Winner Of The 1993 Commonwealth Writers&Rsquo; Prize For Best First Book What Makes A Dutiful Daughter, Wife, Mother? What Makes A Good Indian Woman? Devi Returns To Madras With An American Degree, Only To Be Sucked In By The Old Order Of Things&Mdash;A Demanding Mother&Rsquo;S Love, A Suitable But Hollow Marriage, An Unsuitable Lover Who Offers A Brief Escape. But The Women Of The Hoary Past Come Back To Claim Devi Through Myth And Story, Music And Memory. They Show Her What It Is To Stay And Endure, What It Is To Break Free And Move On.Sita Has Been The Ideal Daughter-In-Law, Wife And Mother. But Now That She Has Arranged A Marriage For Her Daughter She Has To Come To Terms With An Old Dream Of Her Own. Mayamma Knows How To Survive As The Old Family Retainer, Bending The Way The Wind Blows. But, Through Devi, She Too Can See A Different Life. A Subtle And Tender Tale Of Women'S Lives In India, This Award-Winning Novel Is Structured With The Delicacy And Precision Of A Piece Of Music. Fusing Myth, Tale And The Real Voices Of Different Women, The Thousand Faces Of Night Brings Alive The Underworld Of Indian Women&Rsquo;S Lives. &Lsquo;

A classic thriller from the Sunday Times bestselling author of The Eagle Has Landed.

Seminar paper from the year 2002 in the subject English Language and Literature Studies - Literature, grade: gut, University of Cologne (Anglistik), course: Myth and History in the Writing of Indian Novelists in English, 12 entries in the bibliography, language: English, abstract: "The Thousand Faces of Night" is not just a womanist novel but it is a definite feminist writing in which myths are revisioned, rewritten, and retold from a female point of view. The focus of the novel is on the inner lifes of women, the 'inner spaces' are reflected in detail. The analysis on hand sets its central focus on the relation between myth or stories and the women in the Novel. It presents how the female point of view differs from the male discourse, especially by contrasting myths form the Mahabharata with stories from the Sanskrit. A brief explanation about Manu is included, as well as a rudimentary interpretation of Gita Hariharan's use of metaphors are included.

World-renowned folklorist Maria Tatar reveals an astonishing but long-buried history of heroines, taking us from Cassandra and Scheherazade to Nancy Drew and Wonder Woman. The Heroine with 1,001 Faces dismantles the cult of warrior heroes, revealing a secret history of heroinism at the very heart of our collective cultural imagination. Maria Tatar, a leading authority on fairy tales and folklore, explores how heroines, rarely wielding a sword and often deprived of a pen, have flown beneath the radar even as they have been bent on redemptive missions. Deploying the domestic crafts and using words as weapons, they have found ways to survive assaults and rescue others from harm, all while repairing the fraying edges in the fabric of their social worlds. Like the tongueless Philomela, who spins the tale of her rape into a tapestry, or Arachne, who portrays the misdeeds of the gods, they have discovered instruments for securing fairness in the storytelling circles where so-called women’s work—spinning, mending, and weaving—is carried out. Tatar challenges the canonical models of heroism in Joseph Campbell’s The Hero with a Thousand Faces, with their male-centric emphases on achieving glory and immortality. Finding the women missing from his account and defining their own heroic trajectories is no easy task, for Campbell created the playbook for Hollywood directors. Audiences around the world have willingly surrendered to the lure of quest narratives and charismatic heroes. Whether in the form of Frodo, Luke Skywalker, or Harry Potter, Campbell’s archetypical hero has dominated more than the box office. In a broad-ranging volume that moves with ease from the local to the global, Tatar demonstrates how our new heroines wear their curiosity as a badge of honor rather than a mark of shame, and how their “mischief making” evidences compassion and concern. From Bluebeard’s wife to Nancy Drew, and from Jane Eyre to Janie Crawford, women have long crafted stories to broadcast offenses in the pursuit of social justice. Girls, too, have now precociously stepped up to the plate, with Hermione Granger, Katniss Everdeen, and Starr Carter as trickster figures enacting their own forms of extrajudicial justice. Their quests may not take the traditional form of a “hero’s journey,” but they reveal the value of courage, defiance, and, above all, care. “By turns dazzling and chilling” (Ruth Franklin), The Heroine with 1,001 Faces creates a luminous arc that takes us from ancient times to the present day. It casts an unusually wide net, expanding the canon and thinking capaciously in global terms, breaking down the boundaries of genre, and displaying a sovereign command of cultural context. This, then, is a historic volume that informs our present and its newfound investment in empathy and social justice like no other work of recent cultural history.

&Lsquo;The Powerless Must Have A Dream Or Two, Dreams That Break Walls, Dreams That Go Through Walls As If They Are Powerless.&Rsquo; A Magical Tour De Force By A Writer At The Height Of Her Powers, When Dreams Travel Weaves Round Scheherazade&Mdash;Or Shahrzad Of The Thousand And One Nights&Mdash;A Vibrant, Inventive Story About That Old Game That&Rsquo;S Never Played Out: The Quest For Love And Power. The Curtain Opens On Four Figures, Two Men And Two Women. There Is The Sultan Who Wants A Virgin Every Night; There Is His Brother, Who Makes An Enemy Of Darkness And Tries To Banish It; And There Are Their Ambitious Brides, The Sisters Shahrzad And Dunyazad, Aspiring To Be Heroines&Mdash;Or Martyrs. Travelling In And Out Of These Lives To Spellbinding Effect Is A Range Of Stories, Dark, Poetic And Witty By Turns, Spanning Medieval To Contemporary Times. With Its Sharp And Lively Blend Of Past And Present, Its Skilful Reworking Of The Historical Tradition, And Its Controlled Use Of Evocative Language, Githa Hariharan&Rsquo;S Multi-Voiced Narrative Assumes The Significance Of Modern Myth.

Because Alonzo King was born on Halloween, he has always loved monsters. But no one would ever guess that he lives in a haunted house with a graveyard out back, communicates with the dead, turns into a six-armed, slime-covered creature, or is a walking encyclopedia on horror films! However, when The Beast arrives, not even Alonzo can track it down. Will he be able to solve the mystery of the creature stalking his town and make his dream of becoming The Boy of a Thousand Faces come true? 01-02 TX Bluebonnet Award Masterlist 01-02 TX Bluebonnet Award Masterlist

A study of heroism in the myths of the world - an exploration of all the elements common to the great stories that have helped people make sense of their lives from the earliest times. It takes in Greek Apollo, Maori and Jewish rites, the Buddha, Wotan, and the bothers Grimm's Frog-King.