A guide to all of the plays of Martin Crimp. For a decade, Martin Crimp has been in the vanguard of new writing for the British stage. His main stage plays include Dealing with Clair, The Treatment, Attempts on Her Life, The Country, and Cruel and Tender, with his 1997 masterpiece, Attempts on Her Life, arguably being one of the best plays of the past quarter century. By the author of the landmark study of contemporary British drama, In-Yer-Face Theatre, this is the first study of Martin Crimp's work for stage and radio. Arguing that Crimp is one of the most acute satirists of contemporary British society, Aleks Sierz provides an accessible and fascinating account of the playwright's work. As well as an account of each of Crimp's plays and an analysis of his oeuvre, the volume includes a wide-ranging interview with Crimp himself and interviews with all the key directors responsible for staging his work, including Sam Walters, Katie Mitchell, James Mcdonald and Lindsay Posner.

For a decade, Martin Crimp has been in the vanguard of writing for the British stage. This work is the study of Martin Crimp's work for stage and radio. Arguing that he is one of the most acute satirists of contemporary British society, it provides an account of the playwright's work, as well as an account of each of Crimp's plays.

First published in 2006, Alek's Sierz's The Theatre of Martin Crimp provided a groundbreaking study of one of British theatre's leading contemporary playwrights. Combining Sierz's lucid prose and sharp analysis together with interviews with Martin Crimp and a host of directors and actors who have produced the work, it offered a richly rewarding and engaging assessment of this acutely satirical playwright. The second edition additionally explores the work produced between 2006 and 2013, both the major new plays and the translations and other work. The second edition considers The City, the 2008 companion play to The Country, Play House from 2012 and the new work for the Royal Court in late 2012. The two works that have brought Crimp considerable international acclaim in recent years, the updated rewrite of The Misanthrope which in 2009 played for several months in the West End starring Keira Knightley, and Crimp's translation of Botho Strauss's Big and Small (Barbican, 2012), together with Crimp's other work in translation are all covered. The Theatre of Martin Crimp remains the fullest, most readable account of Crimps's work for the stage.

Theatre Director and Creative Associate at Gate Theatre, Ed Madden, introduces one of the most significant playwrights in contemporary European theatre, Martin Crimp. Madden examines the ways in which Crimp approaches the complex territory of scathing...

This exploration of the territory between theory and practice in contemporary theatre features essays by academics from theatre and translation studies, and delineates a new space for the discussion of translation in the theatre that is international, critical and scholarly, while rooted in experience and understanding of theatre practices.

This book revisits In-Yer-Face theatre, an explosive, energetic theatrical movement from the 1990s that introduced the world to playwrights Sarah Kane, Martin McDonagh, Mark Ravenhill, Jez Butterworth, and many others. Split into three sections the book re-examines the era, considers the movement’s influence on international theatre, and considers its lasting effects on contemporary British theatre. The first section offers new readings on works from that time period (Antony Neilson and Mark Ravenhill) as well as challenges myths created by the Royal Court Theatre about the its involvement with In-Yer-Face theatre. The second section discusses the influence of In-Yer-Face on Portuguese, Russian and Australian theater, while the final section discusses the legacy of In-Yer-Face writers as well as their influences on more recent playwrights, including chapters on Philip Ridley, Sarah Kane, Joe Penhall, Martin Crimp, Dennis Kelly, and Verbatim Drama.

First published in 2006, Alek's Sierz's The Theatre of Martin Crimp provided a groundbreaking study of one of British theatre's leading contemporary playwrights. Combining Sierz's lucid prose and sharp analysis together with interviews with Martin Crimp and a host of directors and actors who have produced the work, it offered a richly rewarding and engaging assessment of this acutely satirical playwright. The second edition additionally explores the work produced between 2006 and 2013, both the major new plays and the translations and other work. The second edition considers The City, the 2008 companion play to The Country, Play House from 2012 and the new work for the Royal Court in late 2012. The two works that have brought Crimp considerable international acclaim in recent years, the updated rewrite of The Misanthrope which in 2009 played for several months in the West End starring Keira Knightley, and Crimp's translation of Botho Strauss's Big and Small (Barbican, 2012), together with Crimp's other work in translation are all covered. The Theatre of Martin Crimp remains the fullest, most readable account of Crimps's work for the stage.