Jiro Taniguchi ("The Walking Man", "The Caucasian Elm") marries talent to a solid script by Natsuo Sekikawa to present us with "The Times of Botchan", a fresco of Japanese society towards the end of the Meiji period, when the country was beginning to open up to the West. What in hands of another author could have simply been an illustrated textbook becomes a narrative for adults of great artistic and historic significance. The writer Sōseki Natsume, who suffers from neurosis as a consequence of cultural shock, conceives of what will be his new book, "Botchan", as a response to the challenges of his time. Other famous characters of that time appear along with him in a portrayal of the political, social and cultural life of what was arguably the most important period in the history of Japan.

A Comic Japanese Novel “One may be branded foolishly honest if he takes seriously the apologies others might offer. We should regard all apologies a sham and forgiving also as a sham; then everything would be all right. If one wants to make another apologize from his heart, he has to pound him good and strong until he begs for mercy from his heart” ― Natsume Sōseki, Botchan Botchan by Natsume Sōseki is a classic Japanese coming of age novel about a young man who is sent from Tokyo to the countryside to teach mathematics at a middle school. This Xist Classics edition has been professionally formatted for e-readers with a linked table of contents. This eBook also contains a bonus book club leadership guide and discussion questions. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it.

Japan's beloved literary masterpiece brought to life in manga form! Soseki Natsume's comic masterpiece, I Am a Cat, satirizes the foolishness of upper-middle-class Japanese society in early 20th century Tokyo. Written with biting wit and sardonic perspective, it follows the whimsical adventures of a rather cynical stray kitten. He finds his way into the home of an English teacher, where his running commentary on the follies and foibles of the people around him has been making readers laugh for more than a century. This is the very first manga edition in English of this classic piece of Japanese literature. The story lends itself well to a graphic novel format, allowing readers to pick up on the more subtle cues of the expressive cat, while also being immersed in the world of his perceptive narration. It is true to classic manga form, and is read back to front. Beautifully illustrated by Japanese artist Chiroru Kobato, this edition provides a visual, entertaining look at a unique period in Japan's history--filled with cultural and societal changes, rapid modernization and a feeling of limitless possibility--through the eyes of an unlikely narrator.

Roman.

Jiro Taniguchi returns with this delightful and insightful tale of life in a Japan long forgotten. Inspired by an historical figure, Tadataka Ino (1745 - 1818), Taniguchi invites us to join this unnamed but appealing and picturesque figure as he strolls through the various districts of Edo, the ancient Tokyo, with its thousand little pleasures. Now retired from business he surveys, measures, draws and takes notes whilst giving free rein to his taste for simple poetry and his inexhaustible capacity for wonder.

“An extraordinary record of a great artist in his studio, it also describes what it feels like to be transformed into a work of art.” —ARTnews Lucian Freud (1922-2011), widely regarded as the greatest figurative painter of our time, spent seven months painting a portrait of the art critic Martin Gayford. The daily narrative of their encounters takes the reader into that most private place, the artist’s studio, and to the heart of the working methods of this modern master—both technical and subtly psychological. From this emerges an understanding of what a portrait is, but something else is also created: a portrait, in words, of Freud himself. This is not a biography, but a series of close-ups: the artist at work and in conversation at restaurants, in taxis, and in his studio. It takes one into the company of the painter for whom Picasso, Giacometti, and Francis Bacon were friends and contemporaries, as were writers such as George Orwell and W. H. Auden. The book is illustrated with many of Lucian Freud’s other works, telling photographs taken by David Dawson of Freud in his studio, and images by such great artists of the past as van Gogh and Titian who are discussed by Freud and Gayford. Full of wry observations, the book reveals the inside story of how it feels to pose for a remarkable artist and become a work of art.