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In 1994 two important paintings by J.M.W. Turner—then valued at twenty-four million pounds—were stolen from a German public gallery while on loan from Tate Britain. In this vivid, personal account, Sandy Nairne who was then Director of Programmes at the Tate and became centrally involved in the pursuit of the paintings and the negotiations for their return, retells this complex, 8-year, cloak-and-dagger story, which finally concluded in 2002 with the pictures returning to public display at the Tate. In addition to this thrilling narrative, Nairne unravels stories of other high-value art thefts, puzzling what motivates a thief to steal a well-known work of art that cannot be sold, even on the black market. Nairne also examines the role of art theft within the larger underworld of international looting and illicit deals among art and antique collectors. The art heist, of course, is a popular theme of crime novels and films, and Nairne considers these depictions as well, investigating the imaginative construction of the art thief, the specialist detective, and the mysterious collector. Art Theft and the Case of the Stolen Turners is a compelling, real-life detective story that will keep both art and mystery lovers eagerly turning pages.

Norman Jewison directed some of the most iconic and beloved films of an era, from In the Heat of the Night and The Thomas Crown Affair to Jesus Christ Superstar and Moonstruck. But despite being what his friend William Goldman called "a giant of the industry," Jewison could also walk the streets of any city in the world and go unrecognized. Jewison was a man of contradictions: he cared more about telling great stories than gaining fame and fortune by showcasing movie stars, but generations of Hollywood's marquee actors - Judy Garland, Sidney Poitier, Faye Dunaway, Al Pacino, Jane Fonda, Burt Reynolds, Goldie Hawn, Bruce Willis, Denzel Washington - trusted him at crucial moments in their careers. Yet, for all his talent and the passionate support of his actors, Jewison suffered heartbreaking rejection from the executives who refused to believe in his dreams. Norman Jewison: A Director's Life is a story of artistic survival and reinvention, and about the fate of original cinematic ideas in an industry increasingly captive to corporate greed. Drawing upon exhaustive archival research and dozens of interviews, Ira Wells provides a soulful portrait of an idealist who had to fight for every frame of his legacy. Here are Norman's legendary collaborators--Hal Ashby, William Rose, Steve McQueen, and more--brought to vivid life in original letters, telegrams, and revealing, unpublished interviews. A clear-eyed reassessment of Hollywood's final golden age, Norman Jewison: A Director's Life is both the intimate portrait of an artist and a rallying cry for anyone who has had to fight for their creative vision.

A concise introduction to the genre about that one last big score, The Heist Film: Stealing With Style traces this crime thriller's development as both a dramatic and comic vehicle growing out of film noir (Criss Cross, The Killers, The Asphalt Jungle), mutating into sleek capers in the 1960s (Ocean's Eleven, Gambit, How to Steal a Million) and splashing across screens in the 2000s in remake after remake (The Thomas Crown Affair, The Italian Job, The Good Thief). Built around a series of case studies (Rififi, Bob le Flambeur, The Killing, The Lavender Hill Mob, The Getaway, the Ocean's trilogy), this volume explores why directors of such varied backgrounds, from studio regulars (Siodmak, Crichton, Siegel, Walsh and Wise) to independents (Anderson, Fuller, Kubrick, Ritchie and Soderbergh), are so drawn to this popular genre.