In a universe filled by chaos and disorder, one physicist makes the radical argument that the growth of order drives the passage of time -- and shapes the destiny of the universe. Time is among the universe's greatest mysteries. Why, when most laws of physics allow for it to flow forward and backward, does it only go forward? Physicists have long appealed to the second law of thermodynamics, held to predict the increase of disorder in the universe, to explain this. In The Janus Point, physicist Julian Barbour argues that the second law has been misapplied and that the growth of order determines how we experience time. In his view, the big bang becomes the "Janus point," a moment of minimal order from which time could flow, and order increase, in two directions. The Janus Point has remarkable implications: while most physicists predict that the universe will become mired in disorder, Barbour sees the possibility that order -- the stuff of life -- can grow without bound. A major new work of physics, The Janus Point will transform our understanding of the nature of existence.

The Janus Cycle can best be described as gritty, sexy, surreal, urban fantasy. Janus is a nightclub. But it’s not merely a location, it’s virtually a character in its own right. On the surface it appears to be a subcultural hub where the strange and disillusioned, who feel alienated and oppressed by society, can escape to be free from convention. Underneath that façade is a surreal space in time where the very foundations of reality can be twisted and distorted. But the special, unique, vibe of Janus is hijacked by a bandwagon of people who choose to conform to alternative lifestyles simply because it has become fashionable to be ‘different’ and this causes many of its original occupants to feel lost and disenchanted. The story unfolds through the eyes of eight narrators, each with their own perspective and their own personal journey. A story in which the nightclub itself goes on a journey. But throughout, one strange girl, briefly appears and reappears, warning the narrators that their individual journeys are going to collide in a cataclysmic event. Is she just another one of the nightclub’s denizens, a cynical mischief-maker out to create havoc or a time-traveller trying to prevent an impending disaster?

This volume gathers together about two thirds of the articles and essays published between 1983 and 2021 by Philip Hardie, whose work on ancient literature has been of seminal importance in the field. The centre of gravity lies in late Republican and Augustan poetry, in particular Lucretius, Virgil, and Ovid, with important contributions on wider Augustan culture; on Neronian and Flavian epic; on the Latin poetry of late antiquity; and on the reception of Latin poetry.

Ian Brady and Myra Hindley's spree of torture, sexual abuse, and murder of children in the 1960s was one of the most appalling series of crimes ever committed in England, and remains almost daily fixated upon by the tabloid press. In The Gates of Janus, Ian Brady himself allows us a glimpse into the mind of a murderer as he analyzes a dozen other serial crimes and killers. Criminal profiling by a criminal was not invented by the dramatists of Dexter. Novelist and true-crime writer Colin Wilson, author of the famous and influential book The Outsider, remarks in his introduction to Brady's book that one must first explore the depraved reaches of human consciousness to truly understand human character. When first released in 2001, The Gates of Janus sparked controversy attended by a huge media splash. The new edition, the first in paperback, provides the reader with a decade and a half of updates, including Brady's letters to the publisher, both providing information regarding his own demented history along with demands that Feral House remove its unflattering afterword written by author Peter Sotos.

Attempting to understand the catalogue of horrors that has characterized much of twentieth-century history, Western scholars generally distinguish between violent revolutions of the "right" and the "left". Fascist regimes are assigned to the evil right, Marxist-Leninist regimes to the benign left. But this distinction has left us without a coherent understanding of the revolutionary history of the twentieth century, contends A. James Gregor in this insightful book. He traces the evolution of Marxist theory from the 1920s through the 1990s and argues that the ideology of Marxism-Leninism devolved into fascism. Fascist regimes and Communist regimes -- both anti-democratic ideocracies -- are far more closely related than has been recognized.Employing wide-ranging primary source materials in Italian, German, Russian, and Chinese, the book opens with an examination of the first standard Marxist interpretation of Mussolini's fascism in the early 1920s and proceeds through the emergence of fascist phenomena in post-Communist Russia. A clearer understanding of the relation between fascism and communism provides a sharper lens through which to view twentieth-century history as well as the present and future politics of Russia, Communist China, and other non-democratic states, Gregor concludes.