In January 1954, about eighteen months prior to young Emmett Tills' murder and only forty miles away, a young black man named Eddie Noel shot and killed a white honky-tonk operator named Willie Ramon Dickard. Dickard's killing by Noel led to formation of perhaps the largest posse in Mississippi history, its members fueled by hatred, outrage, and in some cases, white lightning. Noel took on elements of the posse in two gunfights, killing two more white men and wounding three others. Noel was never caught, never tried, never convicted, and never went to prison. This is the story of how and why these things happened. It is the story of a time and a place and a social system that are long past. And it is the story of a young man, who defied extraordinary odds and a system that had condemned him to a certain death from the moment he stood up to a white man. The Time of Eddie Noel is a rich history filled with colorful details of a time and a place when the Deep South stood at the threshold of the civil rights movement, which would forever change both the region and the social system that governed the lives of its people, both black and white.

The manager who shepherded Van Halen from obscurity to rock stardom goes behind the scenes to tell the complete, unadulterated story of David Lee Roth, Eddie Van Halen, and the legendary band that changed rock music. Van Halen’s rise in the 1980s was one of the most thrilling the music world had ever seen—their mythos an epic party, a sweaty, sexy, never-ending rock extravaganza. During this unparalleled run of success, debauchery, and drama, no one was closer to the band than Noel Monk. A man who’d worked with some of rock’s biggest and most notorious names, Monk spent seven years with Van Halen, serving first as their tour manger then as their personal manager until 1985, when both he and David Lee Roth exited as controversy, backstabbing, and disappointment consumed the band. Throughout Van Halen’s meteoric rise and abrupt halt, this confidant, fixer, friend, and promoter saw it all and lived to tell. Now, for the first time, he shares the most outrageous escapades—from their coming of age to their most shocking behavior on the road; from Eddie’s courtship and high profile wedding to Valerie Bertinelli to the incredible drug use which would ultimately lead to everyone’s demise. Sharing never-before-told stories, Monk paints a compelling portrait of Eddie Van Halen, bringing into focus the unique combination of talent, vision, hardship, and naiveté that shaped one of the greatest rock guitarists of all time—and made him and his brother vulnerable to the trappings and failings of fame. Illustrated with dozens of rare photographs from Monk’s vaults, Runnin’ with the Devil is manna from rock heaven no Van Halen fan can miss.

The South's system of Jim Crow racial oppression is usually understood in terms of legal segregation that mandated the separation of white and black Americans. Yet, as Stephen A. Berrey shows, it was also a high-stakes drama that played out in the routines of everyday life, where blacks and whites regularly interacted on sidewalks and buses and in businesses and homes. Every day, individuals made, unmade, and remade Jim Crow in how they played their racial roles--how they moved, talked, even gestured. The highly visible but often subtle nature of these interactions constituted the Jim Crow routine. In this study of Mississippi race relations in the final decades of the Jim Crow era, Berrey argues that daily interactions between blacks and whites are central to understanding segregation and the racial system that followed it. Berrey shows how civil rights activism, African Americans' refusal to follow the Jim Crow script, and national perceptions of southern race relations led Mississippi segregationists to change tactics. No longer able to rely on the earlier routines, whites turned instead to less visible but equally insidious practices of violence, surveillance, and policing, rooted in a racially coded language of law and order. Reflecting broader national transformations, these practices laid the groundwork for a new era marked by black criminalization, mass incarceration, and a growing police presence in everyday life.

In the swamps and juke joints of Holmes County, Mississippi, Edward Tillman Branch built his empire. Tillman's clubs were legendary. Moonshine flowed as patrons enjoyed craps games and well-known blues acts. Across from his Goodman establishment, prostitutes in a trysting trailer entertained men, including the married Tillman himself. A threat to law enforcement and anyone who crossed his path, Branch rose from modest beginnings to become the ruler of a treacherous kingdom in the hills that became his own end. Author Janice Branch Tracy reveals the man behind the story and the path that led him to become what Honeyboy Edwards referred to in his autobiography as the "baddest white man in Mississippi."

The first book-length study of Delta Cooperative Farm and Providence Farm, the two communities that drew on internationalist practices of cooperative communalism and pragmatically challenged Jim Crow segregation and plantation labor in the 1930s and beyond.

'He was in the best sense a fighter for equal rights, a rebel, a free-thinker, a restless spirit, a reformer who saw far into the future and far into the past.' Dr Bryan Keon-Cohen, plaintiffs' barrister in the Mabo litigation Here, largely in his own words, is the incredible story of Edward Koiki Mabo, from his childhood on the Island of Mer through to his struggle within the union cause and the black rights movement. Tragically, Mabo died just months before the historic High Court native-title decision that destroyed forever the concept of terra nullius. Originally published by UQP in 1996, this new edition has been updated by Mabo's long-time friend historian Noel Loos. New photographs and a preface by esteemed film director Rachel Perkins give this book the new life it deserves.

The infamous British punk rock group's abortive 1979 tour of America's Deep South is recorded by the tour's manager and a music journalist, in a story of chaos and decadence on the road