(Limelight). Half a century after its opening, The Third Man remains an unquestioned masterpiece of film artistry and, for many, the greatest British movie ever made. Whether it is Harry Lime's magical first appearance or the celebrated cuckoo clock speech or the climactic chase through the sewers beneath Vienna or the haunting theme music of Anton Karas, the film contains some of the most memorable moments in screen history. Drawing on both contemporary documents and accounts of the people involved, In Search of The Third Man explores the many myths that over the years have grown around this extraordinary film, and seeks to unravel the facts from the fiction. "...you'll want to read The Third Man...The story of the film's creation is as intriguing as the film itself" Leonard Maltin, Playboy

Experience the thrilling search for the Third Man as you follow Harry Lime through the gloomy and treacherous streets of Vienna, a city divided by war and corruption. This undisputed spy classic is now available for the first time with video and photography from the film that inspired the novel. In this innovative new format, readers can see the development of Greene’s masterful writing in the original script of the movie, with extra content showcasing the film’s distinctive soundtrack and Oscar-winning cinematography. See clips and photos of Orson Welles embodying one of his most iconic characters alongside the text at key points. The unparalleled film and archive materials add new layers to the characters and the mystery at the heart of the story. This is a special digital edition to celebrate Studio Canal's restored edition of the film. It includes: - An array of film clips and stills embedded in the text of the novel - A large selection of behind-the-scenes photos from the archive, including candid photos of Orson Welles and the cast on set - Scans of the original post-production script

Gordon's critically acclaimed and richly entertaining exploration of the birthplace of rock and roll is peopled with Delta bluesmen, manic deejays, matinee cowboys and Elvis.

Lost at the Con tells the tale of a drunken political journalist and his dangerous assignment to a science fiction and fantasy convention. Though he'd rather be at home drinking his liver to death, his spiteful editor delivers an ultimatum: take the assignment or lose the steady paycheck. Since Cobb can't afford to turn down the job, he heads to Atlanta and dives head first into the realm of Griffin*Con, renowned the world over as the Mardis Gras of geek conventions. There, he finds all of the science fiction, fantasy, and cosplay he would expect, but he also finds something more sinister: a seedy underbelly of geeky debauchery, slash fiction, booze, sex, and drugs. Can he make it through this assignment without snapping and winding up on the front page himself? Or will the entire experience change him in ways he never imagined possible? It's been called "A masterful blend of fictional Gonzo journalism and geek culture that is sure to please audiences inside and outside the geek community."

Originally published 2010. Includes new chapter.

A National Book Award Finalist A "riveting" (New York Times) look at one year of Viennese life during the twilight of an empire On January 30, 1889, at the champagne-splashed hight of the Viennese Carnival, the handsome and charming Crown Prince Rudolf fired a revolver at his teenaged mistress and then himself. The two shots that rang out at Mayerling in the Vienna Woods echo still. Frederic Morton, author of the bestselling Rothschilds, deftly tells the haunting story of the Prince and his city, where, in the span of only ten months, "the Western dream started to go wrong." In Rudolf's Vienna moved other young men with striking intellectual and artistic talents—and all as frustrated as the Prince. Among them were: young Sigmund Freud, Gustav Mahler, Theodor Herzl, Gustav Klimt, and the playwright Arthur Schnitzler, whose La Ronde was the great erotic drama of the fin de siecle. Morton studies these and other gifted young men, interweaving their fates with that of the doomed Prince and the entire city through to the eve of Easter, just after Rudolf's body is lowered into its permanent sarcophagus and a son named Adolf Hitler is born to Frau Klara Hitler.