Whether you love her, hate her, or love to hate her, Nellie Oleson is one of most recognizable literary figures of the 20th century. But Laura Ingalls Wilder, author of the Little House on the Prairie series in which Nellie appears, had a secret. . .Nellie wasn't a real person! Instead, she was a composite character created from three girls Laura knew from childhood: Nellie Owens, Genevieve Masters, and Estella Gilbert.The Little House character of Nellie Oleson is one-dimensional: snobbish, selfish, and thoroughly unpleasant. But the real women behind Laura's creation? An intriguing mix of the not-so-nice and the unexpectedly redeemable. In short, they were human.Discovering the true stories behind Nellie, Genevieve, and Estella has been a fascinating journey. All three ended up on the West Coast at one point. . .true westward movement! One was widowed twice, one ended up divorced, and one died way too young. Two only had one child, and one had three, though she outlived her youngest by a very long time. There's even some "Nellie-like" drama in there: Embezzlement. Lying on censuses. Shady land deals.But there are some beautiful things, too. . .like the enduring love of a husband after his bride died. Or the rare closeness of a mother and daughter who shared their lives as adults. Or the strength of a young widowed mother who not only cared for her son, but headed out west, in true pioneer fashion, while she did so.Laura Ingalls Wilder did a masterful job of creating the character of Nellie Oleson. But the three real-life women behind that iconic character are, in my opinion, infinitely more intriguing.

The seventh book in Laura Ingalls Wilder’s treasured Little House series, and the recipient of a Newbery Honor—now available as an ebook! This digital version features Garth Williams’s classic illustrations, which appear in vibrant full color on a full-color device and in rich black-and-white on all other devices. The settlement that weathered the long, hard winter of 1880-81 is now a growing town. With spring comes a new job for Laura, town parties, and more time to spend with Almanzo Wilder. Laura also tries to help Pa and Ma save money so that Mary is able to go to a college for the blind. The nine Little House books are inspired by Laura’s own childhood and have been cherished by generations of readers as both a unique glimpse into America’s frontier history and as heartwarming, unforgettable stories.

There's not a whole lot written about Caroline Quiner Ingalls, the mother of famed Little House on the Prairie author, Laura Ingalls Wilder. And I always wondered why. So I set about looking for her. . .in family letters, bits of biography and, mostly, through the words she spoke throughout the Little House series. The Ma I thought I'd find wasn't the one I discovered. Would you like to meet her? I think you'll be happy that you did.

Eager young readers can now discover and experience Laura Ingalls Wilder's books like never before. Author Annette Whipple encourages children to engage in pioneer activities while thinking deeper about the Ingalls and Wilder families as portrayed in the nine Little House books. The Laura Ingalls Wilder Companion provides brief introductions to each Little House book, chapter-by-chapter story guides, and "Fact or Fiction" sidebars, plus 75 activities, crafts, and recipes that encourage kids to "Live Like Laura" using easy-to-find supplies. Thoughtful questions help the reader develop appreciation and understanding of Wilder's stories. Every aspiring adventurer will enjoy this walk alongside Laura from the big woods to the golden years.

Everyone gets homesick. And Nic is no different. She's so excited about spending the entire summer on a small New England island with her grandparents that she counts down the days through winter and spring. But when the grand adventure finally begins, she finds tears and loneliness instead of joy and freedom. Astrid Sheckels' picture book Nic and Nellie is a gorgeously illustrated, heartwarming story of a girl and her beloved dog, Nellie, who slowly learn that new places really aren't so scary, and that often friends can be found around every corner, even in old row boats, tidal ponds, and stinky mud flats.

This project is a critical paper partially fulfilling the requirements for a Masters of Fine Arts Degree in Creative Nonfiction and Fiction at Ashland University. It examines the works of beloved pioneer author Laura Ingalls Wilder, teasing out the elements of her stories that were Nonfiction, Memoir, or Fiction, and entering into a discussion about the impact using these various writing techniques had on her individual stories and her narrative arc as a whole.