At thirty-one, Jane Spring has everything a woman could ask for and seemingly everything a man could long for—great legs, brains, rising star status in the Manhattan D.A.’s office—but she just can’t find a man who’ll fall madly in love with her. Men are always lining up to ask her out, but for some reason no one wants a second date. So Jane resolves to change her tack. One snowy night while watching a Doris Day marathon on cable it hits her: Doris Day always got her man. Trading her nondescript black pantsuit for petal pink Chanel and pearls, Jane dyes her hair, stops cursing, softens her voice, paints her nails—even her apartment—and embarks on a fun-filled journey to find the smart, sweet, gorgeous, capable, ambitious, courageous, loving, adoring, hardworking man of her dreams.

The Book of Jane is a perceptive, tenacious investigation of gender, authority, and art. Jennifer Habel draws a contrast between the archetype of the lone male genius and the circumscribed, relational lives of women. Habel points repeatedly to discrepancies of scale: the grand arenas of Balanchine, Einstein, and Matisse are set against the female miniature—the dancer’s stockings, the anonymous needlepoint, the diary entry, the inventory of a purse.

When winter is at its coldest and darkest, take heart! Every day the sun shines longer, Spring is on its way! All winter, the days grow a little bit longer, The nights grow a little bit shorter, until the day becomes exactly as long as the night. On that day we say... HAPPY SPRINGTIME! This bright, bouncy, and deliriously colorful picture book is an ode to the joys of spring, encouraging everyone who waits out the slow lengthening of days through the end of winter. From earmuffed crossing guards to sweater wearing dogs, from painters of flowers to planters of seeds, Happy Springtime! celebrates the burst of life following the thaw of winter. Boston Globe-Horn Book Award Honoree Kate McMullan's jubilant love-letter to this exciting time of year is the perfect book to bring in the season of birth and renewal, especially when accompanied by the riotous watercolor illustrations of Sujean Rim.

One of The Globe and Mail's Best Books of 2020 "A thoroughly authentic, smart and consoling account of one writer’s commitment to another." --The New York Times Book Review (editors' choice) "An absolutely fascinating book: I will never read Austen the same way again." —Helen Macdonald, author of H is for Hawk An astonishingly nuanced reading of Jane Austen that yields a rare understanding of how to live "About seven years ago, not too long before our daughter was born, and a year before my father died, Jane Austen became my only author." In the turbulent period around the birth of her first child and the death of her father, Rachel Cohen turned to Jane Austen to make sense of her new reality. For Cohen, simultaneously grief-stricken and buoyed by the birth of her daughter, reading Austen became her refuge and her ballast. She was able to reckon with difficult questions about mourning, memorializing, living in a household, paying attention to the world, reading, writing, and imagining through Austen’s novels. Austen Years is a deeply felt and sensitive examination of a writer’s relationship to reading, and to her own family, winding together memoir, criticism, and biographical and historical material about Austen herself. And like the sequence of Austen’s novels, the scope of Austen Years widens successively, with each chapter following one of Austen's novels. We begin with Cohen in Cambridge, Massachusetts, where she raises her small children and contemplates her father’s last letter, a moment paired with the grief of Sense and Sensibility and the social bonds of Pride and Prejudice. Later, moving with her family to Chicago, Cohen grapples with her growing children, teaching, and her father’s legacy, all refracted through the denser, more complex Mansfield Park and Emma. With unusual depth and fresh insight into Austen’s life and literature, and guided by Austen’s mournful and hopeful final novel, Persuasion, Rachel Cohen’s Austen Years is a rare memoir of mourning and transcendence, a love letter to a literary master, and a powerful consideration of the odd process that merges our interior experiences with the world at large.

Jane Austen may be undead, but she longs to let the world know who she is. Will the inimitable Austen be able to keep her cool in this comedy of manners, or will she show everyone what a woman with a sharp wit and an even sharper set of fangs can do?

In this indispensable book, urban visionary Jane Jacobs argues that as agrarianism gives way to a technology-based future, we’re at risk of cultural collapse. Jacobs—renowned author of The Death and Life of Great American Cities and The Economy of Cities—pinpoints five pillars of our culture that are in serious decay: community and family; higher education; the effective practice of science; taxation, and government; and the self-regulation of the learned professions. The corrosion of these pillars, Jacobs argues, is linked to societal ills such as environmental crisis, racism, and the growing gulf between rich and poor. But this is a hopeful book as well as a warning. Drawing on a vast frame of reference—from fifteenth-century Chinese shipbuilding to Ireland’s cultural rebirth—Jacobs suggests how the cycles of decay can be arrested and our way of life renewed. Invigorating and accessible, Dark Age Ahead is not only the crowning achievement of Jane Jacobs’ career, but one of the most important works of our time.

For fans of Jenny Han, Jane Austen, and The Great British Baking Show, A Taste for Love, is a delicious rom com about first love, familial expectations, and making the perfect bao. To her friends, high school senior Liza Yang is nearly perfect. Smart, kind, and pretty, she dreams big and never shies away from a challenge. But to her mom, Liza is anything but. Compared to her older sister Jeannie, Liza is stubborn, rebellious, and worst of all, determined to push back against all of Mrs. Yang's traditional values, especially when it comes to dating. The one thing mother and daughter do agree on is their love of baking. Mrs. Yang is the owner of Houston's popular Yin & Yang Bakery. With college just around the corner, Liza agrees to help out at the bakery's annual junior competition to prove to her mom that she's more than her rebellious tendencies once and for all. But when Liza arrives on the first day of the bake-off, she realizes there's a catch: all of the contestants are young Asian American men her mother has handpicked for Liza to date. The bachelorette situation Liza has found herself in is made even worse when she happens to be grudgingly attracted to one of the contestants; the stoic, impenetrable, annoyingly hot James Wong. As she battles against her feelings for James, and for her mother's approval, Liza begins to realize there's no tried and true recipe for love.