TV commentary has, over the last decade, addressed an expanding audience in China, Taiwan and Hong Kong. Cinema and Desire presents Dai Jinhua's best work to date. In these pages she examines the Orientalism that made Zhang Yimou the darling of international film festivals, lays bare Euro-American fantasies about the Sixth Generation of Chinese cinema auteurs, establishes Huang Shuqin's Human, Woman, Demon as the People's Republic's first genuinely feminist film, comments on TV representations of the Chinese Diaspora in New York, speculates on the value of Mao Zedong as an icon of post-revolutionary consumerism, and analyzes the rise of shopping plazas in 1990s' urban China as a strange montage in which the political memories of Tiananmen Square and the logic of the global capitalist marketplace are intricately intertwined.

Soulie de Morant's masterpiece is the most detailed study of acupuncture available in a Western language. It was nominated for a Nobel prize and provided the foundation for French acupuncture. This text is divided into 5 parts: the energetics of acupuncture, the application of the energetics, physiology, meridians and points, and treatment. This book is a unique historical document, but more than this, it is the most practical of texts and has already served a generation of clinicians well.

DIVBarlow documents the history of “woman” as a category in twentieth century Chinese history, tracing the question of gender through various phases in the literary career of Ding Ling, a major modern Chinese writer./div