The theatre of Richard Maxwell and the New York City Players has received significant international recognition over the past ten years. The company has received three OBIEs, for House (1999), Drummer Wanted (2002) and Good Samaritans (2005). Maxwell received a Guggenheim Fellowship in 2010 and has been commissioned by venues in the United States, the United Kingdom, Germany, Austria, the Netherlands, France, Belgium and Ireland. Although his productions generate a plethora of reviews, there is a deficit of material providing a critical and sustained engagement with his work. The aim of this book is to provide a critical survey of Maxwell’s work since 1992, including his early participation in Cook County Theater Department. Touching upon the acting, production and rehearsal processes of NYC Player’s work, and Maxwell's representations of space, community, race, and gender, this volume provides scholars with an important overview of a key figure in contemporary drama.

This is the first publication on the plays of New York-based experimental theater director and playwright Richard Maxwell (born 1967) and his company New York City Players. His plays have been commissioned by The Wexner Center, Columbus; The Walker Art Center, Minneapolis; Performance Space 122, The Kitchen and Soho Rep in New York; and The Barbican Centre, London. The book captures the experience of actually watching the plays by way of screen-grabs and captions, and in doing so documents nearly 20 years of work. "The writer and director Richard Maxwell is a stylist of the first order ... When I read or think about a Maxwell text, I don't so much recall any other writer. Rather, I think about visual artists and colors...." --Hilton Als, The New Yorker

"One of the strongest directors out there—an artist committed to making us see the world for what it is." — New Yorker With his ongoing exploration into actor behavior and an ever-innovative body of work, Richard Maxwell has written a study guide to the art of making theater. This illuminating volume provides a deeper understanding of his work, aesthetic philosophy, and process for creating theater. Richard Maxwell is a director and playwright and the artistic director of New York City Players. Maxwell's plays have been commissioned and presented in over 20 countries. He is a Doris Duke Performing Artist. Maxwell has been selected for a Guggenheim Fellowship, two OBIE Awards, a Foundation for Contemporary Arts Grant, and he was an invited artist in the Whitney Biennial (2012). Maxwell is the recipient of the 2014 Spalding Gray Award.

Evening Plays, three new dramas by award-winning playwright Richard Maxwell are a response to Dante's Divine Comedy. The Evening centers around three archetypal barflies who together form an elegy of universal loss. The loss of a loved one seeps poignantly into his illustration of the stark reality and emotional tumult of coping with death. Samara is a mythic tale of redemption that follows a messenger through a bleak frontier in his quest to collect a debt, though the human cost of the journey may be more than he bargained for. And Paradiso, which takes place in the not-too distant future, describes three great loves: family, country and God.

A selection of early work—including two Pulitzer Prize-winning plays—from Eugene O'Neill, winner of the Nobel Prize in Literature A Penguin Classic Included in this volume are seven one-act plays (The Moon of the Caribbees, Bound East for Cardiff, In the Zone, The Long Voyage Home, Ile, Where the Cross Is Made, and The Rope), and five full-length plays (Beyond the Horizon, The Straw, Anna Christie, and the classics The Emperor Jones and The Hairy Ape), all written between 1914 and 1921 and produced for the stage between 1916 and 1922. The majority of these plays are heavily influenced by German expressionism—Freud, Nietzsche, Strindberg, and the radical leftist politics in which O'Neill was involved during his youth. Also included in this unique collection is the little-known and highly autobiographical play The Straw, which draws on O'Neill's confinement in the Gaylord Farm Sanatorium.

This book argues that dramaturgy makes things visible and does so in two distinct and interrelating ways: creative processes and formal elements of performance are rendered visible and readable; and performance dramaturgy becomes an expanded practice in which performance is a locus for creating wide-ranging events and activities. This exploration defines dramaturgy as a perceptibly transforming agency in the construction, presentation and reception of contemporary performance; and it shows how contemporary performance has an intrinsic dramaturgical aspect whose proliferation of dramaturgical practices has led to a far-reaching reinvention of what contemporary theatre is. In doing so, this book deals with a careful selection of performance practices, including theatrical adaptations, new media dramaturgy, contemporary dance, installation-performance, postdramatic theatre, visionary works by auteurs, and revivals of well-known stage shows. This study will be of great interest to students and scholars in theater studies, performance studies, cultural studies, curating, and dance scholarship.

This first volume collects nine of Maxwell's early works: Boxing 2000, Caveman, House (1999 OBIE Award winner), Showy Lady Slipper and others.