A reissue of Barbara Shelby Merello's 1968 English translation of João Guimarães Rosa's 'Primeiras Estórias, ' with the short stories restored to Rosa's original order.

A sweeping look at the war over the Amazon—as activists,locals, and indigenous tribes struggle to save it from the threat of loggers, drug lords, and corrupt cops and politicians Following doctors and detectives, environmental activists and indigenous tribes, The Third Bank of the River traces the history of the Amazon from the arrival of the first Spanish flotilla to the drones that are now mapping unexplored parts of the forest. Grounded in rigorous firsthand reporting and in-depth research, Chris Feliciano Arnold reveals a portrait of Brazil and the Amazon that is complex, bloody, and often tragic. During the 2014 World Cup, an isolated Amazon tribe emerged from the rain forest on the misty border of Peru and Brazil, escaping massacre at the hands of loggers who wanted their land. A year later, in the jungle capital of Manaus, a bloody weekend of reprisal killings inflame a drug war that has blurred the line between cops and kingpins. Both events reveal the dual struggles of those living in and around the world’s largest river. As indigenous tribes lose their ancestral culture and territory to the lure and threat of the outside world, the question arises of how best to save isolated tribes: Keep them away from the modern world or make contact in an effort to save them from extinction? As Brazil looks to be a world leader in the twenty-first century, this magnificent and vast region is mired in chaos and violence that echoes the atrocities that have haunted the rain forest since Europeans first traveled its waters.

Rosa (1908-1967) was one of the most acclaimed Brazilian writers of the 20th century, exploring the twisting frontiers between 'white man' and Indio, human and animal kind, city and backwoods life, madness and sanity, all themes that he examined with unflagging originality of throughout and language. This paperback original contains entirely new translations of his best pieces.

Acc. no. 181384.

The Oxford Anthology of the Brazilian Short Story contains a selection of short stories by the best-known authors in Brazilian literature from the late nineteenth century to the present. With few exceptions, these stories have appeared in English translation, although widely separated in time and often published in obscure journals. Here they are united in a coherent edition representing Brazil's modern, vibrant literature and culture. J.M. Machado de Assis, who first perfected the genre, wrote at least sixty stories considered to be masterpieces of world literature. Ten of his stories are included here, and are accompanied by strong and diverse representations of the contemporary story in Brazil, featuring nine stories by Clarice Lispector and seven by João Guimarães Rosa. The remaining 34 authors include Mário de Andrade, Graciliano Ramos, Osman Lins, Dalton Trevisan, and other major names whose stories in translation exhibit profound artistry. The anthology is divided into four major periods, "Tropical Belle-Époque," "Modernism," "Modernism at Mid-Century," and "Contemporary Views." There is a general introduction to Brazilian literary culture and introductions to each of the four sections, with descriptions of the authors and a general bibliography on Brazil and Brazilian literature in English. It includes stories of innovation (Mário de Andrade), psychological suspense (Graciliano Ramos), satire and perversion (Dalton Trevisan), altered realities and perceptions (Murilo Rubião), repression and sexuality (Hilda Hilst, Autran Dourado), myth (Nélida Piñón), urban life (Lygia Fagundes Telles, Rubem Fonescal), the oral tale (Jorge Amado, Rachel de Queiroz) and other overarching themes and issues of Brazilian culture. The anthology concludes with a haunting story set in the opera theater in Manaus by one of Brazil's most recently successful writers, Milton Hatoum.