The author of Wintergreen remembers his first encounter with the wonders of nature as a child in the region of the Highline Canal in Colorado, and describes how this special place became both sanctuary and teacher. Tour.

An engrossing memoir and eloquent portrait of place,The Thunder Treeshows how powerful the relationship between people and the natural world can be. "When people connect with nature, it happenssomewhere,"Pyle writes. "My own point of intimate contact with the land was a ditch... Without a doubt, most of the elements of my life flowed from that canal." The High Line Canal, originally built outside of Denver as part of an ambitious plan to bring water to eastern Colorado for irrigation, became the author's place of sanctuary and play, and his birthplace as a naturalist. This reprint of the classic book, updated with a new foreword by Richard Louv and a preface to this edition, makes one of Pyle's important early works once again available. For a new generation of readers, it offers a powerful argument for preserving opportunities for exploring nature.

A BRANCH FROM THE LIGHTNING TREE is centered around several key elements: 1. It features four texts and commentaries ? Welsh, Russian, Siberian and Norwegian myths that explore the process of leaving what is considered safe and predictable and journeying out into wild, uncertain areas of nature and the psyche in search of new insights. The four stories have at their center a man, woman, and adolescent. 2. A narrative of why the author gave up a large musical publishing deal with Warner Brothers to spend four years living in a tent in the wilds and over a decade facilitating wilderness rites-of-passage for others. 3. Shaw's eloquent insistence that without a renewed attention to myth and the initiation process we are only partially equipped to reestablish a complementary relationship with the living world. 4. The core of these stories are paradoxical in nature, far from the clumsily perceived ?hero' myths, and point towards Trickster, or Coyote, as a way of existing in a world ambivalent to the insights of what you could call traditional knowledge. A BRANCH FROM THE LIGHTNING TREE is unique in the field of myth and ritual in several ways: 1. It carries an ?in-the-field' narrative of several hundred men and women who have gone out into wild places to fast for four days and nights. Not in the Amazon, or in Mongolia, but in a place that is indigenous to them, that grounds the experience in the wider context of their lives, rather than a one-off event that can be hard to reconnect with. This is part of a growing mood to get to the bones of initiatory experience, rather than the cultural affectations. The stories illustrate both the grandeur and struggle of this often subtle process. 2. Unlike many of the big mythological sellers (i.e Bly's IRON JOHN or Pinkola Estes WOMEN WHO RUN WITH WOLVES), A BRANCH FROM THE LIGHTNING TREE is not a gender piece, but focuses on both men and women's movement into wildness as part of the bigger awareness of climate change and ecology. It presents the old stories as keys into any debate on these issues, that the ability to think metaphorically/mythologically loosens the grip of literalness, and can ?re-enchant' our perspectives. 3. As a wilderness teacher Shaw has noticed that the real point of crisis that is emerging is the return to community, rather than the time out in the wild. This is turning of rites-of-passage on its head: Shaw reasons that the rites-of-passage process requires three stages following an initial Call to the Soul: (i) Going out of the Village, and the severance from ordinary life and the stepping into the image-laden language of myth, story, ritual; (ii) Into the Forest, baring the soul to extraordinary forces, receiving the sacred wound, bonding with the living world; (iii) And Back Again, return to community, the performance of identity, and the confirmation in and of the Soul. A BRANCH FROM THE LIGHTNING TREE invokes Robert Graves work on the White Goddess, and the Crow poems of Ted Hughes-it is a combination of practical knowledge, imaginative insight and passionate storytelling that gives Shaw's book its persuasiveness and power. At times incantatory, at times novelistic and poetic, he writes as someone who has been to these places, undergone these trials and tested himself at the extremes of lived experience.

A loud clap of thunder booms, and rattles the windows of Grandma's old farmhouse. "This is Thunder Cake baking weather," calls Grandma, as she and her granddaughter hurry to gather the ingredients around the farm. A real Thunder Cake must reach the oven before the storm arrives. But the list of ingredients is long and not easy to find . . . and the storm is coming closer all the time! Reaching once again into her rich childhood experience, Patricia Polacco tells the memorable story of how her grandma--her Babushka--helped her overcome her fear of thunder when she was a little girl. Ms. Polacco's vivid memories of her grandmother's endearing answer to a child's fear, accompanied by her bright folk-art illustrations, turn a frightening thunderstorm into an adventure and ultimately . . . a celebration! Whether the first clap of thunder finds you buried under the bedcovers or happily anticipating the coming storm, Thunder Cake is a story that will bring new meaning and possibility to the excitement of a thunderstorm.

When a freak natural phenomenon dissolves the boundaries between yesterday and today, the world is transformed into a patchwork mixture of the present and the distant past. Entire cities are replaced by primeval forests. Prehistoric monsters stalk modern city streets, hunting for human prey. While ordinary men and women struggle to survive in this strange new world, the president and his advisers search for a way to undo the catastrophe. But the solution may be more devastating than the dinosaurs.... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Haraldur the northman once joined Jason on his fabled quest for the Golden Fleece, but now he wants nothing more to do with gods and adventure. Returning to his homeland for the first time in many years, he hopes only to settle down on a farm of his own—until he comes across an impenetrable wall of eldritch fire and a lovesick youth determined to breach the wall at any cost. Behind the towering flames, he is told, lies a beautiful Valkyrie trapped in an enchanted sleep, as well as, perhaps, a golden treasure beyond mortal reckoning. It is the gold that tempts Hal to agree, against his better judgment, to assist the youth in his quest. But to find a way past the fiery wall, they must first brave gnomes, ghosts, and the wrath of the gods themselves. For a mighty battle is brewing, and Hal soon finds himself caught up in a celestial conflict between Thor the Thunderer, Loki the Trickster, and most powerful of all, Wodan, the merciless Lord of Battles!