This globe-spanning history of sewing and embroidery, culture and protest, is “an astonishing feat . . . richly textured and moving” (The Sunday Times, UK). In 1970s Argentina, mothers marched in headscarves embroidered with the names of their “disappeared” children. In Tudor, England, when Mary, Queen of Scots, was under house arrest, her needlework carried her messages to the outside world. From the political propaganda of the Bayeux Tapestry, World War I soldiers coping with PTSD, and the maps sewn by schoolgirls in the New World, to the AIDS quilt, Hmong story clothes, and pink pussyhats, women and men have used the language of sewing to make their voices heard, even in the most desperate of circumstances. Threads of Life is a chronicle of identity, memory, power, and politics told through the stories of needlework. Clare Hunter, master of the craft, threads her own narrative as she takes us over centuries and across continents—from medieval France to contemporary Mexico and the United States, and from a POW camp in Singapore to a family attic in Scotland—to celebrate the universal beauty and power of sewing.

For the Yaka of Southwestern Zaire, infertility is a tear in the fabric of life, and the Khita fertility ritual is a trusted way of reweaving the damaged strands. In Weaving the Threads of Life Rene Devisch offers an extended analysis of the Khita cult, which leads to an original account of the workings of ritual healing. Drawing on many years among urban and rural Yaka, Devisch analyzes their understanding of existence as a fabric of firmly but delicately interwoven threads of nature, body, and society. The fertility healing ritual calls forth forces, feelings, and meanings that allow women to rejoin themselves to the complex pattern of social and cosmic life. These elaborate rites—whether simulating mortal agony and rebirth, gestation and delivery, or flowering and decay; using music and dance, steambath or massage, dream messages or scarification—are not based on symbols of traditional beliefs. Rather, Devisch shows, the rites themselves generate forces and meaning, creating and shaping the cosmic, physical, and social world of their participants. In contrast to current theoretical methods such as postmodern or symbolical interpretation, Devisch's praxiological approach is unique in also using phenomenological insights into the intent and results of anthropological fieldwork. This innovative work will have ramifications beyond African studies, reaching into the anthropology of medicine and the body, comparative religious history, and women's studies.

A nineteenth century Spanish seamstress flees her village for Morocco in a novel with “a magical realist aspect . . . An epic sweep and a richness of characterization” (The Independent). They say Frasquita is a healer with occult powers; that perhaps she is even a sorceress. Indeed, she has a remarkable gift, one that has been passed down to the women in her family for generations. From mere rags, she can create gowns and other garments so magnificent, so alive, that they mask any defect or deformity. They bestow a blinding beauty on whoever wears them. But Frasquita’s gift makes others in her small Andalusian village jealous. And when her gambling husband brings misfortune on their family, Frasquita travels across southern Spain and into Africa with her five children in tow. Her exile becomes a quest for a better life, and a way to free her daughters from the fate of her family of sorcerers. “Like the beautiful frescoes of García Márquez, this novel is a marvelous and lyrical fairytale bursting with colorful characters” —La Revue Littéraire Des Copines

A New York Times Best Art Book of 2019 “A riveting book . . . few stones are left unturned.”—Roberta Smith’s “Top Art Books of 2019,” The New York Times This fascinating and enlightening study of the tie-on pocket combines materiality and gender to provide new insight into the social history of women’s everyday lives—from duchesses and country gentry to prostitutes and washerwomen—and to explore their consumption practices, sociability, mobility, privacy, and identity. A wealth of evidence reveals unexpected facets of the past, bringing women’s stories into intimate focus. “What particularly interests Burman and Fennetaux is the way in which women of all classes have historically used these tie-on pockets as a supplementary body part to help them negotiate their way through a world that was not built to suit them.”—Kathryn Hughes, The Guardian “A brilliant book.”—Ulinka Rublack, Times Literary Supplement

In an era of global warming, war, escalating expenses, declining income, and drugs and violence in schools, many mothers feel they have little control over their families or their worlds. Nora Murphy eloquently demonstrates that many women do control one tiny thing: their next stitch. While tracing the frustrations and joys of knitting a sweater for her son through the course of one cold, dark Minnesota winter, Murphy eloquently brings to life the traditions and cultures of women from many backgrounds, including Hmong, American Indian, Mexican, African, and Irish. Murphy’s personal stories — about her struggles to understand esoteric knitting patterns, her help from the shaman of the knit shop, and her challenges sticking with an often vexing project — will appeal to knitters as well as everyone else who has labored to create something from scratch.

Creative, science-grounded stories about nature for the curious and imaginative of all ages.